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Hazy Low Contrast with 17-35 @ f/2.8

While shooting the mosaic comparison series with the nine different lenses at 17/21/24/28/35mm, I observed that the Nikon 17-35mm f/2.8 was more of a challenge to focus wide open at f/2.8 using Live View because of ultra low contrast, an effect I’ll call “haze” or “hazing”. For that reason, I focused at f/4, which helped, but did not banish the haze.

The haze is/was visible in all crops at all apertures, though the sharpening applied for presenting the mosaic crops masks the effect to a significant degree, by increasing the contrast.

It’s no mystery to see it in the final images, because a Live View gives real time look at the effect, and also proves that it’s not a focus issue, because there was no better focus or contrast to be had.

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Since 2006, Diglloyd Advanced Photography is the authoritative review and reference for DSLRs and their lenses: Canon and Nikon primarily, but also Pentax and some medium format. Reviews of key DSLRs are included, but the primary focus is on lens performance. Also included is a wealth of technique and workflow approaches.

DAP includes thousands of pages of exclusive coverage and high resolution Retina-grade examples detailing Canon and Nikon DSLR bodies and their lenses, with in-depth analysis of sharpness and contrast, color, bokeh, vignetting, distortion, MTF, and flare, behavioral and practical usage.

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Both trees are ~50 feet (15m) way, yet tree at left is much sharper!
Click to view at actual pixels at f/2.8 and f/5.6

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