EXCERPT page containing first few paragraphs. 2019-05-21 14:46:31
UA_SEARCH_BOT_null @ 184.108.40.206
In March 2009, Reader Phil L sent me his converted Nikon D700 full-spectrum camera in (sensor glass was replaced to pass visible light, infrared, and UV aka “full spectrum”). Using filters, the image can be infrared or visible or a combination of both.
The D700 does the most beautiful job in infrared I’ve yet seen as of late 2010, though Phil requested my input on a sporadic reflection that is apparently a side-effect of the conversion process. I reproduced it, but do not know the cause.
Article continues for subscribers...
Diglloyd Infrared Photography is by yearly subscription. Subscribe now for about 8 cents a day ($30/year).
BEST DEAL: get full access to ALL 8 PUBLICATIONS for only 68 cents a day ($249.95)!
Diglloyd Infrared Photography covers cameras and lenses for infrared photography.
The coverage explains all the issues involved in shooting in infrared, which do not change. It is not a review of any particular camera or lens, though many examples are included.
- Guidance on workflow for infrared, including black and white and channel swapping for false-color images.
- How infrared renders, and why certain spectral cutoffs matter: false color vs black and white.
- Image quality issues to be on the lookout for in infrared.
- Numerous lens evaluations in infrared.