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2024-02-21 Sony A7R V: Strictly Avoid The Lossless Comp (M) and Lossless Comp (S) Formats

2024-02-20 Adobe Camera Raw Enhance Details no longer working with Sony A7R V — OOPS it’s the file format

2024-02-20 Mash the Colors with ETTR or Stay True with ESTR? RawDigger Isn’t Making It Obvious

2024-02-20 How do you get an ideal exposure for RAW capture? ETTR

2024-02-20 ETTR Too Much of a Good Thing? HARD to Get it Right

2024-02-20 “Baseline Exposure” Boost in RAW Converters can Whack Color

2024-02-17 Nikon Z8: Color Shift when Using Optimal ETTR (Birch Trees in Winter)

2024-02-16 Nikon Z8: Camera Profile Renditions in Adobe Camera Raw

2024-02-13 Please fix this Nikon/Sony/Fujifilm: Pixel Shift Assembly Should Generate Finished Images, not Make-Work for Us

2024-02-12 Nikon Z8 Delivers Best Pixel Shift Out There... and botches the win by not doing the obvious

2024-02-12 Photoshop and Lightroom with Nikon NEF Pixel Shift Files (Nikon Z8, Nikon Df): “Could not complete your request because Photoshop does not recognize this type of file.”

2024-02-08 Nikon Zf: ISO 100 to ISO 51200 with AI Denoise (Color Card)

2024-02-06 Sony A7R V: ISO 100 to 25600 with Adobe AI Denoise 10,50

2024-02-05 ETTR: Overcome Noise with Optimal Exposure, plus Adobe AI Denoise in Photoshop/Lightroom 📹

2024-02-04 Adobe Camera Raw: Enhance Details + AI Denoise = Most Useful RAW Conversion in History of Digital? 📹

2024-01-13 Screencast: Sony A7R V Sensor Excessively Noisy at ISO 64/100 📹

2024-01-13 Screencast: Why Sony Camera Profiles Suck in Adobe Camera Raw 📹

2024-01-13 Exposure for Optimal Image Quality: Camera Histogram + RawDigger 📹

2024-01-05 Screencast: Perfect White Balance and Tint using Color Checker Card 📹

2024-01-03 Pro Photography Workflow videos (Patreon) 📹

2024-01-02 Fujifilm GFX100S: Camera Profiles in Adobe Camera Raw 📹

2023-12-31 How Fast a GPU for AI Denoise and Focus Stacking? Distributed GPU Support for AI Denoise?

2023-12-01 Screencasts: Adobe Camera Raw, Focus Stacking Introduction, Preparation, Retouching 📹

2023-12-01 Screencast: RAW-file Conversion with Adobe Camera Raw — How I do It 📹

2023-11-02 Reader Question: Picture Profile for RAW + JPEG

2023-09-26 Adobe Camera Raw Enhance Details + AI Denoise: Works Great on older files eg Leica M9

2023-09-20 Adobe Camera Raw Enhance Details with AI Denoise Seems to Work Magic, for Single Frames or for Focus Stacking

2023-08-01 Nikon Z8: White Balance and Tint in ACR, Mid-Day Sunlight

2023-07-16 Adobe Camera Raw AI Denoise —  Crashes Ordinary Video Cards

2023-06-03 Reducing Moiré in Nikon Z8 with Adobe Camera Raw Enhance Details

Workflow Tips and technique

An introduction to digital workflow and best practices. .



