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Examples with 14-42mm

The images processed here used Olympus Studio 2.3. The “Natural” mode was used to process the RAW files, with settings left at +0, and extras like color correction turned off, so as to show the true character of the E-P1.

With post-processing, all of them can be made to look better, often much better. See the Walnut and subsequent examples for the dramatic transformation possible; the E-P1 produces images suitable for post-processing with wonderful results: convert from RAW to 16-bit TIF, and the possibilities are excellent.

Most images on this page shot on a tripod, using a 2-second self timer.

Images presented here were all assessed on my color-calibrated NEC 30" display.

Red on white

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Diglloyd Guide to Mirrorless is by yearly subscription. Subscribe now for about 25 cents a day ($90/year).
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Diglloyd Guide to Mirrorless offers comprehensive integrated coverage of most APS-C and full frame mirrorless cameras and lenses.

Special emphasis is placed on Sony full-frame, including Sony lenses and the high performance Zeiss Batis and Zeiss Loxia lenses plus Rokinon/Samyang and others. Fujifilm X, Olympus and Panasonic M4/3, Sigma dp Merrill and dp/sd Quattro are also covered in depth. Years in the making, it offers a wealth of material for choosing and using a mirrorless camera.

  • Make better images by learning how to get the best results right away. For example, the best way to set up your Sony camera.
  • Save money by choosing the right lens for your needs the first time, particularly with the numerous lenses available for Sony.
  • Make better images, a sort of “cheat sheet” saving yourself months or years of ad-hoc learning—best practices and how-to and processing parameters are discussed and shown.
  • Jaw-dropping image quality found nowhere else utilizing Retina-grade images up to full camera resolution, plus large crops.
  • Real world examples with insights found nowhere else. Make sharper images just by understanding lens behavior you won’t read about elsewhere.
  • Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
  • Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.

Want a preview? Click on any page below to see an excerpt as well as extensive blog coverage, for example on Sony.

E-P1 + 14-42 zoom @ 34mm, 1/30 sec handheld @ f/5.1, ISO 1600

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