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Shootout @ 18mm: Sony FE 12-24mm f/2.8 GM vs Sony FE 12-24mm f/4 G: View from Crooked Creek Canyon to White Mountain Peak

See my Sony mirrorless wishlist.

This shootout on the 60-megapixel Sony A7R IV complements First Ice on Beaver Pond with a near-to-far composition with focus very far out, to give both lenses a chance to show their behaviors, both in terms of focus shift and field curvature, and the best possible performance that each can deliver.

Shootout: Sony FE 12-24mm f/2.8 GM vs Sony FE 12-24mm f/4 G: View from Crooked Creek Canyon to White Mountain Peak

Includes images at up to full camera resolution from f/2.8 through f/11 with extensive crops and analysis.

The about $2998 Sony FE 12-24mm f/2.8 GM, sets the gold standard for ultra-wide lenses, zoom or prime against which all other lenses in this range now need to be referenced.

My field time with the Sony 12-24/2.8 GM has impressed the hell out of me. It’s going to deliver a wallop to my bank account, because there is no way in hell I am sending this lens back: the Sony FE 12-24mm f/2.8 GM is the holy grail of wide angles lenses: one lens that can do it all over the entire 12-24mm range, making prime lenses blush with embarrassment.

I drove down this canyon and hiked through beautiful sunlight backlighting... just in time for a pall of clouds to deaden the landscape. Well, on one of those unpredictable days when I have the energy, I have to shoot what nature presents.

View from Crooked Creek Canyon to White Mountain Peak
f8 @ 1/60 sec EFC shutter, ISO 100; 2020-11-11 16:07:58
Sony A7R IV + Sony FE 12-24mm f/2.8 GM @ 18mm
ENV: Crooked Creek Canyon, altitude 9350 ft / 2850 m, 45°F / 7°C
RAW: LACA corrected, vignetting corrected, pull 0.33 stops, +30 Whites, +10 Dehaze, +15 Clarity, diffraction mitigating sharpening

[low-res image for bot]
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