March 2009

Archives

Monday, March 30, 2009

Good news and bad news on Zeiss 21/2.8 Distagon

Following up on the Zeiss 21/2.8 Distagon, I have some good news and some bad news. The good news is that I have 4 samples to test. The bad news is that I have 4 samples to test, what a PITA.

To be clear: don’t assume anything (good or bad) about why I’m testing 4 samples; the issue I’m researching appears to span lenses and brands, something I’m nailing down and will report on in Zeiss ZF Lenses. Definitely something you’ll want to understand.

Hang tight on the 21/2.8 Distagon, my report will be very revealing, albeit not as quick as I had hoped.

Sunday, March 29, 2009

Mac Pro Nehalem 4GB modules from OWC testing

Following up on yesterday’s entry on the OWC 4GB modules for the Mac Pro— zero problems, perfect operation and no ECC errors after four hours of stress testing in my 2.93Ghz Mac Pro Nehalem.

The diglloydTools stress test uses all 16 cores and all the free memory in the machine. It doesn’t get any more demanding than that; no conventional program comes close to that kind of workout for the Mac Pro. (Even Activity Monitor thinks it’s loaded, showing more than 1600% CPU usage, the maximum!) The diglloydTools program is included with your subscription to DAP.


Mac Pro Nehalem pinned at redline
Click to see larger image

The OWC modules are literally 1/3 the price Apple charges, a heck of a deal.


A pair of OWC 4GB memory modules.

There is one “gotcha”: according to OWC, they do not operate with other sizes or brands (this might be true of Apple modules also, not known as yet). Then again if you need 4GB modules, the only appropriate configurations are 24GB or 32GB (12GB or 16GB for the single-processor Mac Pro).

OWC tells me they’ve also tested these modules in the single-CPU Mac Pro Nehalem which has only 4 memory slots, and they work great.

Saturday, March 28, 2009

Mac Pro Nehalem: 4GB modules from OWC

OWC sent me a 32GB kit (8 X 4GB) to try in the new Mac Pro Nehalem.

I don’t really need this much memory, but anyone working with huge files in Photoshop should use 32GB. A good compromise if you don’t need the full 32GB is “only” 24GB: lower cost and (in theory) slightly higher performance.



Mac Pro Nehalem with eight 4GB modules = 32GB

When used 6 at a time, memory copy performance tested using diglloydTools with the OWC 4GB modules is identical to that of the OWC 2GB modules.

But when eight 4GB modules are used, memcpy performance is about 15% faster than with eight 2GB modules, and in fact 75% as fast as the six module configuration. In other words, an eight module configuration of the 4GB modules offer 75% of the maximum performance, a bonus upside, even if real application are unlikely to show no difference.


OWC 2GB and 4GB modules the same speed with 6 modules
But with 8 modules, the 4GB modules excel

One caveat: the OWC 4GB modules will not work with other modules of any brand or capacity This is unfortunate, but it’s not clear that Apple OEM modules might not have the same limitation. And at 1/3 the price of Apple ($6100 for 32GB), it’s a quibble.

The good news is that anyone with the new single-CPU (4 core) Mac Pro Nehalem can use 4GB modules to get to 16GB, a critical consideration for some users.

As with all the OWC memory I’ve tried, it’s worked flawlessly, with no issues, no ECC errors, etc, even when stressed by diglloydTools.

Wednesday, March 25, 2009

Zeiss ZF 21mm — both samples

I’m busy shooting two samples of the Zeiss ZF 21/2.8 Distagon today, along with some comparisons with the Nikon 14-24.

Impressions to follow, maybe or maybe not today, cross-checks do take time, and valid comparisons are far more challenging than most people realize.

Update: certain challenges have arisen, reporting on the 21/2.8 Distagon will be delayed slightly as a result: an entire day of effort and I’m frustrated. I have not yet ruled out camera issues eg lens mount.

Mac Pro memory prices

Update: OWC has announced 4GB memory modules for the Mac Pro Nehalem at far lower prices than Apple’s. I’ll be stress-testing a 32GB configuration over the weekend and reporting on them.

Need more than 16GB in your 8-core Mac Pro (which has 8 slots) or more than a measly 8GB in the 4-core Mac Pro (which has 4 slots)? Photoshop users working with many larger files or huge files have very good reason to want 32GB, as my Photoshop CS4 performance tests show.

Prices for 4GB modules from Apple are downright scary, see below. Stay tuned for a 32GB test this weekend and news of a very nice price reduction for anyone needing 4GB modules for the Mac Pro Nehalem.


25 Mar 2009 Apple memory prices for Mac Pro
Click to see OWC memory prices (recommended vendor)

Tuesday, March 24, 2009

Switching to an SSD boot drive

Why am I switching to an Intel X25-M solid state drive in my Mac Pro?

Find out why in How to make.your Mac feel lightning-fast. Even if the price is too high now, wait a few months—2009 will be the Year of the SSD™.


Innards of the Intel X25-M solid state drive

Zeiss ZF 21mm now in hand

Please see previous comments.

