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Canon 5D Mark III

5D Mark III vs 5D Mark II from ISO 50 to 25600 (Pipe Organ)

Here are compared the Canon 5D Mark III to its 5D Mark II predecessor at ISO 50 through ISO 25600, whole ISO values.

The lens was the Leica 90mm f/2 APO-Summicron-R ASPH, used with a lens adapter. It is a wonderful lens with superb corner-to-corner sharpness and exceptional color rendition.

Noise and color

This scene has a strongly warm color balance, and therefore offers a good counterpoint to the green-dominant prior comparisons.

Often, the lab evaluation of digital noise fails to take into account the real world, where there can be strongly-hued light and/or rich dark saturated tones, both of which can make noise far more prominent. Studio tests with perfect white balance are a crazy way to test for noise; anyone with studio lighting will certainly use strobes to enable ISO 100 for top quality (barring oddball shooting scenarios). Lighting cannot be controlled for many types of photography (think about a stadium or an event or interior where both tripods and flash are forbidden, etc).

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Diglloyd DAP is DSLR-oriented, but also contains workflow and other topics. Much of the focus is on Canon and Nikon but also Pentax and Pentax medium format.

Special emphasis is placed on lens evaluation, focusing on Canon and Nikon and Sigma lenses, but with a few others like Rokinon/Samyang.

  • Make better images by learning how to get the best results right away.
  • Save money by choosing the right lens for your needs the first time, particularly some of the new Sigma Art lenses vs Nikon and Canon.
  • Workflow discusses image organization, raw conversion and post processing. Many examples show processing parameters for direct insight into how the image was converted.
  • Jaw-dropping image quality found nowhere else utilizing Retina-grade images up to full camera resolution, plus large crops [past 2 years or so].
  • Real world examples with insights found nowhere else. Make sharper images just by understanding lens behavior you won’t read about elsewhere.
  • Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
  • Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.

Want a preview? Click on any page below to see an excerpt as well as extensive blog coverage, for example on Nikon or on Canon or on Pentax.

Comparing the relative resolution

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