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Fujifilm Finepix X100

How I Shoot My X100

On this page I discuss how I shoot my Fuji X100, not to be confused with the only way to shoot it, or even the best way to shoot it for someone else. But it’s the way I prefer to work.

RAW only

I never shoot JPEG, and if I could, I’d wipe out the capability from the firmware, along with all the messy settings that go along with it.

It’s also a risk to switch to JPEG then forget to switch back, so my hard and fast rule is to leave the camera set to RAW 100% of the time.

The Fuji X100 has such high image quality, that JPEG is foolish, especially if the camera blows-out the highlights.

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Diglloyd Guide to Mirrorless is by yearly subscription. Subscribe now for about 25 cents a day ($90/year).
BEST DEAL: get full access to ALL 8 PUBLICATIONS for only about 75 cents a day!

Diglloyd Guide to Mirrorless offers comprehensive integrated coverage of most APS-C and full frame mirrorless cameras and lenses.

Special emphasis is placed on Sony full-frame, including Sony lenses and the high performance Zeiss Batis and Zeiss Loxia lenses plus Rokinon/Samyang and others. Fujifilm X, Olympus and Panasonic M4/3, Sigma dp Merrill and dp/sd Quattro are also covered in depth. Years in the making, it offers a wealth of material for choosing and using a mirrorless camera.

  • Make better images by learning how to get the best results right away. For example, the best way to set up your Sony camera.
  • Save money by choosing the right lens for your needs the first time, particularly with the numerous lenses available for Sony.
  • Make better images, a sort of “cheat sheet” saving yourself months or years of ad-hoc learning—best practices and how-to and processing parameters are discussed and shown.
  • Jaw-dropping image quality found nowhere else utilizing Retina-grade images up to full camera resolution, plus large crops.
  • Real world examples with insights found nowhere else. Make sharper images just by understanding lens behavior you won’t read about elsewhere.
  • Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
  • Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.

Want a preview? Click on any page below to see an excerpt as well as extensive blog coverage, for example on Sony.

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