I have the Zeiss ZF 21mm f/2.8 DIstagon in hand. It’s a beautifully-built lens, with a narrow barrel compared to its flaring “business end”, quite similar to the 18/3.5 Distagon. The lens hood is moderately large, and looks almost weapon-like.

Initial (very limited) image quality impressions are of a very highly corrected lens, with excellent control of lateral chromatic aberration (color fringing), very high sharpness throughout most of the frame. Corners are a little weak, but so too with the Nikon 14-24 zoom, and it doesn’t get any better than that so far.

Tomorrow I plan to make the first direct comparison as well as some more extensive field shooting. I also have a second sample on the way to compare lens-to-lens variation, which tends to be minimal with the ZF line compared to Nikon and Canon. Click the image to buy one at B&H Photo.

My findings will be posted in detail in Zeiss ZF Lenses, but a full evaluation will take at least several weeks.

Zeiss ZF 21mm f/2.8 Distagon, Zeiss ZE 21mm
Zeiss ZF 21mm f/2.8 Distagon

Monday, March 23, 2009

Nikon D700-IR with Zeiss ZF 25/2.8 IR Distagon

Reader Phil L sent me his converted Nikon D700 full-spectrum camera (sensor glass is replace to pass visible light, infrared, and UV). Using filters, the image can be infrared or visible or a combination of both. I concentrated on infrared, and today I just received my ZF-IR 25/2.8 Distagon, a special industrial version with coatings that do not attenuate infrared as do the normal versions. See my previous review of the prototypes.

The D700 does a beautiful job in infrared, though Phil requested my input on a sporadic reflection that is apparently a side-effect of the conversion process. I’ve reproduced it, but as yet do not know the cause.

Shown below are two examples shot with the ZF-IR 25/2.8 Distagon and a B+W 093 filter. The high quality of both the lens and camera are evident.

Voigtlander 40/2 ASPH
Nikon D700-IR with Zeiss ZF-IR 25/2.8 Distagon

Voigtlander 40/2 ASPH
Nikon D700-IR with Zeiss ZF-IR 25/2.8 Distagon

Voigtlander Ultron 40/2 ASPH SL II in stock

I recommended the Voigtlander 40/2 back on Feb 3. It is now in stock at B&H Photo. A number of readers have purchased it, and all feedback I have received has been very positive.

Voigtlander 40/2 ASPH
Voigtlander Ultron 40/2 ASPH SL II

Zeiss ZF 21mm f/2.8 Distagon in stock at B&H

The long-awaited and highly anticipated Zeiss ZF 21mm f/2.8 Distagon is now in stock at B&H Photo (as I write this). See my March 18 comments.

Zeiss ZF 21mm f/2.8 Distagon, Zeiss ZE 21mm
Zeiss ZF 21mm f/2.8 Distagon

Sunday, March 22, 2009

Nikon 24mm lens choices

Added to DAP is my take on 24mm lens choices for Nikon including the 14-24/2.8G, 24-70/2.8G, PC-E 24/3.5, and the 24/2 AI-S.

Reader feedback: on-the-road without a laptop

Update: readers responded (thank you!). It seems that one good choice is the Sanho Hyperdrive.

A friend is heading to Australia for a month. Maybe he’ll shoot 100GB of images. He doesn’t want to carry a laptop, not even a 3lb MacBook Air, but it would be very desirable to be able to backup the images. He’s also not shooting a dual-slot camera like the D3/D3x, which via dual card slots can make on-the-fly backups.

He won’t be erasing any of his CF cards; he’ll just take ten 16GB cards or whatever he feels is adequate. Only upon return when downloaded and backed-up will he erase the cards.

So the question is what’s the best way to download the cards, burn them to DVD, etc as a means of backing up.

Reader suggestions welcome, please contact me with your ideas.

Reader feedback: how to burn images to DVD?

Update: readers responded (thank you!). It seems that one good choice is Roxio Toast 10, which will allow selecting a folder and burning as many DVDs as are needed to hold the files, prompting the user for each disk. Also a possibility from Apple Aperture is the BurnToDisc plugin, from Blue Room Software.

Suppose I’ve just returned from a shoot with a number of cards full of images, let’s say 15GB of images per card. The goal is to now archive those images prior to any processing, a true read-only master copy on DVD, before any sorting, deleting, etc. (I might also want to archive to DVD later, but it should be the same process).

How can one conveniently burn multiple DVD disks when the size exceeds the space available on a single DVD?

I’m looking for a program so that I can point at folder(s) of any size, and have it automatically burn as many DVDs as are required to back up those folder(s). Ideally it would have some smarts in naming the volume (eg Yosemite-1_of_3 or something like that). And the ability to burn more than one copy would be a plus.

If you know of such a program for Mac OS X, please let me know.

I was hoping the Apple’s Aperture would have such a feature built-in, but I haven’t found it.

Art Wolfe Travels to the Edge

I spent the day with Art Wolfe last week. Art has a wonderful eye for pattern, form and people, and his web site is well worth exploring, very inspiring.

I explained the ins and outs of infrared to Art— what it is, the results one can expect, and the technical challenges involved. It’s up to him as an artist to conclude whether it’s the right match some future work.

