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Nikon AF-S 28mm f/1.4E ED

Nikon’s finest wide angle lens..

  1. Introduction to Nikon AF-S 28mm f/1.4E ED
  2. Aperture Series: Tower View
  3. Aperture Series: Courtyard View to Tower
  4. Aperture Series: Mosaic
  5. Aperture Series: Burghers of Calais
  6. Aperture Series: Fishing Boats at Dawn, Lundy Lake

Nikon AF-S 8-15mm f/3.5-4.5 Fisheye Zoom

Compact fisheye zoom..

  1. Introduction to Nikon AF-S 8-15mm f/3.5-4.5 Fisheye Zoom
  2. Aperture Series: Dana Creek First Autumn Snow

Voigtlander 20mm f/3.5 Color-Skopar

Very compact ultra wide angle..

  1. Main—20/3.5 Color Skopar ASPH
  2. Examples—20/3.5 Color Skopar
  3. Examples—20/3.5 Color Skopar aberrations
  4. Comparison—20/3.5 Color Skopar to Nikon 20/3.5 and 14-24/2.8G

Voigtlander 28mm f/2.8 Color-Skopar

Compact medium wide angle..

  1. Main—28/2.8 Color Skopar SL II
  2. 28/2.8 Color Skopar SL II — Lens Comparisons
  3. Evaluation on Nikon D800 (Mosaic)
  4. vs Nikon 28/1.8G and Nikon 28/2 AIS (Cottonwood Canyon Fall Color, D800E)
  5. vs Nikon 28/1.8G and Nikon 28/2 AIS (Cottonwood Canyon Fall Color, D800E)

Shift Lenses for Nikon and Canon

[Older material, but still relevant]. Shift lens performance of Nikon/Canon/Schneider/Olympus on various cameras..

  1. Nikon PC-E 24mm f/3.5D ED
  2. Nikon PC-E 24mm f/3.5D ED on Nikon D3x
  3. Schneider 28mm f/2.8 PC Super Angulon on D3x
  4. 28mm PC Super Angulon vs Nikon 28mm f/4

28mm Shift Lenses for Nikon

[Archive] In-depth review on the Nikon D2x of the Nikon 28mm f/3.5 PC-Nikkor, Nikon 28mm f/4 PC-Nikkor and the Schneider 28mm f/2.8 PC-Super-Angulon. Flare, distortion, color fringing, color rendition, sharpness, ergonomics, aligmnent, sample variation..

  1. Main
  2. Handling
  3. Focal Length
  4. Frame-to-Frame Alignment
  5. Optical Alignment
  6. Shifted Image Quality
  7. Resolution Charts
  8. Color Fringing
  9. Color Rendition
  10. Distortion
  11. Flare
  12. Conclusions

Nikon AF-S 24-120mm f/4G VR

Nikon’s latest wide range zoom with vibration reduction and fixed f/4 aperture..

  1. Introduction
  2. MTF Curves
  3. Ergonomics
  4. Examples
  5. Flare Into The Sun
  6. Mosaic Comparison Notes
  7. Mosaic Comparison 24mm — Nikon 24-70/2.8G, 24/1.4G
  8. Mosaic Comparison 28mm — Nikon 24-70/2.8G
  9. Mosaic Comparison 35mm — Nikon 24-70/2.8G, 35/1.4 AI-S
  10. Mosaic Comparison 50mm — Nikon 24-70/2.8G, 50/1.4G
  11. Mosaic Comparison 70mm — Nikon 24-70/2.8G, 70-200/2.8G VR II
  12. Mosaic Comparison 85mm — Nikon 70-200/2.8G VR II, 85/1.4G
  13. Mosaic Comparison 120mm — Nikon 70-200/2.8G VR II
  14. Distortion at 24mm
  15. Distortion at 28mm
  16. Distortion at 35mm
  17. Distortion at 50mm
  18. Distortion at 70mm
  19. Distortion at 85mm
  20. Distortion at 120mm
  21. Conclusions

Nikon AF-S Nikkor 20mm f/1.8G

Nikon’s fast ultra wide angle..

