EXCERPT page containing first few paragraphs. 2022-10-05 13:54:29
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Fujifilm camera bodies preceding the X-Pro2 have all had what I term fractal-like artifacts which crop up regularly, particularly with natural textures. See the various examples including with different raw converters in the review of the Fujifilm X-Pro1 and review of the Fujifilm X-E1 (“Fractal-like Artifact...”).
I “knew” in a logical sense that the 24MP sensor of the Fujifilm X-Pro2 held no real hope for eliminating the fractal artifacts, since all its X-Trans sensor predecessors share the same technology, albeit at 16MP. Yet assumptions no matter how logically derived must be validated by proofs. But as the March 31 2019 update shows, computational power brought to bear can provide substantial improvements—a compelling reason to shoot and retain raw images.
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Diglloyd Guide to Mirrorless offers comprehensive integrated coverage of most APS-C and full frame mirrorless cameras and lenses.
Special emphasis is placed on Sony full-frame, including Sony lenses and the high performance Zeiss Batis and Zeiss Loxia lenses plus Rokinon/Samyang and others. Fujifilm X, Olympus and Panasonic M4/3, Sigma dp Merrill and dp/sd Quattro are also covered in depth. Years in the making, it offers a wealth of material for choosing and using a mirrorless camera.
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