diglloyd publication
Imagery: Auto - Large Table of Contents

Mosaic Comparison 35mm — Nikon 24-70/2.8G, 35/1.4 AI-S

For shooting and post-processing notes, see the Shooting Notes page.

The Nikon 35mm f/1.4 AI-s is 1/3 stop brighter (t-stop) so it was pulled by 1/3 stop exposure compensation in raw processing. Also, its older lens coating are bluish, and so it was processed at 5500°K instead of 5200°K to more closely match the color rendition of the other two lenses.

Shown below is the test scene at 35mm. Because of backlighting (sun) I framed more closely than usual.

Article continues for subscribers...

Already a subscriber? CLICK HERE TO LOG IN

Since 2006, Diglloyd Advanced Photography is the authoritative review and reference for DSLRs and their lenses: Canon and Nikon primarily, but also Pentax and some medium format. Reviews of key DSLRs are included, but the primary focus is on lens performance. Also included is a wealth of technique and workflow approaches.

DAP includes thousands of pages of exclusive coverage and high resolution Retina-grade examples detailing Canon and Nikon DSLR bodies and their lenses, with in-depth analysis of sharpness and contrast, color, bokeh, vignetting, distortion, MTF, and flare, behavioral and practical usage.

  1. Explore the table of contents
  2. View Lloyd’s Blog
  3. SUBSCRIBE NOW for $ per year.
Aperture series multi available in full article
The test scene (Nikon 24-120 @ 35mm)
View Nikon Deals Right Now

diglloyd Home Page | Terms of Use | PRIVACY POLICY | Contact
Copyright © 2008-2016 diglloyd Inc, all rights reserved.