  1. Introduction to Nikon 20mm f/1.8G
  2. MTF for Nikon 20mm f/1.8G
  3. Distortion (and Correction) for Nikon 20mm f/1.8G
  4. Wide Angle Perspective for Ambiguous Size
  5. Shooting at Night
  6. Shooting at Dusk: f/1.8 vs f/2.8 (D810, Egg Erratic)
  7. Aperture Series: Green and Orange Pumpkins (D810)
  8. Aperture Series: Sunflower Blossom (D810)
  9. Aperture Series: Multi-Stem Sunflower and Blue Sky (D810)
  10. Aperture Series: Glacial Erratics in Blue Skylight, Westering Sunstar (D810)
  11. Aperture Series: Glacial Erratic To Peak (D810)
  12. Aperture Series: Mt Conness Glacier Remnants (D810)
  13. Aperture Series: Pine Creek Sun Wedge (D810)
  14. Aperture Series: Pine Lake Peak, Last Kiss of Sunlight (D810)
  15. Aperture Series: Sparkling Lake (D810)
  16. Aperture Series: Dusk Glow On Bristlecone Graveyard (D810)
  17. Focus Shift: 20/1.8G vs 14-24/2.8G (D810, Rulers)

Nikon AF-S Nikkor 24-70mm f/2.8E ED VR

Versatile image-stabilized mid-range zoom..

  1. Introduction to Nikon AF-S Nikkor 24-70mm f/2.8E ED VR
  2. Aperture Series @ 38mm: Bristlecone and Earth Shadow at Dusk
  3. Aperture Series @ 70mm: Frosted Hillside
  4. Nikon 24-70/2.8E VR vs 24/1.8G: Snowy White Mountain Road

Nikon AF-S Nikkor 24mm f/1.8G

Versatile autofocus wide angle..

  1. Introduction to Nikon 24mm f/1.8G
  2. MTF for Nikon 24mm f/1.8G
  3. Distortion (and Correction) for Nikon 24mm f/1.8G
  4. Vignetting for Nikon 24mm f/1.8G
  5. Aperture Series: Mountainside At Dusk (D810)
  6. Aperture Series: Lundy Reservoir Frozen Over (D810)
  7. Aperture Series: Snow-Covered Bristlecone Blue Dusk (D810)
  8. Nikon 24/1.8G vs Nikon 24-70/2.8E VR: Snowy White Mountain Road

Nikon AF-S 24mm f/1.4G ED

State of the art design in a fast 24mm lens. Includes full-resolution images at f/1.4..

  1. Introduction
  2. Ergonomics
  3. Autofocus — Introduction
  4. Autofocus — Nikon D3s Building Distant
  5. Autofocus — Nikon D3s Brick Building
  6. Autofocus — Nikon D3s Golden Gate Bridge
  7. Autofocus — Nikon D3x Brick Building
  8. Autofocus — Nikon D3x Golden Gate Bridge
  9. Autofocus — Nikon D3x Flag
  10. Autofocus — Mis-focus Examples
  11. Autofocus Examples
  12. Autofocus Examples At Night
  13. Autofocus — Conclusions
  14. 24/1.4G Distortion vs 14-24/2.8G and 24/2 AIS
  15. Correcting Distortion in Adobe Camera Raw
  16. Vignetting from f/1.4 - f/8
  17. Focus Shift and Color Bokeh
  18. Focus Shift (Dolls, Nikon D800E)
  19. Examples — Wide Open
  20. Examples — Various
  21. Examples — Mountains
  22. Comparison with Nikon 14-24/2.8G and 24/2 AI-S
  23. Aperture Series: Tile Rooftops
  24. Aperture Series: Sidelit Barn at DeChambeau Ranch (Nikon D800E)
  25. Aperture Series: Sunrise Glow on Lundy Creek (Nikon D800E)
  26. Conclusions

Nikon AF-S 28mm f/1.8G

A fast moderate wide angle lens with some practical difficulties..