Blog posts, reverse chronological

2024

2024-02-21 Sony A7R V: Strictly Avoid The Lossless Comp (M) and Lossless Comp (S) Formats

2024-02-20 Adobe Camera Raw Enhance Details no longer working with Sony A7R V — OOPS it’s the file format

2024-02-20 Mash the Colors with ETTR or Stay True with ESTR? RawDigger Isn’t Making It Obvious

2024-02-20 How do you get an ideal exposure for RAW capture? ETTR

2024-02-20 ETTR Too Much of a Good Thing? HARD to Get it Right

2024-02-20 “Baseline Exposure” Boost in RAW Converters can Whack Color

2024-02-17 Nikon Z8: Color Shift when Using Optimal ETTR (Birch Trees in Winter)

2024-02-16 Nikon Z8: Camera Profile Renditions in Adobe Camera Raw

2024-02-13 Please fix this Nikon/Sony/Fujifilm: Pixel Shift Assembly Should Generate Finished Images, not Make-Work for Us

2024-02-12 Nikon Z8 Delivers Best Pixel Shift Out There... and botches the win by not doing the obvious

2024-02-12 Photoshop and Lightroom with Nikon NEF Pixel Shift Files (Nikon Z8, Nikon Df): “Could not complete your request because Photoshop does not recognize this type of file.”

2024-02-08 Nikon Zf: ISO 100 to ISO 51200 with AI Denoise (Color Card)

2024-02-06 Sony A7R V: ISO 100 to 25600 with Adobe AI Denoise 10,50

2024-02-05 ETTR: Overcome Noise with Optimal Exposure, plus Adobe AI Denoise in Photoshop/Lightroom 📹

2024-02-04 Adobe Camera Raw: Enhance Details + AI Denoise = Most Useful RAW Conversion in History of Digital? 📹

2024-01-13 Screencast: Sony A7R V Sensor Excessively Noisy at ISO 64/100 📹

2024-01-13 Screencast: Why Sony Camera Profiles Suck in Adobe Camera Raw 📹

2024-01-13 Exposure for Optimal Image Quality: Camera Histogram + RawDigger 📹

2024-01-05 Screencast: Perfect White Balance and Tint using Color Checker Card 📹

2024-01-03 Pro Photography Workflow videos (Patreon) 📹

2024-01-02 Fujifilm GFX100S: Camera Profiles in Adobe Camera Raw 📹

2023

2023-12-31 How Fast a GPU for AI Denoise and Focus Stacking? Distributed GPU Support for AI Denoise?

2023-12-01 Screencasts: Adobe Camera Raw, Focus Stacking Introduction, Preparation, Retouching 📹

2023-12-01 Screencast: RAW-file Conversion with Adobe Camera Raw — How I do It 📹

2023-11-02 Reader Question: Picture Profile for RAW + JPEG

2023-09-26 Adobe Camera Raw Enhance Details + AI Denoise: Works Great on older files eg Leica M9

2023-09-20 Adobe Camera Raw Enhance Details with AI Denoise Seems to Work Magic, for Single Frames or for Focus Stacking

2023-08-01 Nikon Z8: White Balance and Tint in ACR, Mid-Day Sunlight

2023-07-16 Adobe Camera Raw AI Denoise —  Crashes Ordinary Video Cards

2023-06-03 Reducing Moiré in Nikon Z8 with Adobe Camera Raw Enhance Details

2023-05-31 Adobe Camera Raw: Nikon Z8 Lens Profile Behavior Varies with Camera Settings

2023-05-29 Reader Comment: Adobe Camera Raw Mandatory Lens Corrections for Distortion/Vignetting Depends Arbitrarily on Camera Model

2023-05-18 Reader Comments: Topaz Denoise AI

2023-05-14 ISO Series SHOOTOUT: Leica M11 Monochrom vs Sony A7R V, 1600 to 25000

2023-05-10 Adobe’s Broken Vignetting Correction for Leica M Cameras — Fails to Utilize the Correct Aperture

2023-04-23 Crosshatching Pattern Noise in Adobe Camera Raw AI Denoise Seems to be Fixed, Plus Base ISO in Low Light

2023-04-23 Using Adobe Camera Raw AI Denoise with Enhance Details

2023-04-23 'Game Over' for the Already Marginal Medium Format Advantage?