Art is offering classes this year, and I encourage anyone interested in “art from Art” to grab the opportunity. See his Travels to the Edge Field Seminar offerings (Yosemite, Acadia, Zion, Big Sur), and let them know you heard about it here.

Where the magic happened — Ansel Adams

Continuing from above, Art and I had the wonderful opportunity to visit with Jeanne and Michael Adams, who graciously showed us their home, replete with works from the master, Ansel Adams, some of which were larger than any Adams prints I had previously seen.

Michael Adams showed us the darkroom used by Ansel, including the still functioning horizontally-mounted enlarged shown below. The faint darkroom smell still lingered, a trip back to the 1980's when I used to run the Stanford Photo Club darkroom, where I developed skin irritation from fixer—I loved watching latent images emerge, but I’ll pass on the chemicals!


Michael Adams shows Ansel’s horizontally-mounted enlarger
(infrared)

Friday, March 20, 2009

Mac Pro Nehalem review updated

I’ve added some new material to my Mac Pro Nehalem review, including a page on scalability with Photoshop CS4 (how many cores are really used), file save and open speed in CS4, notes on compatibility.


16 Cores in Photoshop CS—75% idle

And some good news: Other World Computing (OWC) tells me that 4GB memory modules for the 2009 Mac Pro Nehalem should soon come down to a reasonable level, still a lot higher than the 2008 Mac Pro, but much less than what Apple charges. Stay tuned—I’ll be testing and reporting on those modules next week.

Wednesday, March 18, 2009

Zeiss ZF 21mm f/2.8 Distagon now shipping

The long-awaited and highly anticipated Zeiss ZF 21mm f/2.8 Distagon is now available for order from B&H Photo. The word I have from Zeiss is that lenses have gone out to dealers, so get one now if you want one—I expect that they’ll be in hot demand initially.

Zeiss ZF 21mm f/2.8 Distagon, Zeiss ZE 21mm
Zeiss ZF 21mm f/2.8 Distagon

Naturally I have one on order and will add results quickly to Zeiss ZF Lenses, using the Nikon D3x as the test mule, along with the Canon 5D Mark II.

The 21/2.8 Distagon is reportedly one of the very best Zeiss wide angle designs; the Contax version is legendary (highly sought after), and this version improves upon it, according to Zeiss. See the technical data and my previous comments.

This is one lens I have a keen interest in exploring on Nikon and Canon (with adapter). Canon users will have to wait for EF mount (Zeiss calls this “ZE”), according to Zeiss: “ZE series for the Canon mount will be launched Q3 this year”. But the ZF model can be used on Nikon and Canon (with adapter), so why not stay flexible?

The best way to get the scoop on the 21/2.8 Distagon is to subscribe to Zeiss ZF Lenses where it will get my usual deep coverage, though of course information will appear here in this blog as well. In particular, how will it compare to Nikon’s outstanding 14-24mm? I also plan to compare more than one sample for optical consistency/excellence.

Mac Pro Nehalem review posted

I’ve already received a lot of emails on my Mac Pro review, but I will be away for the day and won’t be able to respond right away, perhaps until tomorrow.

Tuesday, March 17, 2009

Mac Pro Nehalem review posted

My special report on the new Apple Mac Pro “Nehalem” 2.93GHz is now online.

Nikon 24mm options

Never fear, this is not going to become a computer blog—it’s just that computers and photography are now inextricably linked for most of us now, even film shooters.

I’ll be returning to regularly scheduled programming very soon and have mostly finished a report on Nikon 24mm lens options for DAP.

Mac Pro Nehalem 2.93 GHz

I tested late into the night last night with the 2.93GHz Mac Pro Nehalem and my existing 2.8GHz 2008 Mac Pro. Both machines are booting off the Intel X25-M solid state drive and both are using a 4-way RAID stripe of 1TB Western Digital RE-3 hard drives.

I have some very interesting results coming, and I strongly recommend waiting to see them before making any purchase decisions. In the meantime, please review Optimizing Your Applications.

I will be publishing a large batch of results tonight, with something for everyone but especially photographers, probably around 10pm PST, possibly earlier.

Mac Pro Nehalem virtual CPU core utilization
Genuine Fractals 6
Superb utilization of all 16 CPU cores

Mac Pro Nehalem virtual CPU core utilization
Canon Digital Photo Professional
Minimal (brain-dead) utilization of the 16-cores

Sunday, March 15, 2009

Mac Pro memory might require thermal sensors

I’ve added a few memory tips/links to my Mac Pro review. In particular, readers have asked if generic DDR3 memory works in the Mac Pro: a thermal sensor appears to be required, and these aren’t necessarily present on generic DDR3 memory.

Recommended external enclosure for geeks

When testing equipment, I need to swap boot drives, clone systems, etc. There is no more convenient tool for this than the NewerTech Voyager Q, which I’ve used for several months now in all my testing. It’s also a great way to make quick backups onto bare hard drives — 2.5" or 3.5" SATA, hard drive or SSD.

Saturday, March 14, 2009

Troubling news on Mac Pro memory

I spent most of today recoding diglloydTools to be able to characterize memory and computing performance with 16-core machines, like the new Mac Pro (8 real cores, 16 virtual cores). diglloydTools is available as part of DAP.

