EXCERPT page containing first few paragraphs. 2020-10-29 04:26:41
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One of my concerns with any camera is how it performs under adverse lighting. An example of this is canyon shade early in the day: extremely blue in color, as high as 30,000°K. With photographic film that color light left nothing but the blue layer on the film; absolutely nothing else was left and it was impossible to restore any other color whatsoever (I have such slides!).
A digital sensor has overlapping color filters and is far more capable of dealing with a wide range of lighting conditions than color reversal or color negative film could ever hope to do, though noise can intrude in extreme lighting (which is my concern noted above).
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Diglloyd Guide to Mirrorless offers comprehensive integrated coverage of most APS-C and full frame mirrorless cameras and lenses.
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