2023-04-22 Spectacular ISO 12800 Results with Adobe Camera Raw AI Denoise

2023-04-22 Adobe Camera Raw: new AI Denoise Feature Like Shooting 3 or 4 ISO Values Lower

2023-04-21 Adobe Camera RAW (ACR): How to Keep It from Ignoring Existing Settings When RAW File Changes

2023-03-20 Adobe Camera Raw Still Lacks Distortion Correction for Sony FE 20-70mm f/4 G

2023-01-28 Sony A7R V Pixel Shift: Diffraction Effects, Pixel Shift vs Single Shot, Enhance Details

2022

2022-12-18 Adobe DNG Converter: Possible Loss of Metadata, Guaranteed Loss of File Dates, but Space Savings for Uncompressed RAW

2022-12-15 How much is Sony Botched Camera and Software Design $Costing You? Is Adobe DNG Converter Viable? The Sony Workflow TAX

2022-12-14 Adobe Camera Raw now Supports Sony A7R V Raw Files ARW and ARQ — But Has a Problem with Smeared Edges

2022-12-12 Sony Imaging Edge Viewer: Assembles Pixel Shift into Incompatible ARQ — Why Not Industry-Standard DNG? (REVISED)

2022-12-08 Sony A7R V: the ARW Raw File Format Has Changed, Incompatible for the Moment with Adobe Camera Raw and PixelShift2DNG

2022-12-07 Sony A7R V: Initial Impressions

2022-11-12 Reducing Hasselblad X2D 3FR Raw File Size via Adobe DNG Converter

2022-11-08 Reducing Hasselblad X2D File Size via Hasselblad Phocus Copy/Import, eg Converting Original Capture 3FR to FFF Format

2022-10-15 Adobe Support for Hasselblad X2D and Lenses... and a Failed Upgrade Attempt of 2019 iMac 5K

2022-02-22 Adobe Camera Raw Mandatory Lens Corrections: How to Bypass by Changing Camera Name

2022-02-08 Phase One IQ4 Image Quality: Color Bleed in Adobe Camera Raw vs Phase One Capture One Pro

2022-01-31 Leica M11: Color Balance and Tint with Adobe Camera Raw, PROFILE M11 vs Adobe Color

2022-01-17 Adobe Camera Raw, PhaseOne C1Pro: Broken Distortion Correction of Leica M11 DNG

2022-01-12 Reader Comment: Artifacts in Super Resolution in Adobe Camera Raw

2021

2021-09-12 Leica SL2 Multi-Shot High-Res Mode vs Adobe Camera Raw Super Resolution Mode: Pumpkin Vines

2021-09-10 First Look at Leica SL2 Multi-Shot High-Res Mode (Updated.v2 with comments)

2021-05-04 With Newer-Model Cameras, Adobe Camera Raw Allows Distortion Correction, Color Fringing, Vignetting Corrections to be Controlled

2021-04-29 Fujifilm GFX100S: White Balance and Tint for Neutrality in Sunlight

2021-04-01 Reader Question: Camera Profile in Adobe Camera Raw

2021-03-27 Sony A1: White Balance and Tint in Adobe Camera Raw using Datacolor SpyderCHECKER (Mid-Morning Sunlight)

2021-03-18 Sony A1 Lossless-Compressed Raw Format: Update Photoshop and Lightroom and you’re 'good'

2021-03-17 Adobe Camera Raw in Photoshop CC 2021 Opens Fujifilm GFX100S RAW/RAF Files

2021-03-10 Adobe Camera Raw “Super Resolution” Mode Added to Enhance Details — Unacceptable Digital Artifacts

2021-03-10 Caution on Latest Photoshop Update: Crashes Due to Heap Corruption, Drawing Bugs

2020

2020-12-30 Leica M10R White Balance and Tint in Adobe Camera Raw, SpyderCHECKR Card

2020-06-18 XMP Sidecar File Handling in Lightroom Non-Functional with DNG Files — inconsistent with Photoshop / Adobe Camera Raw Handling