When is more memory slower? When it drops DDR3 memory speed from 3X (triple-channel) to 2X, which is apparently what installing 8 modules instead of 6 does in the new Mac Pro “Nehalem”. It apparently downgrades speed for all modules, not just the last two. This is preliminary based on numbers provided to me by Rob-Art at barefeats.com on his 2.26GHz MacPro using my just-revised diglloydTools.

See my MacPerformanceGuide writeup for details.

Readers speak out on Adobe licensing

I hit a nerve discussing my own hassles with Adobe software licensing. And I wasted another 20 minutes of my time finding the right Adobe contact number and phoning Adobe (not so easy—they don’t really want to talk to you, since they already have the money).

I still don’t have my licenses restored, but I have a promise that an email might show up within 24-48 hours (note to Adobe: email should take 60 seconds). If it doesn’t, I get to waste more of my time explaining the problem again to the next random person. Every time I call Adobe they seem to have no record of the last call, a sort of negative feedback loop to discourage pesky customers.

It is Adobe’s position that activation is a non-issue (“Adobe is committed to eliminating unauthorized use of its software in a manner designed to have a minimal impact on licensed users”). I don’t consider the impact minimal. Adobe also publishes blatant lies on their web site:

Activation does not transmit any personally identifiable information, except to the extent that IP addresses may be considered personally identifiable in some jurisdictions, nor does it hinder licensed users' ability to use the software the way they always have under the Adobe product license agreement.

Well, it sure as hell is hindering me. And I have a static IP address that anyone can look up to identify me via reverse DNS. What about the fact that Adobe knows when I’m using the software and where I’m located? Disingenuous.

Below are reader emails showing just how pernicious the scheme is. I didn’t receive any emails defending Adobe.

What happens if you have a disk failure? You obviously can't deactivate at that point.

The issue I and other photographers I know have is the entire “only 2 computers” for the license issue. Nowadays as pro photographers we use more then just 2 machines. I wanted to set up CS3 on another machine and Adobe told me sorry, no way. Sure would be nice if they would institute a small fee for a legitimate license and allow us to install on a 3rd or 4th machine.

I completely agree with you it is nothing short of shameful, the way we as customers are treated.

When I purchased CS3, there was nothing on the box or anywhere else that explained about their policy of only 2 uses. Shortly afterwards, I had to perform a disk erase and reinstall. Something nobody really wants to do. If that wasn't enough of a headache I soon discovered that when I went to fire up my reinstalled CS3 on my G5 it wouldn't work. I went through the box and instructions and found nothing to explain what was going on.

After considerable grief, I finally went online to Adobe's site for help and it was then I discovered their policy. It was in one of those FAQ's sections. If I remember correctly the question was "doesn't this impact the true customers too much". Of course the answer was "no" with the caveat that Adobe loses millions on pirating and blah, blah, blah.

In the end I called Adobe. Living in the Netherlands it was a toll call. I assume I reached someone in the states and not in India, as the accent was American. It was on a weekend (as most bad things like this happen) and I got some guy whom when I gave him my serial number informed me (in a rather obsequious tone) it was an upgrade, as if . . . what? I first bought PhotoShop at 5.0 and have been upgrading since from Adobe, and that makes me something less then a real customer? Anyway he told me that I had to call back on a weekday and hung up!

That next Monday I called again. This time the person was really polite (again with an American accent) and got me back-up quickly, but still, what a hassle. Especially considering the fact that I know of a lot of people, who do not have this problem, because they pirate their software. So I asked the representative, if she was familiar with an old bumper sticker that said "when guns are outlawed, then only outlaws will have guns". She didn't see where I was going with this, so I elaborated and said "when software privileges are outlawed only outlaws will have privileges" she actually took it quite well, much to her credit. Of course I was so happy to get my PhotoShop back up and running, that I had told the whole story with a laugh.

I really dislike Activation schemes, IMHO they are only a disadvantage for the honest user and doesn’t solve the piracy problem. I try always to buy software with unlimited updates (paying the extra is an investment with good software) avoiding as much as possible to buy software with an activation scheme because:

- what happens if my hard disk get broken? I loose all the licenses, I have to call here and there asking “please activate me?”

- what happens if I want to install the software on the same computer but under different virtual machines. As a developer I have about 20 virtual machines, Windows&Linux. Most software I need on several machines, and I am one developer with one computer. Why can’t I install Photoshop on the same computer but different virtual machines?

- why do I have to spend an extra time for activating, deactivating, I am a legitimate user, In Italy we say that you should kiss my feet.

- who wants to steal does it in any case: download a torrent client (uTorrent), enter Photoshop in the search box, click on the resulting torrent and wait few hours for to download your fresh copy of Photoshop ready with the anti-activation scheme. It’s too easy for who don’t want to pay a license to obtain a copy and use it in freedom like a customer should do. Without any restrictions.

John Nack is actually a pretty responsive guy to deal with. I had a license for PS CS3 Extended.

