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In Single-Shot vs Multi-Shot High-Res Mode2 Motion Correction, I showed that MODE2 of the Panasonic S1R Multi-Shot High-Res mode was the way to go for movement.
This page look at fast moving water and foliage moving around willy-nilly on a moderately windy day, the kind of thing I encounter all the time in field shooting and for which just 1/2 of one percent of the motion used here is the kiss of death for conventional pixel shift.
Includes HighRes image crops from Mode1 and Mode2 along with the corresponding auto-recorded standard-res crops.