2020-06-16 Hooray! Adobe Camera Raw Now Has Option to Always Use Sidecar XMP files with DNG

2020-06-13 Abandoning Adobe Camera Raw Enhance Details—Crosshatching Pattern Noise

2020-05-24 Hasselblad X1D II 50C: White Balance and Tint in Adobe Camera Raw, Mid-Day High Altitude Sunlight, DataColor SpyderCHECKR

2020-01-09 2019 Mac Pro vs 2019 iMac 5K: RAW File Conversion Speed

2019

2019-11-29 Phase One Capture One Pro vs Adobe Camera ERaw

2019-11-11 Adobe Camera Raw Enhance Details Continues to Frustrate: Stripes Over Entire Image

2019-10-26 Caution on Using Adobe Camera Raw Enhance Details for Frame Averaging: Grid / Checkerboarding Pattern Permeates the Image

2019-10-23 Adobe Camera Raw Enhance Details Produces Striping Pattern Noise on Nikon D850, Other Cameras

2019-09-19 Voigtlander MACRO APO-Lanthar 110mm f/2.5 Aperture Series: Mosaic (Sony A7R IV)

2019-09-16 Sony A7R IV Image Quality: Crosshatching Pattern Noise with Adobe Camera Raw Enhance Details

2019-09-15 Sony A7R IV Raw File Support in Adobe Camera Raw is Preliminary, Problematic

2019-07-27 Fujifilm GFX Image Quality: Crosshatching Pattern Noise with Adobe Camera Raw Enhance Details

2019-07-26 Fujifilm GFX100 BUG: Sets Mandatory Lens Correction Profile for Unknown Lenses

2019-05-27 My Experience with the 2019 iMac 5K So Far

2019-05-16 How Much Does the GPU Matter for Adobe Camera Raw Enhance Details?

2019-05-06 White Balance and Tint for Zeiss Otus 100mm f/1.4 APO-Sonnar in Adobe Camera Raw — Differs for f/1.4

2019-05-03 In-Depth Review of 2019 iMac 5K Specifically for Photographers

2019-04-11 Reader Question: eGPU for Photoshop and Lightroom?

2019-04-08 Adobe Camera Raw Enhance Details Feature: Integrated into my Workflow... How Much Does it Use the GPU?

2019-04-07 Panasonic S1R: Workflow for Multi-Shot High-Res Mode Images in Adobe Camera Raw

2019-04-07 Panasonic S1R: How Much to Sharpen During Raw Conversion in Adobe Camera Raw + Adobe Camera Raw Enhance Details

2019-04-04 Panasonic S1R: White Balance and Tint in Adobe Camera Raw

2019-04-03 Adobe Updater Failing to Update Adobe Camera Raw, Use Direct Download

2019-03-31 Revisiting Fractal-Like Artificats with Fujifilm X-Trans Sensor with Adobe Camera Raw Enhance Details

2019-03-19 Reprocessing Fujifilm GFX-50S Images with Moiré and Color Aliasing Issue using Adobe Camera Raw Enhance Details

2019-03-19 Adobe Camera Raw “Enhance Details” Feature: Most Important Raw Converter Feature in Years, My Suggestion to Adobe for UI Fix

2019-03-05 Javascript in Photoshop: Generic Lens Names in Adobe Camera Raw = Ambiguous Lens Name

2019-02-26 Canon RF 28-70mm f/2L Aperture Series @ 63mm: MemChu at Dusk + Adobe Camera Raw “Enhance Details” Feature (Canon EOS R)

2019-02-12 Adobe Camera Raw “Enhance Details” Feature: How it Works and How to Use It

2018

2018-11-04 Adobe’s Licensing Too Quickly Denies me Use of Photoshop When Off the Internet

2018-10-21 Nikon Z7: White Balance and Tint in Adobe Camera Raw using Datacolor SpyderCHECKER (Mountain Morning Shade)

2018-10-16 Nikon Z7: White Balance and Tint in Adobe Camera Raw using Datacolor SpyderCHECKER (Mountain Mid-Day Autumn Sun)

2018-10-16 Canon EOS R: White Balance and Tint in Adobe Camera Raw using Datacolor SpyderCHECKER

2018-08-29 Hasselblad X1D + Hasselblad XCD 21mm f/4 White Balance and Tint in Mid-Morning Sunlight with Adobe Camera Raw

2018-08-14 Reader Question: Move to Sony A7R III from Canon 5D Mark IV?