I wanted to upgrade to CS4 regular; at his blog, John claimed this was an option. Adobe customer service claimed it wasn't, though. I emailed John - he actually had someone from Adobe call me at my registered phone number to sort it out. And it was sorted out, via a complicated series of manual overrides.

Of course, now if I want to install a second copy on another machine (permitted by the EULA), I probably have to go through the whole rigmarole again, including getting John to intervene personally again.

I do agree with you that the activation scheme - and all activation schemes in general - are clumsy, annoying, and punish the innocent. John is a nice guy and committed to customer service, but that doesn't change the fact that there is an underlying rottenness in the whole process.

I lost a CS3 Design Standard activation. I spent ages on the phone with Adobe. At first they said they could restore the activation. Later they told me that was wrong and they couldn't, because they lacked the technical means to do so. I asked them what would happen if I sold on my copy of CS3. In that case they said they could bring it back to two activations. But they wouldn't do it for me.

Now I'm the precarious position of having 1 activation left. If I lose that I will presumably have to phone Adobe every time I reinstall CS3 and beg them for a temporary activation key. I'm not terribly happy about this.

How I lost the activation: I deleted a standard (non-admin) user account and every file owned by that user. I had found the files using the UNIX command 'find'. What I didn't realize was that some of those files contained activation details. I had activated CS3 from that user account, but when I was asked for my admin password and activation was effected system-wide, I wrongly assumed it would be the administrator who owned any relevant files.

Perhaps because of having done successful disaster preparedness in anticipation of the Northridge earthquake in Los Angeles, and learning to think several steps ahead, my sensitivity to the stupidity of software re-activation is higher than most.

I see it as a deliberately created single point of vulnerability due to the negligence of the company that can take down an industry (or the entire economy, in the case of Microsoft). For example, what happens when millions of people are dependent on product reactivation if the company goes out of business, or if there is a natural disaster or attack that removes the reactivation capability. Could a sophisticated terrorist, foreign military, or disgruntled employee succeed with a bit of data corruption in permanently destroying the company's ability to generate valid new keys, thereby spreading widespread disruption? ... or just some unexpected failure?

Microsoft had an activation server malfunction that demonstrated this quite well. Companies that create such single point vulnerabilities that are failure prone and likely to be exploitable through cyber-warfare are being incredibly naive and irresponsible. Plus just the cumulative economic loss due to wasted efforts of honest software users dealing with false hits by such activation schemes must be staggering. Maybe one of these days, tort lawyers will figure out how to collect damages for software malpractice, hopefully giving doctors some relief while making the computer industry less irresponsible.

I feel very strongly that I don't want to purchase intellectual property without a permanent license, and see product reactivation not only as annoying and oppressive but as unacceptable because it requires the company to be in existence and competent in the future.

You take a substantial risk when you become dependent on CS4 without knowing that you will be able to continue using it. In hard times such as these, the risk of any single company suddenly going away becomes magnified.

Friday, March 13, 2009

MacMini for photographers?

Can a MacMini serve the needs of photographers? With some patience, perhaps, but it’s a great little machine for all sorts of computing chores when upgraded to 4GB memory and a 500GB hard drive.


2009 MacMini with the top off

Mac Pro “Nehalem” 2.93GHz — coming Monday

Following up on yesterday’s comments on delayed delivery, my Mac Pro 2.93GHz has shipped and is due to show up on Monday, with initial impressions to follow asap. Ironically, Apple shipped it one day late, and I could pick it up tomorrow at the FedEx depot, but Apple marked the shipment as not allowing pickup that way! WTF.

Based on numbers and feedback I’m getting from Rob-Art over at barefeats.com, the new Mac Pro has some odd properties with respect to memory configuration, so it will prove quite interesting to investigate and sleuth-out, especially with real-world tasks.

I’ll be teaching everything I know about infrared to a well-known photographer on Wednesday, which takes precedence over computer testing for one day, so Monday and Tuesday nights are going to be very busy!

Voigtlander Ultron 40/2 ASPH SL II

I recommended the Voigtlander 40/2 back on Feb 3. It quickly went out of stock at several online stores, but was briefly back in stock at B&H Photo earlier today. B&H is accepting orders on it for delivery.

Voigtlander 40/2 ASPH
Voigtlander Ultron 40/2 ASPH SL II

Thursday, March 12, 2009

Adobe’e activation scheme

Does anyone else find Adobe’e Activation scheme distasteful? I’m not very happy about my situation, and I sent this email to John Nack and Adam Jerugim at Adobe. Let’s see how they respond.

I'm having a headache with Photoshop activation. I've been testing a variety of machines by booting off an external drive. For example, I just tested a loaner MacBook Pro 17".

I sent the loaner MBP17 back. I wiped the drive clean first, not even a system on it.

Usually I remember to Deactivate. But it's easy to forget when testing multiple machines/hard drives. Now I'm testing another machine off the *same boot drive*, and Photoshop thinks I'm stealing — it wants me to Activate it. Of course, the MBP 17" is LONG GONE, so I'm out a perfectly legitimate license. Worse, DreamWeaver CS4 also has the same problem. So I have lost two licenses now.

