All images from the 21 megapixel Canon EOS 5D Mark II.
Except as noted, these images were processed with minimal adjustment in Canon’s Digital Photo Professional.
Click any image to see the larger version and actual pixels crops (usually).
Sharpness wide open
What’s remarkable about the 24/1.4L II is that wide open in the central areas, there is still very high contrast, with little or no contrast-reducing “haze” as is nearly always seen with f/1.4 lenses. Such haze is due to spherical aberration, but the 24/1.4L II apparently dispenses with such annoyances, an outstanding showing. Even more remarkable is the usually lovely bokeh (personal taste), in spite of the use of aspheric lens elements.
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Since 2006, Diglloyd Advanced Photography is the authoritative review and reference for DSLRs and their lenses: Canon and Nikon primarily, but also Pentax and some medium format. Reviews of key DSLRs are included, but the primary focus is on lens performance. Also included is a wealth of technique and workflow approaches.
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EF 24/1.4L II @ f2, 1/200 handheld, ISO 800