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Color Shift When Stopping Down (Sony NEX-7)

The Sony NEX-7 sensor has one major drawback, at least when using “fast” lenses: the color balance shifts strongly from magenta to green as the lens is stopped down.

More precisely, if one white-balances for neutral at f/5.6, then the wider apertures f/4, f/2.8, f/2, f/1.4, f/1.1 become increasingly magenta, though most of the effect is gone by f/2.

The most severe effects are at faster (brighter) apertures up to f/2.8.

Note that under artificial light with oddball spectral distribution, this effect seems absent (I tested LED and fluorescent), so I suspect it is related to the spectral balance of the light source.

The effect seems to occur with the fast lenses I have tested, but since it affects mainly fast apertures up through f/2, it is mainly an issue with f/2 or faster lenses, and even f/2 lenses show less effect. My tests show that it affects both close-focus and infinity focus.

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Diglloyd Guide to LEICA contains in-depth coverage of Leica M system cameras and lenses, with additional coverage of Leica M Monochrom, Leica Q.

Special emphasis is placed on Leica M lenses and certain Zeiss ZM lenses.

  • Make better images by learning how to get the best results right away.
  • Save money by choosing the right lens for your needs the first time, particularly the Summilux/Summicron/Elmarit choice and/or Zeiss ZM.
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  • Real world examples with insights found nowhere else. Make sharper images just by understanding lens behavior you won’t read about elsewhere.
  • Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
  • Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.

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Aperture series 1.1, 1.4, 2, 2.8, 4, 5.6, 8 available in full article
Sony NEX-7 + Voigtlander Nokton 50mm f/1.1

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