2018-08-13 Sony A7R III: the Noise Behavior that Has Been Troublesome to Me — Updated, PhaseOne CaptureOne PRO (Repost)

2018-07-20 White Balance and Tint in Adobe Camera Raw for Sigma 70mm f/2.8 DG Macro Art on Sony A7R III in Mid-Day Sun

2018-07-12 Sigma 105mm f/1.4 DG HSM Art on Nikon D850: Substantial Color Shift Going from f/1.4 to Other Apertures

2018-01-26 CAUTION: Photoshop CC 2018 Latest Release Broken With Dual Displays (Unusable for Me)

2018-01-23 LibRaw (RawDigger/FastRawViewer) Releases Beta of “SonyPixelShift2DNG”: Makes DNG file from 4 Pixel Shift Files FAST for Direct Use in ACR/Lightroom

2017

2017-12-28 Sony A7R III: the Noise Behavior that Has Been Troublesome to Me — Updated, PhaseOne CaptureOne PRO (UPDATED)

2017-12-16 Sony A7R III Pixel Shift with Sony Imaging Edge vs Single-Frame Adobe Camera Raw

2017-12-15 Sony A7R III: First Look with/without Pixel Shift with Sony Imaging Edge vs Adobe Camera Raw

2017-12-15 Sony A7R III, Pixel Shift, and Sony’s Imaging Edge/Viewer Software

2017-12-07 Adobe Camera Raw Support for Sony A7R III

2017-12-05 Adobe Support for A7R III Raw Files (even without pixel shift).

2017-10-25 Sony Announces Sony Alpha A7R III

2017-09-08 Adobe Camera Raw Supports Nikon D850

2017-08-26 Nikon D850: When Will Adobe Support D850 NEF in Adobe Camera Raw?

2017-07-04 Leica M10 White Balance and Tint in Photoshop/ACR

2017-05-24 Update to High ISO Highlight Destruction with Hasselblad X1D Raw Files (Adobe Camera Raw 9.10.1 bug fix)

2017-05-24 Adobe Camera Raw Updated to 9.10.1, Fixed Hasselblad X1D High ISO Highlight Loss and Fujifilm GFX Exposure Issue

2017-05-14 Photoshop ACR Behavior: Uses Wrong Lens Profile

2017-04-11 Which is faster for RAW File Conversion, CPU or GPU?

2017-03-14 Optimal Exposure via ETTR Can Deliver More Noise Benefit than Medium Format vs 35mm

2017-03-13 Hasselblad X1D: Better to Use Camera ISO or Push Base ISO 100 to Equivalent Higher ISO?

2017-03-12 Hasselblad X1D: ISO 3200 Highlight Destruction in ACR vs Iridient Developer and Hasselblad Phocus (Dolls)

2017-03-07 Fujifilm GFX 50s + 120mm f/4 Macro Plus Diffraction and Sharpening Evaluations

2017-03-03 Fujifilm GFX 50s: 'RAF' Not Yet Usable with Adobe Camera Raw (Lightroom, Photoshop)

2017-02-08 Hasselblad X1D: 3FR Raw-File Conversion in Adobe Camera Raw

2017-02-04 Sigma sd Quattro-H: DNG Files Shrink by More than 50% After Adobe DNG Converter

2016

2016-09-20 Canon 5D Mark IV: Adobe Does Not Support Dual Pixel RAW

2016-09-19 Thoughts on the Fujifilm GFX 50S

2016-07-20 Pentax K1: SuperRes Pixel Shift Mode in the Field: Two Landscape Images