This happened last week while testing. I called Adobe (some guy in India) and they did something for Photoshop but not DreamWeaver CS4. And the way it was handled was all but an outright insult ("just this once, since you're probably a thief" is the way it came across to me).

Now it's happened again—same boot drive, different test machine.

I am so disgusted with the way Adobe treats its customers. I am in complete compliance with the license agreement, yet I cannot use the software I paid for! I hope you can help resolve this problem.

Imagine if every company had the same approach as Adobe—what a nightmare. And Adobe still hasn’t fixed the bug that fills up the system log with SEGV violations.

Mac Pro “Nehalem” 2.93GHz

Apple’s phone representatives are very professional and wait time is only a few seconds, very nice job there.

As I expressed to the Apple representative just yesterday afternoon, who assured me of delivery today, Apple has misled me before on delivery dates. Early this morning, “today” became “up to 8 days from now”.

We appreciate your recent purchase from the Apple Store. Following is an update regarding the status of your order.

Due to an unexpected delay, we now anticipate shipping the following item(s) as follows:
Z0G1, MAC PRO
Ships by 3 - 5 business days
Delivers by Mar 18 - Mar 20

We regret any inconvenience this delay may cause.

Do Mac Pro boxes just suddenly go missing overnight.

The Apple site indicates the same delivery dates if I were to order a machine today. But I ordered a week ago! Maybe they’re made in batches and mine didn’t make it into the cargo container.

I had hoped to do a full weekend of testing, and I’m still (faintly) hoping Apple can find a unit in stock at some bay area store. Meanwhile the memory and Hitachi 1TB hard drives are here on my desk ready to go.

I don’t need the machine personally in such a hurry, but at a web party, peak traffic goes to those with the punchbowl.

Wednesday, March 11, 2009

Mac Pro “Nehalem” 2.93GHz

I’ve got a writeup of Nikon 24mm options coming to DAP, but in the short-term all eyes are on the fast new Apple Mac Pro.

Apple tells me that my new Mac Pro 2.93GHz will arrive tomorrow. Kudos to Apple for comping me the Mini DisplayPort to dual-link DVI adapter and one-day shipping; it took a little negotiating, but it’s made me a satisfied customer.

I have the hard drives and 16GB memory lined up ready to go (with 32GB to come on loan from OWC when available).

I’ll be running the new Nehalem-based Mac Pro through its paces, focusing on what it does for photographers with Photoshop, RAW-file conversion, Genuine Fractals and other tools.

If it measures up, I keep it and sell my existing awesome 8-core 2008 Mac-Pro, perhaps to a lucky reader of this blog. If not, it goes back to hype-land at Apple. I suspect that it will measure up, but stay tuned for my usual objective take on things, a little bit of bitchin' about what I don’t like or is missing, and what you can really expect over the prior model.

And yes, I do hope to “pimp” it with Samsung’s new 256GB SSD, but not quite this extreme.

Let’s be real though: some photographer’s needs will be perfectly well-served by the new 4GB MacMini, which now offers Firewire 800. Get the base model, stuff 4GB of OWC memory (and a faster/larger hard drive into it), and you’re good to go.

Pimp my MacBook Pro

No I didn’t paint it or add wheels, but I did investigate what one can do with dual internal solid state drives (SSD) or dual internal 500GB drives on a 17" MacBook Pro, and how it affects things photographers might do!

Pimp My MacBook Pro
Apple MacBook Pro 17" (8GB and 1TB internal storage)

Photographers on the go who want to use one computer will find dual internal drives an intriguing possibility for increased performance and/or reliability and/or capacity.

Sunday, March 8, 2009

MacBook Pro 17" 2.93GHz reviewed

Just published in Mac Performance Guide is my review of the new Apple 17" MacBook Pro 2.93 GHz, loaned to me for testing by Other World Computing, along with the 8GB memory kit for it (which saves you $300 over the Apple 8GB option).

Can the new MBP 17" with 8GB memory substitute for a Mac Pro? It certainly kicks butt with 8GB memory on the diglloydMedium benchmark compared to any previous MacBook Pro, but read for yourself whether your usage and workflow might dovetail with its features.

I’ve also posted reviews of several hard drives: The Hitachi Saturn E7K1000 1TB, the Hitachi Travelstar 5K500.B and the Fujitsu 320GB.

Friday, March 6, 2009

Nikon AF-S 50mm f/1.4G reviewed

Just published in DAP is my review of the new Nikon AF-S 50mm f/1.4G. It’s a winner.

Memory for Nehalem Mac Pro
Pacific sunset
Nikon D3x + 50/1.4G @ f/5.6

 

Thursday, March 5, 2009

No more Leica “R”

The news today is that Leica is discontinuing the Leica R9 and lenses. I’m not sure if this will elevate or depress prices on Leica R lenses.

I’m a big fan of the Leica R APO lenses, most of which can be used on Canon or Nikon. See previous comments.

European store SH photo has what remains of Leica’s stock, apparently having bought it out. See also the links to various APO lenses on my Gear page.

