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36MP Nikon D810
Nikon AF-S NIKKOR 70-200mm f/2.8E FL ED VR

Aperture Series @ 150mm: Cala Lillies (Nikon D810)

The series gives an idea of close-range rendering style from f/2.8 through f/11. It is primarily about bokeh style.

Shot at about the same time, see also the same series with the Zeiss Milvus 135mm f/2, in Zeiss DSLR Lenses.

With subjects like this, there is a delicate interplay between sharpness and depth of field versus the amount of background blur. Sometimes less (DoF) is more. And sometimes it is less. It all depends, but an f/2.8 zoom lens while not quite as flexible as an f/2 prime, still delivers gorgeous blur qualities—or it can do so—and the 70-200/2.8E does so.

Cala Lily

Adobe Camera Raw 9.10.0.739. View ACR Settings. Camera Profile = Camera PROVIA/STANDARD. Diffraction mitigating sharpening at f/8 and f/11.

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Diglloyd DAP is DSLR-oriented, but also contains workflow and other topics. Much of the focus is on Canon and Nikon but also Pentax and Pentax medium format.

Special emphasis is placed on lens evaluation, focusing on Canon and Nikon and Sigma lenses, but with a few others like Rokinon/Samyang.

  • Make better images by learning how to get the best results right away.
  • Save money by choosing the right lens for your needs the first time, particularly some of the new Sigma Art lenses vs Nikon and Canon.
  • Workflow discusses image organization, raw conversion and post processing. Many examples show processing parameters for direct insight into how the image was converted.
  • Jaw-dropping image quality found nowhere else utilizing Retina-grade images up to full camera resolution, plus large crops [past 2 years or so].
  • Real world examples with insights found nowhere else. Make sharper images just by understanding lens behavior you won’t read about elsewhere.
  • Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
  • Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.

Want a preview? Click on any page below to see an excerpt as well as extensive blog coverage, for example on Nikon or on Canon or on Pentax.

Aperture series 2.8,4,5.6,8,11 available in full article

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