Both lenses show red/cyan color fringing, with it being more visible with the 14-24, but this is due in large part to the somewhat smeared results of the 16-35, which smear away the color fringing.
At f/5.6 and f/8, the 14-24 maintains crispness a small notch higher than the 16-35.
At f/11 it all settles out and the two lenses converge, now being limited in contrast by diffraction.
Aperture f/16 brings a grayish dullness, a loss of brilliance, as expected from diffraction.
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