  1. Focus Shift Study (Dolls)
  2. Examples (Dana Meadow Portraits)
  3. Examples (Adhoc Backyard Shots)
  4. Compared vs Nikon 28/2 AIS, Voigtlander Color Skopar 28/2.8 SL II (Cottonwood Canyon Fall Color)
  5. Compared vs 28/2 AIS, Voigtlander 28/2.8 SL II (Cabin Bathroom)

Nikon AF-S 300mm f/4E PF ED VR

Compact and lightweight travel-friendly telephoto..

  1. Overview: Nikon AF-S 300mm f/4E PF ED VR
  2. MTF for Nikon AF-S 300mm f/4E PF ED VR
  3. Apertures Series: Looped Oil Pipes (Nikon D810)
  4. Apertures Series: Oil Field Cogeneration Plant (Nikon D810)
  5. Apertures Series: Oak Tree at Dusk (Nikon D810)

Nikon Ultra Wide Zooms

Comparing Nikon 16-35mm f/4 VR, 17-35mm f/2.8, 14-24mm f/2.8, 18-35mm, 24-70mm f/2.8 along with Nikon 20mm f/3.5, 24mm f/2, 28mm f/2, 35mm f/1.4 AIS, and more..

  1. Main Page
  2. Personal Usage Notes and Reactions
  3. Specifications and pricing
  4. Understanding Lens Performance
  5. Hazy Low Contrast with Nikon 17-35 @ f/2.8
  6. Correcting Distortion in Software
  7. Distortion at 16mm
  8. Distortion at 17mm
  9. Distortion at 21mm
  10. Distortion at 24mm
  11. Distortion at 28mm
  12. Distortion at 35mm
  13. Vignetting at 16mm
  14. Vignetting at 17mm
  15. Vignetting at 21mm
  16. Vignetting at 24mm
  17. Vignetting at 28mm
  18. Vignetting at 35mm
  19. Overview of Comparisons
  20. Crops at 16mm — Focus
  21. Crops at 16mm — Top Left Corner
  22. Crops at 16mm — Right Edge
  23. Crops at 16mm — Left Edge
  24. Crops at 16mm — Bottom
  25. Crops at 17mm — Focus
  26. Crops at 17mm — Left Edge
  27. Crops at 17mm — Top Left Corner
  28. Crops at 17mm — Right Edge
  29. Crops at 17mm — Bottom Right
  30. Crops at 21mm — Focus
  31. Crops at 21mm — Left Edge
  32. Crops at 21mm — Top Right Corner
  33. Crops at 21mm — Bottom
  34. Crops at 21mm — Bottom Right Corner
  35. Crops at 24mm — Focus
  36. Crops at 24mm — Left Edge
  37. Crops at 24mm — Right Edge
  38. Crops at 24mm — Upper Left Corner
  39. Crops at 24mm — Bottom Right
  40. Crops at 28mm — Focus
  41. Crops at 28mm — Left Edge
  42. Crops at 28mm — Right Edge
  43. Crops at 28mm — Top Left Corner
  44. Crops at 28mm — Bottom Right Corner
  45. Crops at 35mm — Focus
  46. Crops at 35mm — Left Edge
  47. Crops at 35mm — Right Edge
  48. Crops at 35mm — Top Left Corner
  49. Crops at 35mm — Bottom Right Corner
  50. Conclusions on Mosaic Comparisons —
  51. Download Full Resolution Mosaic @ f/5.6
  52. Overview of Nikon 18-35mm f/3.5-5.6 vs Nikon 16-35 f/4 VR
  53. Distortion of Nikon 18-35mm f/3.5-5.6 vs Nikon 16-35 f/4 VR
  54. Vignetting of Nikon 18-35mm f/3.5-5.6 vs Nikon 16-35 f/4 VR
  55. Nikon 18-35mm f/3.5-5.6 vs Nikon 16-35 f/4 VR— Crops at 18mm
  56. Nikon 18-35mm f/3.5-5.6 vs Nikon 16-35 f/4 VR— Crops at 21mm
  57. Nikon 18-35mm f/3.5-5.6 vs Nikon 16-35 f/4 VR— Crops at 24mm
  58. Nikon 18-35mm f/3.5-5.6 vs Nikon 16-35 f/4 VR— Crops at 28mm
  59. Nikon 18-35mm f/3.5-5.6 vs Nikon 16-35 f/4 VR— Crops at 35mm
  60. Nikon 18-35mm f/3.5-5.6 vs Nikon 16-35 f/4 VR— Conclusions
  61. Conclusions

Nikon AF 16mm f/2.8D Fisheye

Exploring the 16mm fisheye for landscape photography, and correcting fisheye distortion..