2016-07-04 Pentax K1: Another Look at SuperRes vs StdRes

2016-07-04 More Gear for the Mountains: Arc Teryx ACRUX FL GTX Waterproof Hiking Shoes

2016-07-01 Pentax K1: Unrivalled Image Quality in SuperRes Pixel Shift Mode

2016-07-01 Hasselblad X1D-50C: Sensor Size and Pixel Quality

2016-06-19 TIP: How to Force the use of DNG sidecar files with Adobe Camera Raw

2016-06-16 Home Today, Leica SL, Pentax K1, and More Coming Soon

2016-06-08 SuperRes Mode with Pentax K1: Sunset from White Mountain Road

2016-06-06 In the Field with the Pentax K-1 and SuperRes Pixel Shift Mode

2016-06-02 An Expert at Focus Stacking Comments on the Pentax K1 and Its Image Quality

2016-05-30 Looking for Zeiss ZK for Pentax K1

2016-05-26 Pentax 100mm f/2.8 Macro Aperture Series: Tiled Water Fountain (Pentax K1 SuperRes)

2016-05-26 Pentax 100mm f/2.8 Macro Aperture Series: Church Mosaic (Pentax K1 SuperRes)

2016-05-25 Pentax 100mm f/2.8 Macro Aperture Series: Burghers of Calais (Pentax K1 SuperRes)

2016-05-25 Pentax 50mm f/2.8 Macro Aperture Series: Church Mosaic, Dusk (Pentax K1 SuperRes)

2016-05-25 Pentax 50mm f/2.8 Macro Aperture Series: Church Mosaic, Sunlit (Pentax K1 SuperRes)

2016-05-25 Pentax 50mm f/2.8 Macro Aperture Series: Tiled Water Fountain (Pentax K1 SuperRes)

2016-05-25 Pentax DA HD Limited 35mm f/2.8 Macro Aperture Series: Mosaic (Pentax K1 SuperRes)

2016-05-24 Pentax DA HD Limited 35mm f/2.8 Macro Aperture Series: 'Map' (Pentax K1 SuperRes)

2016-05-23 Motion Correction for Pentax K1 SuperRes Images via Pentax Digital Camera Utility

2016-05-22 Pentax 50mm f/2.8 Macro Aperture Series: 'Map' (Pentax K1 SuperRes)

2016-05-20 Pentax 100mm f/2.8 Macro Aperture Series: 'Map' (Pentax K1 SuperRes)

2016-05-19 PENTAX K1: Focus Stacking in SuperRes Pixel Shift Mode, 'Ultegra Cassette'

2016-05-18 PENTAX K1: Night Shooting Examples in Super Res Pixel Shift Mode

2016-05-18 PENTAX K1: Focus Stacking in SuperRes Pixel Shift Mode, 'Pair of Pears'

2016-05-17 PENTAX SMCP-FA FA 77mm f/1.8 Limited Aperture Series: Mosaic (Pentax K1 SuperRes)

2016-05-17 PENTAX smc FA 43mm f/1.9 Limited Aperture Series: Mosaic (Pentax K1 SuperRes)

2016-05-17 Pentax K1 + Pentax 15-30mm f/2.8 SuperRes Aperture Series @ 30mm

2016-05-17 Pentax Digital Camera Utility (for Pentax K1 or K3 II, etc)

2016-05-16 Pentax K1 SuperRes Pixel Shift Mode: Will Adobe Choose to Support Motion Correction in Camera Raw?

