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Leave the Tripod Behind

There are master photographers out there who can previsualize everything, set up a tripod, and get it done, just like that.

I’m not one of these photographers.

And I take enjoyment in finding interesting stuff in nooks and crannies and steep slopes, and a tripod just is a drag (literally) in many of of those cases.

I make my most interesting images when I am not slowed down by a tripod, because I can work a subject near/far/up/down, and turn another direction and do it again

I have no patience for macro work on a tripod either, and so I have a lot of respect for those who do that kind of thing— but it just kills any interest I have.

That’s me, and if it’s you too, then aim for a stellar low-light-high-iso camera like the Nikon D3s, and let your creativity flow.

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diglloyd Advanced Photography

diglloyd Advanced Photography includes hundreds of pages of exclusive coverage and high resolution, Retina-grade example pictures detailing Canon and Nikon DSLR bodies and their lenses, with in-depth analysis of sharpness and contrast, color, bokeh, vignetting, distortion, MTF, and flare. Also included is a wealth of in-context technique and workflow insight. Since 2006, diglloyd Advanced Photography is the authoritative review and on-line reference for discerning Canon and Nikon shooters. Subscriptions cost $ per year.

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