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Examples are minimally processed using DPP at Standard except as noted so as to allow the native performance of the camera to be seen. Noise reduction is OFF in all cases, unless explicitly noted.

Color space

Some images on this page, such as Hydrant, are in the Adobe RGB color space and will look too light (desaturated and/or slightly “washed out”) if you are viewing the page with a browser that is not colorspace-aware.

5D Mark II and optics

As with the Nikon D3x, the 5D Mark II sensor is so demanding that every optical shortcoming is revealed. Use the best glass. Examples of “best” include Canon’s 85mm f/1.8, 85mm f/1.2L II, 135mm f/2L, super telephotos such as the 300mm f/2.8L, etc. Lenses under 60mm are bound to disappoint in some cases, which is not to say that excellent results are not possible with some care (field curvature, aperture, etc). Zoom lenses like the 24-105mm f/4L and 70-200mm f/4L can yield very good results, but definitely are not “all there”.

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Since 2006, Diglloyd Advanced Photography is the authoritative review and reference for DSLRs and their lenses: Canon and Nikon primarily, but also Pentax and some medium format. Reviews of key DSLRs are included, but the primary focus is on lens performance. Also included is a wealth of technique and workflow approaches.

DAP includes thousands of pages of exclusive coverage and high resolution Retina-grade examples detailing Canon and Nikon DSLR bodies and their lenses, with in-depth analysis of sharpness and contrast, color, bokeh, vignetting, distortion, MTF, and flare, behavioral and practical usage.

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Canon 5D Mark II + Zeiss ZF 100/2 Makro-Planar, 1/50 @ f/5.6, ISO 100

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