2016-05-16 Pentax K1 SuperRes Res Mode: Motion Correction Feature with Adobe Camera Raw and Pentax Digital Camera Utility

2016-05-16 Pentax K1 SuperRes Res Mode: Adobe Camera Raw 'Veiling Blue Haze' Bug Occurs with DNG Format but not with PEF Format

2016-05-16 Pentax K1 + Pentax 15-30mm f/2.8 SuperRes Aperture Series @ 21mm (Includes StdRes Comparison)

2016-05-15 Pentax K1 Super Resolution Mode has Color Problems, Definitely an Adobe Camera Raw BUG — 3rd Example With 'Push'

2016-05-13 Pentax K1 Super Resolution Mode: SuperRes Mode Ends Moiré

2016-05-13 Pentax K1 Super Resolution Mode: In-Depth Comparison to StdRes Mode (Dolls)

2016-05-13 Pentax K1 Super Resolution Mode has Color Problems, Definitely an Adobe Camera Raw BUG — 2nd Example

2016-05-12 Pentax K1 Super Resolution Mode has Color Problems, Definitely an Adobe Camera Raw BUG

2016-05-12 Pentax K1 + Pentax 15-30mm f/2.8 SuperRes Aperture Series @ 15mm (Includes StdRes Comparison)

2016-05-11 Pentax K1 Now Here, SuperRes Pixel Shift at Night

2016-05-09 Photoshop CC 2015 Now Uses all the CPU Cores for RAW-File Conversion

2016-03-28 Fujifilm X-Pro2 Raw Conversion: X-Pro2 vs SilkyPix vs Adobe Camera Raw vs Iridient Developer

2016-03-27 Fujifilm X-Pro2: Studying 'Grain Effect' in Black and White Conversions

2016-03-27 Fujifilm X-Pro2: ACROS Film Simulations vs Photoshop Black and White Options

2016-03-26 Fujifilm X-Pro2: How Do In-Camera JPEG Film Simulations Compare to RAW-Derived Results in Adobe Camera Raw?

2016-03-17 Fujifilm X-Pro2: How Much to Sharpen in Adobe Camera Raw?

2016-03-16 Fujifilm X-Pro2: Comparing 12 Camera Profiles in Adobe Camera Raw (for Photoshop or Lightroom)

2016-03-16 Fujifilm X-Pro2: Adobe Camera Raw Settings for Raw Conversion

2016-02-29 CONFIRMED: Pentax K1 DOES NOT have an Electronic First Curtain Shutter (EFC Shutter)

2016-02-26 Pentax K3 II: SuperResolution Pixel Shift Mode vs StdRes: Tarnished Silver Dragonfly Pitcher

2016-02-26 Pentax K3 II: SuperResolution Pixel Shift Mode vs StdRes: Carved Stone Box

2016-02-25 Pentax K3 II: SuperResolution Pixel Shift Mode vs StdRes on Artifacts: Buffalo Coin and Engraved Letter Opener

2016-02-25 Reader Comment on Pentax K3 II Super Resolution Mode: “Museum Artifact Work”

2016-02-24 Pentax K3 II: SuperResolution Pixel Shift Mode vs StdRes with Saturated Red and Blue Fabric (Cycling Jersey)

2016-02-24 Pentax K3 II: Evaluating SuperResolution Pixel Shift Mode vs StdRes with Color and Texture

2016-02-24 Pentax K3 II: Does it Have an Electronic First Curtain Shutter (EFC Shutter)? what about K1?

2016-02-23 Pentax K3 II: Evaluating SuperResolution Pixel Shift Mode with Zeiss Siemens Star Chart

2016-02-23 Pentax K3 II in SuperResolution Pixel Shift Mode: Checkerboard Effect

2016-02-21 Pentax K1: Impressive Innovation Unmatched by CaNikon

2016-02-21 Pentax K1: Super Resolution Mode Appears to be Best DSLR Quality Yet

2016-02-21 Reader Comment: Pentax K1 Reactions

2016-02-18 Pentax K1 Super Resolution Pixel Shift Mode

2016-01-28 White Balance and Tint for Canon 5DS R in Adobe Camera Raw in Overcast Daylight

