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EXCERPT page containing first few paragraphs. 2023-10-01 21:01:27

Fujifilm GF 110mm f/2 R LM WR

Aperture Series: Yellow Bike at Night (GFX 50S)

This scene tests the Fujifilm GF 110mm f/2 angled to a target that yields insight into sharpness, color correction and focus shift.


Adobe Camera Raw View ACR settings. Camera Profile = PROVIA/STANDARD.

ACR enforces lens corrections for chromatic aberration, vignetting, distortion, a requirement flag set by the GFX in the raw file.

Color correction is stunningly good: examine all the out of focus specular highlights such as on the basket, the cranks the reflectors—if there is secondary color there, I don’t see it—the out of focus blurs are neutral with no sign of magenta/green secondary color. Kudos to Fujifilm for world-class color correction (the violet/blue light in places is a nearby emergency light kiosk, not anything to do with color correction).

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Diglloyd Medium Format covers medium format camera systems, including the Hasselblad X1D and Fujifilm GFX.

These systems are hugely expensive, so make the right choice for your own needs (full frame vs medium format).

  • In-depth lens evaluations covering behaviors not likely to be found anywhere else, based on real-world field shooting.
  • How to configure menus and buttons and best operating practices, gotchas and how-to.
  • Real world examples with insights found nowhere else. Make sharper images just by understanding lens and camera behaviors.
  • Jaw-dropping image quality found nowhere else utilizing Retina-grade images up to 100 megapixels filling up to 5K display, plus large crops.
  • Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
  • Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.
Aperture series 2,2.8,4.5,8,11 available in full article

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