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Comparing 7 Color and 5 Monochrome ACR Camera Profiles (Dolls)
This page should be instructive for anyone convertiung Fujifilm X raw files in Photoshop or Lightroom.
Color rendition is often a discussion that comes up, sometimes with strongly-felt assertions avowing a like or dislike for the color rendition that a camera offers, or perhaps an expression of dislike for “Adobe color”.
But as this page shows by comparison using the same raw file, there is a huge variance in the look of an image simply by choosing a different color profile. So one has to consider comments on camera color with extreme skepticism. Certainly there are differences in the way cameras render color, but the camera profile exerts such an influence that failing to address that variable head-on puts the rest of the discussion on shaky footing.
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Diglloyd Guide to Mirrorless is by yearly subscription. Subscribe now for about 25 cents a day ($90/year).
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Diglloyd Guide to Mirrorless offers comprehensive integrated coverage of most APS-C and full frame mirrorless cameras and lenses.
Special emphasis is placed on Sony full-frame, including Sony lenses and the high performance Zeiss Batis and Zeiss Loxia lenses plus Rokinon/Samyang and others. Fujifilm X, Olympus and Panasonic M4/3, Sigma dp Merrill and dp/sd Quattro are also covered in depth. Years in the making, it offers a wealth of material for choosing and using a mirrorless camera.
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Want a preview? Click on any page below to see an excerpt as well as extensive blog coverage, for example on Sony.
