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Infrared Cameras Compared: Fuji S3 UVIR, Nikon D70-IR, Canon EOS 5D-IR

Image comparisons—infrared

Nikon D70-IR filter comparison
Adobe Photoshop Camera Raw conversion
Auto-Leveled, slightly sharpened
shot with Nikon 18-200/f3.5-5.6 ED-IF AF-S VR*
No filter (built-in 800nm filter) With B+W 092

With B+W 093 (below)

With Hoya RM90 (below)


Canon EOS 5D-IR filter comparison
Adobe Photoshop Camera Raw conversion
Auto-Leveled, slightly sharpened
shot with EF 24-105/f4L IS
With B+W 091 deep red
(and built-in 715nm filter)
With B+W 092

With B+W 093 (below)

With Hoya RM90 (below)


Fujifilm S3 Pro UVIR filter comparison
Adobe Photoshop Camera Raw conversion
Auto-Leveled, slightly sharpened
shot with Nikon 18-200/f3.5-5.6 ED-IF AF-S VR*
No filter (built-in clear-glass filter) With B+W 091 deep red

With B+W 092 (below)

With B+W 093 (below)


Image comparisons—visible light

Fujifilm S3 Pro UVIR filter comparison
Adobe Photoshop Camera Raw conversion
Auto-Leveled, slightly sharpened
shot with Nikon 18-200/f3.5-5.6 ED-IF AF-S VR*
No filter (built-in clear-glass filter) With B+W 489 IR-block

With B+W 486 UV-IR-cut (below)
 
This space intentionally left blank.


Fujifilm S3 Pro UVIR filter comparison
Adobe Photoshop Camera Raw conversion
Auto-Leveled, slightly sharpened
shot with Nikon 18-200/f3.5-5.6 ED-IF AF-S VR
With B+W 403 UV-pass[1]
1/2 sec @ f8
With Baader “Venus Filter” [2]
15 seconds @ f13
[1] Using the Nikon 18-200/f3.5-5.6 ED-IF AF-S VR. The image is most likely heavily polluted by infrared, though there is clearly some contribution from elsewhere in the spectral band (deep violet and long-wave ultraviolet perhaps).
[2] The Venus Filter frame used a Nikon 35mm/f2.5 Series E with original lens coatings.

Fuji S3 Pro red/green/blue channels from image above
Red Green Blue

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