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WTF?
A double-click renames volumes and folders.

Software

The Olympus Studio 2 software (version 2.3) has a circus-like user interface, with garish amateurish icons, and an idiotic information display, placing things like ISO well below "35mm equivalent".

The feature set is quite good (as a checklist), but assembled as a frankenstein monster of hard-to-use functionality. To add insult to injury, you have to pay for it. It’s so bad that I rank it below Nikon Capture NX2 as the worst-ever RAW-file software I’ve ever used (and I have a dozen or so of them).

Screwball design

Innumerable details are screwball: non-standard save/open dialogs are nothing short of infuriating; double-clicking a folder starts to rename it instead of opening it (I really don’t want to rename my volumes, thank you).

You cannot batch-process RAW files as-is, you must save batch-processing settings first, and how to do so properly is an inscrutable operation without reading the crap manual. Little annoyances include the fact that it doesn’t remember the last settings used to open with the “registered application”.

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Diglloyd Guide to Mirrorless offers comprehensive integrated coverage of most APS-C and full frame mirrorless cameras and lenses.

Special emphasis is placed on Sony full-frame, including Sony lenses and the high performance Zeiss Batis and Zeiss Loxia lenses plus Rokinon/Samyang and others. Fujifilm X, Olympus and Panasonic M4/3, Sigma dp Merrill and dp/sd Quattro are also covered in depth. Years in the making, it offers a wealth of material for choosing and using a mirrorless camera.

  • Make better images by learning how to get the best results right away. For example, the best way to set up your Sony camera.
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  • Real world examples with insights found nowhere else. Make sharper images just by understanding lens behavior you won’t read about elsewhere.
  • Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
  • Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.

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