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Fujifilm “film simulations” in
Camera Calibration of Adobe Camera Raw
Fujifilm X-Pro2

ACR vs XPro2: 7 Color and 5 Monochrome Camera Profiles Compared (Ranch Gate at Sunset)

Shot with the 24-megapixel Fujifilm X-Pro2 and XF 10-24mm f/4.

One appeal of the Fujifilm X-Pro2 is its selection of what Fujifilm terms “film simulations”. These include six color film simulations and eight black and white film simulations as follows:

The question at hand is whether converting a raw file in ACR delivers the same look and feel as an in-camera JPEG using the same film simulation. In Adobe Camera Raw, film simulations are found in the Camera Calibration area as shown.

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Diglloyd Guide to Mirrorless is by yearly subscription. Subscribe now for about 25 cents a day ($90/year).
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Diglloyd Guide to Mirrorless offers comprehensive integrated coverage of most APS-C and full frame mirrorless cameras and lenses.

Special emphasis is placed on Sony full-frame, including Sony lenses and the high performance Zeiss Batis and Zeiss Loxia lenses plus Rokinon/Samyang and others. Fujifilm X, Olympus and Panasonic M4/3, Sigma dp Merrill and dp/sd Quattro are also covered in depth. Years in the making, it offers a wealth of material for choosing and using a mirrorless camera.

  • Make better images by learning how to get the best results right away. For example, the best way to set up your Sony camera.
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  • Make better images, a sort of “cheat sheet” saving yourself months or years of ad-hoc learning—best practices and how-to and processing parameters are discussed and shown.
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  • Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
  • Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.

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