Leica is apparently focusing on the new S2 line. Will there be a need for an R replacement, and can Leica swing the funding in this economic climate? The smart move would be a very aggressive rollout of the S2, perhaps it can be the new and only DSLR story from Leica. I do expect to get an S2 for review something in May or so.

Reader feedback: 6GB in MacBook Pro

With many programs, a big performance gain results from installing 6GB in your MacBook Pro (or MacBook). Same idea for the Mac Pro, but go to 8GB or 16GB.

Here’s what Stefan S had to say:

I took your advice and loaded my MacbookPro17/2.66 with 6Gigs of ram- had 4 before- and it really is the best 100 € I spent since a long time.

Aperture really sings and I would say it´s at least 20% overall faster as all the caches and prefetches got bigger, seems there is a certain barrier that is below and beyond 4 gigs there.

Your best way to increase performance is almost always memory if you have 4GB or less, if it’s 1GB or 2GB it’s a no-brainer. You can check memory usage in Activity Monitor.

Photoshop will be a lot faster with large files (or many files). Even if you don’t use Photoshop, Mac OS X uses extra memory for caching everything. That’s why when you quit and relaunch an application, it’s as fast or faster than using a solid state drive (SSD).

Wednesday, March 4, 2009

Mac Pro followup: memory costs $$$$$$

Following up on my previous comments on the new Nehalem Mac Pro—

Here’s one staggering drawback to the new (March 2009) “Nehalem” Mac Pro: memory cost. An 8-core machine can be a lot less expensive than a 4-core machine, read on for more on that paradox.

There are eight slots for memory, and 16GB as 8 X 2GB is an inexpensive $300 by comparison to the cost of the Mac Pro itself: less than 10% of the base price of the least expensive 8-core model.

Now here’s the rub: 16GB of 2GB modules is $300, but 16GB of 4GB modules is about $2500. That’s $5000 for 32GB! And it’s not just Apple’s price, it’s OWC’s price. The parts availability is just not there yet, so costs are outrageous. How long will it take for the price to come down? If the first Mac Pro is any guide, 9-12 months.

Memory for Nehalem Mac Pro
32GB — ouch!

In short, you can get a new Nehalem Mac Pro and spend $5000 for 32GB of memory for an anal-puckering $11000 system (2.93GHz). Or you can get a refurbished prior-generation 3.2GHz model and 32GB memory for about $5100. In other words, you can get two of the previous-gen models with 32GB each and have money left over for eight fast 1TB hard drives!

Now that’s some stimulus where the sun don’t shine.

Most users don’t need more than 16GB memory, but some do. See the Mac Pro results in Optimizing Photoshop for how critical it is to have 32GB vs 16GB when working with huge files.

What about the 4-core vs the 8-core model when you need more than 8GB memory?

The crippled 4-core model has only 4 slots—going beyond 8GB therefore requires 4GB modules at 8X the cost per GB of 2GB modules.

You can get an 8-core model with 8X2GB for about $3600 or a 4-core model with 4X4GB for about $5000 (and that’s assuming the 4-core model even works with 4GB modules). Sometimes decisions are easy: if you need more than 8GB of memory, the 8-core model is far less expensive than the 4-core model! So shun the 4-core model. It’s a lousy investment if your needs ever change.

Canon 1Ds Mark III focus fix

Canon has announced yet another fix for an AF problem, this time with the 21MP 1Ds Mark III as well as the 1D Mark III.

Kudos to Canon for stepping forward to fix the problem. I like Canon products and I’m not about to give up on them.

But wouldn’t it be better for Canon to test their products a little longer, rather than try to beat Nikon to the market? I already suffered through a previous “recall” with my Canon 1D Mark III last year. Now the 1Ds Mark III too? We’re on the 2nd or 3rd firmware update as well. As I postulated previously, Canon does it first, Nikon does it right. I was serious, but didn’t know I was prescient.

This latest AF issue follows on the heels of a Live View exposure problem with the Canon 5D Mark II. I think it’s fair so say that with 3 professional camera models with issues, this firmly establishes Canon as having a track record of not testing products adequately. And at the cost of customer time, hassle, and perhaps money.

I own a 1Ds Mark III, and will sell it at some point. Any potential buyer will want to know if my camera has “the problem” (not to my knowledge). So I have little choice but to send the camera into Canon for service to test for and/or fix the issue, or at least to get a statement that it’s A-OK. Even so, buyer FUD (fear, uncertainty, doubt) effectively reduces the value of my 1Ds Mark III, which is why I think Canon needs to do more for customers than a check/repair— an extra year of warranty would be one reasonable approach.

8GB memory for the new iMac

Getting a hot new iMac? Save that $1000 on 8GB from Apple and get 2 X 4GB for $698 at OWC. It’s the same stuff I tested in the MacBook Pro—rock solid.

The iMac, now that it can take 8GB, is worth a look as a photographer’s workstation. It’s still limited in terms of memory and storage capacity/speed but it’s a nice compact unit with plenty of CPU “grunt” for many tasks (but see my application multi-core report card). Your main issue with an iMac is the lack of expandable, redundant and high speed storage eg RAID. For some users, Firewire 800 externally may suffice. but this is one reason to consider a MacBook Pro for its ExpressCard slot, which can accept an eSATA card, the only way to expand to high-speed external storage.