  1. Introduction
  2. Examples: Bristlecones, Yosemite, Creekside
  3. Defishing in Capture NX2
  4. Distortion Control in Capture NX2
  5. Conclusions

Nikon AF-S 14-24mm f/2.8G ED

Nikon’s ultra wide angle zoom and the Nikon 14mm f/2.8, critical focus shift behavior..

  1. Introduction and Overview
  2. Compared: Nikon 14-24mm f/2.8G vs Nikon 14mm f/2.8: Ancient Bristlecone
  3. Compared: Nikon 14-24mm f/2.8G vs Nikon 14mm f/2.8: White Mountains Road
  4. Focus Shift with Nikon 14-24 Cuts Resolution In Half!!!
  5. Focus Shift, Dual Series: Lee Vining Canyon, Fresh Snow on Mountains
  6. Focus Shift: Nikon 14-24 vs 24-70 on Nikon D800E
  7. Focus Shift: Nikon 14-24 Across The Frame, Focus f/2.8 vs f/5.6 (Cabin)
  8. Correcting Chromatic Aberration
  9. Nikon 14-24/2.8G vs Tamron 15-30/2.8 [IS issue] (Pescadero Creek, Nikon D810)
  10. Conclusions

Rokinon 24mm f/3.5 Tilt-Shift Lens

Perspective control for architecture or landscape as an alternative to Nikon and Canon brand name offerings..

  1. Rokinon 24mm f/3.5 Tilt/Shift
  2. vs Nikon 24mm f/1.4G (D800E, Barcroft Building)
  3. Examples: Stitched Panoramas (D800E, White Mountains)

Samyang 14mm f/2.8

Ultra wide angle lens for Canon and Nikon..

  1. Samyang-14mm f/2.8
  2. Build Quality
  3. Optics and Focusing
  4. Distortion
  5. Lens Skew / Asymmetry Focus Bracket
  6. Aperture Series: Wyman Cabin
  7. Black and White Conversion vs Color (D800E, Wyman Cabin)

Nikon Lenses vs Infrared

How Nikon-compatible lenses perform for infrared use..

  1. Nikon 12-24 f/4G ED-IF AF-S DX Zoom-Nikkor
  2. Nikon 17-35 f/2.8D ED-IF AF-S
  3. Nikon 17-55 f/2.8D ED-IF AF-S DX
  4. Nikon 18-70 f/3.5-4.5G ED-IF AF-S DX
  5. Nikon 18-200 f/3.5-5.6G ED-IF AF-S DX
  6. Nikon 28-70 f/2.8D ED-IF AF-S
  7. Nikon 20mm f/3.5 AI-S
  8. Nikon 24mm f/2 AI-S
  9. Nikon 28mm f/2 AI-S
  10. Schneider 28mm f/2.8 PC Super Angulon
  11. Nikon 28mm f/4 PC-Nikkor

Field Curvature (Case Studies)

Actual example of field curvature..

  1. Field Curvature with Zeiss 15mm f/2.8 Distagon

Focus Shift (Case Studies)

Focus shift with a variety of lenses..

  1. Focus Shift: Nikon 14-24/2.8G and 24-70/2.8G
  2. Focus Shift with the Nikon 14-24mm f/2.8G (Early Tests)
  3. Focus Shift Over the Frame, Nikon 14-24mm f/2.8G (Cabin)
  4. Mitigating Focus Shift In the Field, Nikon 14-24/2.8G (Cottonwood Canyon Cabin)
  5. Focus Shift with 28mm Lenses

Milvus 21mm f/2.8

The classic 21/2.8 Distagon improved..

