Note: if you’re running Mac OS X SNow Leopard, Version 1.1.00 works perfectly with Snow Leopard. Download the latest version of SpectraView II software for NEC displays.
One lens I enjoy shooting at night on the D3x is the Zeiss ZF 85/1.4 Planar. The 85mm focal length works well for city shooting too, just slightly “long”. I like shooting it at f/1.4 - f/2.8 at night, and on the D3x one can blast away at ISO 1600-3200 with fantastic results.
By chance I came across the Color of Money in Albuquerque, shown below. The lighting is very “stimulating”, is it not? Funny how red ink results in green.
The color gamut of the NEC 30" LCD 3090WQXi is far larger than the sRGB color space, as I discussed on Feb 17. It’s also larger than the gamut of my Apple Cinema Display. One wouldn’t realize this without seeing it—the full-gamut image is actually an intense garish green, probably not displayable on most monitors.
When imaging into sRGB and viewing the results on an ordinary monitor, that’s dumbing down the color to the least common denominator of both sRGB and the screen. Use of sRGB destroys the image color, whereas display limitations are just that.
The Nikon D3x has a very wide color gamut, and never before have I seen so many images that not only are out of gamut in sRGB, but even out of gamut in Adobe RGB, though usually in minor ways, with intense reds being the exception. The sRGB color space should be avoided like the plague with the D3x; RAW with a wide-gamut color space into 16-bit TIF is the way to go for optimal results.
The pair of images below differs only in the color space: sRGB for the first one and AdobeWideRGB for the second (AdobeWideRGB is a color space supplied by Nikon Capture NX2). The sRGB results have resulted in a yellowish and desaturated approximation of the original. The image is mostly in-gamut in standard AdobeRGB however.
On the NEC 30" display, there is an obvious difference in color between the two images below; the NEC display can show the intense saturated greens, which were what attracted me to this building at night. What’s interesting is that converting to sRGB shows almost no visible change in color on the Apple Cinema Display, but a pronounced change on the NEC, another way of demonstrating the latter’s wider gamut.
You’ll need a color-aware browser to make this comparison, or open the images in Photoshop.