See my L-mount mirrorless wishlist
Hey, if you’re reading this, subscribe now—you can’t get the stuff I do anywhere else. Help me keep doing it—not tomorrow or next month, but right now—thanks!
In Single-Shot vs Multi-Shot High-Res Mode2 Motion Correction, I showed that MODE2 of the Panasonic S1R Multi-Shot High-Res mode was the way to go for movement.
This page look at fast moving water and foliage moving around willy-nilly on a moderately windy day, the kind of thing I encounter all the time in field shooting and for which just 1/2 of one percent of the motion used here is the kiss of death for conventional pixel shift.
Panasonic S1R: Multi-Shot High-Res MODE1 vs MODE2 with Moving Subject Matter
Includes HighRes image crops from Mode1 and Mode2 along with the corresponding auto-recorded standard-res crops.