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These examples in the Lundy Canyon area.
Includes images up to full 151MP camera resolution (14204 X 10652). Also includes 100 megapixel downsampled variants for perspective versus Fujifilm GFX100.
Aspen in Blue Mountain Shade
This image shows how incredibly limited the depth of field is even at f/11. Part of this is lens performance—less than ideal real depth of field, but the primary factor is a a fundamentally restricted depth of field even ~40 feet / 12 meters out.
Note that even at f/11 it’s not possible to make even the leading group of trees sharp together and these have a separation of perhaps 10 feet / 3 meters. Focus stacking could be used, but if the trees are moving from wind, it’s hopeless.
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These systems are hugely expensive, so make the right choice for your own needs (full frame vs medium format).
- In-depth lens evaluations covering behaviors not likely to be found anywhere else, based on real-world field shooting.
- How to configure menus and buttons and best operating practices, gotchas and how-to.
- Real world examples with insights found nowhere else. Make sharper images just by understanding lens and camera behaviors.
- Jaw-dropping image quality found nowhere else utilizing Retina-grade images up to 100 megapixels filling up to 5K display, plus large crops.
- Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
- Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.