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Personal Usage Notes and Reactions

My own experience and reactions to these lenses.

Nikon 14-24mm f/2.8G ED

This lens is top-notch, with outstanding image quality. Few primes can match its performance, which is even more astounding given its remarkable ultra-wide zoom range. Color, contrast, sharpness are all terrific, albeit with some field curvature and corner weakness, especially at wider focal lengths.

The ergonomics of the 14-24 are awkward enough in terms of mass and length that I rarely shoot it. It’s great for indoors, crowds, fast shooting, etc. But it’s not a lens I want to carry on a hike (I’d probably have destroyed the bulbous front element by now on a rock while climbing around).

If it were not a versatility-killing “G” lens, I’d probably be using it a lot more for double-duty on Canon bodies. But it is a G lens, so I don’t— I use Zeiss primes instead.

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Diglloyd DAP is DSLR-oriented, but also contains workflow and other topics. Much of the focus is on Canon and Nikon but also Pentax and Pentax medium format.

Special emphasis is placed on lens evaluation, focusing on Canon and Nikon and Sigma lenses, but with a few others like Rokinon/Samyang.

  • Make better images by learning how to get the best results right away.
  • Save money by choosing the right lens for your needs the first time, particularly some of the new Sigma Art lenses vs Nikon and Canon.
  • Workflow discusses image organization, raw conversion and post processing. Many examples show processing parameters for direct insight into how the image was converted.
  • Jaw-dropping image quality found nowhere else utilizing Retina-grade images up to full camera resolution, plus large crops [past 2 years or so].
  • Real world examples with insights found nowhere else. Make sharper images just by understanding lens behavior you won’t read about elsewhere.
  • Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
  • Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.

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