New Mac Pro — what is Apple smoking?

Smoking performance or smoking something else? We shall see!

Dorm graffiti bong
I did not inhale like Michael or Bill

Today Apple announced the new Mac Pro, based on the Intel Xeon “Nehalem” processors, which promise higher performance at lower clock speeds.

With 16 virtual CPU cores on an 8-core system, processing power is theoretically high, but with many programs CPU cores are very poorly utilized, Photoshop being one of the most notable offenders.

See How to Select and Configure a Mac Pro for practical tips for getting high performance at reasonable cost.

I’ll be reviewing the new Mac Pro, but buying one and keeping it is quite another matter. Aside from the new processors and memory, they appear to offer next to nothing useful over the previous model—save a lot of money buying refurbished. Still, I am keeping an open mind until I test the new model.

Let’s look at the good, the bad, and the ugly of the new Nehalem Mac Pro.

The ugly

The entry-level quad-core 2.66GHz model has been crippled. It can’t be bought with more than 8GB memory, and it has only 4 memory slots. This is a very serious limitation, according to my Photoshop tests with large files, and it will only become more damaging as we see 64-bit programs emerge. Perhaps 4GB modules can actually be used (I’ll find out), but Apple is not offering them. The quad-core model is a poor investment when total system cost and expandability are concerned.

Pricing is truly ugly for the 8-core models"

2.26GHz: $3299
2.66GHz: $4699 17% faster at a 42% premium
2.93GHz: $5899 30% faster at a 80% premium

In this economy?!

Don’t even think about buying ultra-expensive Apple memory, go straight to OWC — you can get 16GB (8 X 2GB) for $300 at OWC. The 4GB modules will arrive soon too. And see All About Mac Pro Memory (describes previous generation model, but will be helpful in understanding a variety of issues).

The bad

The video card has been bastardized to use one Mini DisplayPort and one dual-link DVI port. I run two 30" monitors, and I need two dual-link DVI ports. That means spending $100 to hook up my 2nd monitor with the mini-DVI-to-DVI cable, not to mention more cable mess. More cost and more hassle is not progress. Since an extra video card is $150, one might as well get a second video card instead of the damned adapter cable for $100.

The memory is triple channel DDR3, achieving peak performance in multiples of 3 modules (hence the base config of 6X1GB in the 8-core). Did someone not do the math and realize that 8 is not a multiple of 3? What does that mean for the memory performance of those two extra modules? I’ll be testing that.

There are still only 4 internal hard drive bays. Users of HD video or mirrored arrays, etc would find 6 or 8 bays a huge plus. For that matter, the ability to run 2 or 3 SSD drives and 4 hard drives would be a big plus. One hopes that the new models have the same two extra SATA ports as found on the prior Mac Pro.

The good

Memory throughput is allegedly 2.4X faster. Certain programs might run a lot faster as a result, but most won’t. See Apple’s benchmarks.

The Nehalem processors are more efficient, but run at slower clock speeds, negating some of that gain. At $5899 for the 2.93GHz model vs $4099 for a refurbished previous generation 3.2GHz model, they had better be a lot faster. Be sure you understand your specific usage before buying, and also extra costs like memory.

Some specific programs will see large improvements, but Photoshop will see only a disappointing 20% gain for going from an 8-core 3.2GHz previous-gen Mac pro to an 8-core 2.93GHz Nehalem Mac Pro, which does not bode well for the 2.26GHz model.

Extrapolating those Apple tests, figure a 30% gain at the same clock rate, which means that a Nehalem 2.26GHz model is roughly equivalent to a 3GHz previous-generation model on many tasks. That’s assuming your task is purely CPU-bound, and not limited by disk or network speed.

The video card is faster, but so what? (Sorry gamers, I have real work to do). Video speed is outstanding already, and enabling OpenGL in Photoshop just makes the screen drawing speed awful and introduces more bugs than I’m willing to deal with. By the way, be very cautious of video card upgrades— some of them are noisier than the Mac Pro itself!

Related analysis: see Rob’s take at barefeats.com.

Monday, March 2, 2009

What’s at your feet

In photography, it’s really easy to walk by things one sees every day. I won’t be hanging this one on the wall, but I find it an interesting learning challenge to force myself to photograph something I’ve seen so many times before that it doesn’t even register—these are are the things all over the road that make bump sounds before you hit someone. Besides, ya‘ gotta do something when delivering girl scout cookies.

Whats at your feet
What’s at your feet? (Botts dots)
Canon 5D Mark II + Leica 100/2.8 APO-Elmarit-R w/ Novoflex lens adapter

Canon PowerShot G9 infrared for sale

I’m selling my mint-condition Canon Powershot G9, converted for infrared use (internal 715nm filter) by maxmax.com. I used this camera for some testing for my diglloyd Guide to Digital Infrared Photography.

Included are the camera and all original accessories, manuals, etc and box. I’ll also include my Guide to Digital Infrared. $450.

Sunday, March 1, 2009

PowerMac G5 for sale

I'm looking for a local sale, see my Craigslist posting.


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