EXCERPT page containing first few paragraphs. 2019-10-15 05:43:53
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See also the dolls example, which confirms the findings here.
SuperRes pixel shift mode (“SR-PSM”) merges 4 exposures into one raw file in effect providing a full RGB sampling at each photosite, vs red or green or blue (only) in StdRes / conventional mode.
Because SuperRes mode has a true RGB sample at each pixel, it avoids troublesome color moiré effects as compared to conventional Bayer matrix sampling (StdRes mode).
Here, a demonstration of the massive superiority of SuperRes pixel shift mode is shown.
Product and studio photographers take note: this SuperRes pixel shift technology is a huge problem solver: the ability to shoot images using the about $1796 Pentax K1 that all but guarantees freedom from ugly color moiré is a boon. This alone means justifies the price for anyone doing certain types of product photography work, let alone its medium format image quality in SuperRes mode.
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Diglloyd DAP is DSLR-oriented, but also contains workflow and other topics. Much of the focus is on Canon and Nikon but also Pentax and Pentax medium format.
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