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Aperture Series: Sage, Aspen, and Waterfall
There is no sense beating up on something for what it is, that is, the fact that the extreme focus shift of the Nikon NIKKOR Z 35mm f/1.8 S is a bit absurd should not distract from the possibility of using it so as to bypass the issue. Showing more images damaged by that behavior only show the futility of using the 35/1.8 as I would use an optically rigorous design like Zeiss Milvus or Zeiss Otus.
Accordingly, this series uses a 3D subject mostly at distance and also with a nearby foreground. It compensates for the focus shift of the Nikon NIKKOR Z 35mm f/1.8 S by refocusing at f/1.4, f/2, f/2.8, f4 and thus delivering the best performance possible (assuming autofocus is accurate and it seemed to be). Apertures f/6.3 and f/9 use the same focus as f/4.
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Diglloyd Guide to Mirrorless is by yearly subscription. Subscribe now for about 25 cents a day ($90/year).
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Diglloyd Guide to Mirrorless offers comprehensive integrated coverage of most APS-C and full frame mirrorless cameras and lenses.
Special emphasis is placed on Sony full-frame, including Sony lenses and the high performance Zeiss Batis and Zeiss Loxia lenses plus Rokinon/Samyang and others. Fujifilm X, Olympus and Panasonic M4/3, Sigma dp Merrill and dp/sd Quattro are also covered in depth. Years in the making, it offers a wealth of material for choosing and using a mirrorless camera.
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- Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
- Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.
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