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By considering the “various variants” one might come across a rendition of an image that is both striking an unusual, a rendition that might not be apparent in the original unprocessed file. Be sure to read the pages on inverting channels, swapping channels and expanding channel color first for background information.
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Diglloyd Infrared Photography covers cameras and lenses for infrared photography.
The coverage explains all the issues involved in shooting in infrared, which do not change. It is not a review of any particular camera or lens, though many examples are included.
- Guidance on workflow for infrared, including black and white and channel swapping for false-color images.
- How infrared renders, and why certain spectral cutoffs matter: false color vs black and white.
- Image quality issues to be on the lookout for in infrared.
- Numerous lens evaluations in infrared.