  1. Aperture Series: Big Laurel at Bend in Alpine Creek (Canon 5DS R)

15mm f/2.8 Distagon

Ultra high performance in an extreme wild wide angle lens..

  1. 15/2.8 Distagon Main Page
  2. 15/2.8 Zeiss Press release
  3. 15/2.8 MTF Chart
  4. 15/2.8 Distortion
  5. 15/2.8 Vignetting
  6. 15/2.8 Chromatic Correction
  7. 15/2.8 Flare
  8. Depth of Field Table
  9. Case Study: Focus Bracketing for Best Sharpness (Bristlecone)
  10. Optimizing Focus for Field Curvature and Subject (Campfire / SUV)
  11. Using the Zeiss Polarizer
  12. Weather Sealing and Rain
  13. Depth of Field with Steep Perspectives
  14. Field Curvature and MTF and Focus (Nikon D800E, Mosaic)
  15. Depth of Field Aperture Series (Mossy Log Over Creek)
  16. Vignetting/Depth of Field Aperture Series (Church Interior)
  17. Close-Range Aperture Series (Tioga Pine)
  18. Aperture Series: Backlit Bristlecone Pine (Leica M Typ 240)
  19. Aperture Series: Radio Towers (Nikon D800E)
  20. Aperture Series: Confluence of Branched Creek with Sedges and Boulders (Sony A7)
  21. Aperture Series: Surreal Bristlecones at High Altitude, Generations (Nikon D810)
  22. Aperture Series: Pine Creek Stormy Light (Nikon D810)
  23. Aperture Series (Leica M Typ 240, Dolls)
  24. Examples (Ad-Hoc, Nikon D3x)
  25. Examples: Lundy Canyon, Early Winter
  26. Examples (Purissima Creek Redwoods, Nikon D3x)
  27. Examples (Church Interior, Nikon D3x)
  28. Examples (Yosemite, Nikon D800E)
  29. Examples (White Mountains, Nikon D800E)
  30. Examples in Monochrome (Pescadero, Nikon D800 Monochrome)
  31. Examples (White Mountains, Canon 5D Mark III)
  32. Comparison to Nikon 14-24 (Bristlecone, Nikon D800E)
  33. Comparison to Nikon 14-24 (Aspen Cluster, Nikon D800E)
  34. Comparison to Nikon 14-24 (Cabin, Nikon D800E)
  35. Carl Zeiss ZF.2 / ZE 15mm f/2.8 Distagon (PDF)

18mm f/3.5 Distagon

A brilliant, but also colorful character..

  1. 18/3.5 Distagon Main Page
  2. MTF Chart
  3. Flare
  4. Distortion
  5. Distortion vs Nikon 14-24mm f/2.8G
  6. Vignetting
  7. Vignetting and Color Shading vs Nikon 14-24mm
  8. Color Shading Examples
  9. Bokeh
  10. Sagittal Coma Flare
  11. Color Fringing (Aspen, Nikon D800E)
  12. Examples
  13. Examples ZE/Canon Landscape
  14. Examples (White Mountains, Nikon D800E)
  15. Examples ZE/Canon NYC
  16. Examples ZE/Canon Night Shots
  17. Examples ZE/Canon Closeups
  18. Infinity Focus: where?
  19. Close-Range Aperture Series (Tioga Pine)
  20. Aperture Series: Creek Sedges, Water-Worn Boulders, Green Moss (Sony A7)
  21. Aperture Series: Wyman Canyon Lower Cabin Interior (Nikon D800E)
  22. Comparisons Overview
  23. Compared with Nikon 14-24/2.8G - Mosaic
  24. Compared with Nikon 14-24/2.8G - Arcades
  25. Compared with Nikon 14-24/2.8G - Church Interior
  26. Compared with Canon EF 16-35mm f/2.8L II - Mosaic
  27. Correcting Color Shading Using Photoshop Masks
  28. Resolution Chart

ZF.2/ZE 21mm f/2.8 Distagon

Brilliant imaging, even wide open, but with a few quirks. (Review in progress) .