2016-01-09 LED Lighting Reviewed: Cineo Matchbox and Dracast LED 500

2016-01-03 Leica SL: White Balance and Tint in Adobe Camera Raw

2015

2015-08-09 Sony A7R II: White Balance and Tint in Adobe Camera Raw

2015-06-19 Canon 5DS R: Chroma Noise Reduction at ISO 12800 in Adobe Camera Raw

2015-06-19 Serious Problem with Adobe Camera Raw Profile for Canon 5DS / 5DS R

2015-04-03 Processing Olympus OMD E-M5 Mark II Hi-Res RAW with Adobe Camera Raw

2015-03-23 Adobe Camera Raw Now Shows that a Built-in Lens Profile is Applied

2014

2014-12-26 Sony A7 II and Adobe Camera Raw

2014-09-10 Using Camera Profiles in Adobe Camera Raw (Nikon D810 examples)

2014-08-30 Fujifilm X100: Can’t Charge the Battery

2014-08-29 Adobe Camera Raw: 'CameraStandard' Camera Profile Produces Horrific Tonal Transitions for D810 NEF

2014-08-21 Nikon D810: Single-Pass Faux HDR in Adobe Camera Raw

2014-07-22 Quick Look: Adobe Camera Raw vs Nikon Capture NX-D

2014-07-21 Nikon D810: Adobe Camera Raw Support

2014-04-21 Camera Profiles: Converting Raw in Adobe Photoshop ACR or Lightroom for Olympus OM-D E-M1

2014-04-20 Camera Profiles: Converting Raw in Adobe Photoshop ACR or Lightroom for Fujifilm X or Sony A7R/A7

2014-04-20 Camera Profiles: Converting Raw in Adobe Photoshop ACR or Lightroom

2014-02-23 Adobe Camera Raw / ACR Silently Corrects Images With No User Control with Some Cameras/Lenses

2014-02-10 Sony FE 24-70mm f/4 OSS Vario-Tessar: Distortion and Color Fringing at 24mm

2013

2013-11-12 Moderating and Enhancing Contrast with Adobe Camera Raw

2013-07-17 Leica M Typ 240: White Balance and Tint in Sunlight, and Which Profile in ACR?

2013-07-02 Adobe Camera Raw White Balance and Tint with Ricoh GR (and maybe other brands?)

2013-05-11 Zeiss Touit 32mm f/1.8 Planar: Correcting Distortion in Adobe Camera Raw

2013-04-23 Fujifilm X100S: Digital Artifacts

2013-02-26 Adobe Camera Raw 7.4 rc1 on Fuji X Files

2013-01-16 Fuji X Raw (ARW) Artifacting: ACR vs Capture One Pro 7.0.2

2012

2012-12-05 Fujifilm X-E1 File Size with ACR

2012-09-11 Workflow, RAW Conversion: Adobe Camera RAW (ACR) vs DXO Optics Pro

2012-09-09 Sony RX100: DXO Optics Pro vs ACR

2012-09-09 Sony RX100: Adobe Camera RAW 7.2 RC Distortion Correction = FORCED ON

2012-05-31 Fuji X-Pro1: RAW vs JPEG with ACR 7.1

2012-05-30 Adobe Camera RAW 7.1 for Fuji X-Pro1

2012-05-25 How Long to Convert 500 Nikon D800 14-bit NEF to JPEG?

2012-04-22 Fujifilm X-Pro1 Review

2011

2011-12-26 Reader Comments on Settings for RAW files from Fuji X10 with ACR

2011-12-19 Adobe Camera RAW v6.6 (ACR) Proves Unreliable

2011-12-13 Adobe Camera Raw (ACR) Now Supports the Fuji X10, But Sharpening Problematic

2011-12-13 Adobe Camera Raw (ACR) Always Corrects Distortion With Some Cameras

2011-11-18 Adobe ACR Lens Profile for Zeiss 35mm f/1. 4 Distagon, 25/2 Distagon Coming

2011-11-11 Adobe ACR Lens Profile for Zeiss 35mm f/1. 4 Distagon?

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