Virtually any combination of tilt and shift can be achieved with the SuperRotator functions, but it’s akin to operating a Rubik’s Cube (at least when learning)! Take the time to work with the lens off the camera to understand its movements, then do the same with the lens on the camera. All of the lenses work the same way.
Movements stay put as they should. Other tilt/shift lens designs include locking knobs because without them the movements will occur on their own. Especially designs from Nikon incur gaps and slop, and things just won’t stay put. Not so with the Hartblei offerings— you can count on the shift and tilt settings to stay exactly where you left them.
Article continues for subscribers...
Already a subscriber? CLICK HERE TO LOG IN
Since 2006, Diglloyd Advanced Photography is the authoritative review and reference for DSLRs and their lenses: Canon and Nikon primarily, but also Pentax and some medium format. Reviews of key DSLRs are included, but the primary focus is on lens performance. Also included is a wealth of technique and workflow approaches.
DAP includes thousands of pages of exclusive coverage and high resolution Retina-grade examples detailing Canon and Nikon DSLR bodies and their lenses, with in-depth analysis of sharpness and contrast, color, bokeh, vignetting, distortion, MTF, and flare, behavioral and practical usage.