  1. 21/2.8 Distagon Main Page
  2. MTF Chart
  3. Distortion
  4. Distortion vs Nikon 14-24/2.8G
  5. Field Illumination (Vignetting) and Off-Center Color Balance
  6. Examples
  7. Examples 2
  8. Examples ZE/Canon Landscape
  9. Examples Climbing Mt Dana in Yosemite
  10. Examples in Yosemite,and White Mountains, Late Fall
  11. Examples ZE/Canon NYC
  12. Examples ZE/Canon Low-light
  13. Examples (close-up)
  14. Rendering Style at f/2.8, f/4, f/8: Aspen Thicket
  15. Examples: Lundy Canyon, Before The Snow
  16. Examples: Lundy Canyon, Drowned Conifers at Dusk
  17. Examples: Lundy Canyon, Early Winter
  18. Examples: Lundy Canyon, Brilliance at the Big Beaver Pond
  19. Studying f/2.8, f/5.6, f/9: Blue Dusk Settles On Lundy Beaver Pond
  20. Flare
  21. Close-Range Aperture Series (Tioga Pine)
  22. Aperture Series: Pine Creek Tungsten Mine Buildings / Waterfall (Nikon D800E)
  23. Aperture Series: Pine Creek Stormy Light (Nikon D810)
  24. Aperture Series: Green Hills (Nikon D800E)
  25. Aperture Series: Eroding Ancient Bristlecone Pine (Nikon D800E)
  26. Aperture Series: Curving Confluence with Sedges and Boulders (Sony A7)
  27. Focus Shift Assessment vs Nikon 20/1.8G and 14-24/2.8G
  28. vs Nikon 20mm f/1.8G: Mt Conness Glacier Remnants (Nikon D810)
  29. Aperture Series: Wyman Cabin Trashed Interior (Canon 5DS R)
  30. Aperture Series: Big Laurel at Bend in Alpine Creek (Canon EOS R5)
  31. vs Nikon 14-24/2.8G, et al
  32. vs Canon 16-35/2.8L II
  33. vs Nikon 14-24/2.8G
  34. vs Nikon 14-24/2.8G
  35. vs Canon 20mm f/2.8 and 16-35mm f/2.8L II
  36. vs Nikon 14-24/2.8G and Nikon 16-35/4G VR
  37. vs Leica 21mm f/1.4 Summilux-M ASPH (Leica M Typ 240)
  38. Comparison: 21/2.8 and 25/2.8 Distagon vs Nikon 24/1.4G

Ultra-wides Compared

Visualizing how 15mm, 18mm, 21mm compare..

  1. Ultrawides Compared — Tioga Area

25mm f/2 Distagon

Ultra high performance with a fast aperture..

  1. 25/2 Distagon Main Page
  2. 25mm f/2 vs 25mm f/2.8 Discussion
  3. 25/2 Zeiss Press release
  4. MTF Chart
  5. Distortion
  6. 25/2 Vignetting
  7. Examples (Ad-Hoc)
  8. Examples (Yosemite, White Mountains)
  9. Examples (White Mountains Snowy Day)
  10. Field Curvature (Tioga Pass)
  11. Aperture Series: Backlit Bristlecone (Nikon D800E)
  12. Aperture Series: Bristlecone Trunks (Nikon D800E)
  13. Compared: 25/2 vs 25/2.8 (Bristlecone View of White Mountain Peak, Nikon D800E)
  14. Aperture Series: Banana Slug
  15. Aperture Series: Leaf on Log
  16. Aperture Series: Maple Leaves By Creek
  17. Aperture Series: Big Leaf Maple
  18. Aperture Series: Silver Canyon Cottonwood
  19. Aperture Series: Bristlecone Monolith Snowing
  20. Aperture Series: Defunct Mining Cabin
  21. Aperture Series: Bristlecone Stump in Snow
  22. Aperture Series: Bush in Blowing Snow
  23. Aperture Series: Pescadero Creek Confluence (Sony A7)
  24. Comparison: 25/2 Distagon vs Canon 24mm ƒ/1.4L II (Woods)
  25. Comparison: 25/2 Distagon vs Canon 24mm ƒ/1.4L II (Tree)
  26. Comparison: 25/2 Distagon vs Canon 24mm ƒ/1.4L II (Creek)
  27. Comparison: 25/2 Distagon vs Nikon 24/1.4G (Tile Roofs)
  28. Comparison: 25/2 Distagon vs 25/2.8 Distagon, Nikon 24/1.4G (Water Tanks)

25mm f/2.8 Distagon

A gem with unusual close-focus..

