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Hasselblad H6D-100C
Hasselblad HC 50mm f/3.5 II

Examples: Challenging Exposures (White Mountains)

These examples shot in the White Mountains of California with the Hasselblad H6D-100C.

One of the most useful and impressive features of the Hasselblad H6D-100C image quality is the highly malleable pixel quality. Typically with 35mm cameras (particularly awful with the Sony A7R III), pulling down luminosity of, for example, the blue sky, results in hideous edge artifacts—not so with the Hasselblad H6D-100C. As a result many of these images here use just that technique with no ill effects. This high pixel quality is reason by itself enough to prefer it over 35mm.

Most of the images here have shadow and luminosity boosts in addition to any push or pull.

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Diglloyd Medium Format covers medium format camera systems, including the Hasselblad X1D and Fujifilm GFX.

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  • In-depth lens evaluations covering behaviors not likely to be found anywhere else, based on real-world field shooting.
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  • Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
  • Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.
f8 @ 813.0 sec, ISO 64; 2018-11-25 17:41:34
[location “White Mountain Road, "big hump"”, altitude 10650 ft / 3246 m, 30°F / -1°C, push 3.2 stops]
Hasselblad H6D-100C + Hasselblad HC 50mm f/3.5 II @ 33mm equiv (50mm)

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