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Stitched Panorama: Mt Whitney Before Sunrise (GFX 50R)
For a general understanding of format equivalence, see Format-Equivalent Depth of Field and F-Stop. At 250mm, the Fujifilm GF 250mm f/4 R LM OIS WR is about the same field of view (long dimension) as a 198mm lens on the 35mm format.
This page discusses the making of a 92-megapixel panorama using the Fujifilm GF 250mm f/4 R LM OIS WR with the Fujifilm GFX-50R. Most times I would have preferred a vertical pano but this would not have added anything because the foreground would be a blur, and I’d just have had to make more exposures.
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Diglloyd Medium Format covers medium format camera systems, including the Hasselblad X1D and Fujifilm GFX.
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- In-depth lens evaluations covering behaviors not likely to be found anywhere else, based on real-world field shooting.
- How to configure menus and buttons and best operating practices, gotchas and how-to.
- Real world examples with insights found nowhere else. Make sharper images just by understanding lens and camera behaviors.
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- Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.
GFX 50R + Fujifilm GF 250mm f/4 R LM OIS WR @ 205.5mm equiv (250mm)
ENV: Alabama Hills view of Mt Whitney, altitude 4000 ft / 1219 m, 40°F / 4°C
RAW: LACA corrected
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