  1. 25/2.8 Distagon Main Page
  2. MTF Chart
  3. 25/2.8 Vignetting
  4. 25/2.8 Distortion
  5. Examples
  6. Aperture Series: Pescadero Creek Confluence (Sony A7)
  7. Examples In California’s White Mountains
  8. Examples In Yosemite
  9. Examples In Lundy Canyon, Eastern Sierra
  10. Aperture Series: Bristlecone Monolith Snowing
  11. Infrared Examples 25/2.8 IR-Distagon
  12. Compared: 25/2.8 vs 25/2 (Bristlecone View of White Mountain Peak, Nikon D800E)
  13. Compared: Canon 24mm f/2.8 IS
  14. Comparison
  15. Bokeh
  16. Resolution Chart
  17. Curvature of Field
  18. Aperture Series: Dead Pines in Defunct Beaver Pond (Multi-Shot HighRes mode)

28mm f/2 Distagon

An artist’s drawing tool..

  1. 28/2 Distagon Main Page
  2. MTF Chart
  3. Vignetting
  4. Bokeh
  5. Sagittal Coma Flare
  6. Curvature of Field
  7. Examples
  8. Examples — Close-up
  9. Examples — White Mountains
  10. Examples Climbing Mt Dana in Yosemite
  11. Dusk and Night Shots in Mountains
  12. Examples — Miscellaneous
  13. Examples — Environmental Portraits
  14. Examples — Outdoor Portraits (Yosemite)
  15. Comparison—Nikon D3
  16. Comparison—Canon EOS 1Ds Mark III
  17. 28/2 Distagon vs Nikon 24-70/2.8G, Nikon 16-35/4G VR, Nikon 28/2
  18. 28/2 Distagon vs Nikon AF-S 28mm f/1.8G
  19. 28/2 Distagon vs Nikon 28/1.8G, 28/2 AIS, Voigtlander 28/2.8 SL II
  20. 28/2 Distagon vs Voigtlander Color Skopar 28/2.8 SL II
  21. 28/2 Distagon vs Voigtlander Color Skopar 28/2.8 SL II, Nikon 28/2 AIS, Nikon AF-S 28/1.8G
  22. Aperture Series: Lundy Canyon Beaver Dam (Nikon D800E)
  23. Aperture Series: Mossy Green Boulders Amid Water Polished Rocks (Nikon D800E)
  24. Aperture Series: Creekside Yellow Flowers and Dark Rocks, Lundy Creek (Nikon D810)
  25. Aperture Series: Twisted Aspen (Nikon D810)
  26. Aperture Series: Rich Tones in Pescadero Creek (Sony A7)
  27. Aperture Series: White Mountains Landscape (Nikon D810)
  28. Aperture Series: Four Aspens, Late Dusk (Sony A7R II)
  29. Resolution Chart

Zeiss ZF.2 and Zeiss ZE Lenses For Canon and Nikon

Zeiss ZF.2 and Zeiss ZE Lenses For Canon and Nikon.

  1. Mini Review: Zeiss ZF/ZE 21mm f/2.8 Distagon
  2. Mini Review: Zeiss ZF/ZE 25mm f/2.8 Distagon
  3. Mini Review: Zeiss ZF/ZE 28mm f/2 Distagon


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$90 Sabrent 512GB Rocket UHS-II SDXC Memory Card BACK IN STOCK in Accessories: Memory Cards
$263 SmallRig RC 220D Daylight LED Monolight IN STOCK in Lighting: LED

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