EXCERPT page containing first few paragraphs. 2021-04-12 16:08:57
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These examples were selected to evaluate performance for color correction, bokeh and sharpness at f/1.4 with challenging subject matter. The lighting is not enticing, but the results are instructive nonetheless.
The images are presented with minimal tweaking so as to show the native lens performance. Some of them have a very wide range of brightness, so much so that the A7R II at ISO 100 is quite noisy in dark areas; exposure and processing was for the highlights.
Adobe Camera Raw 9.6.1 (631). Chromatic aberration is corrected via an embedded profile for both lenses, as enforced without recourse by ACR.
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Diglloyd Guide to Mirrorless offers comprehensive integrated coverage of most APS-C and full frame mirrorless cameras and lenses.
Special emphasis is placed on Sony full-frame, including Sony lenses and the high performance Zeiss Batis and Zeiss Loxia lenses plus Rokinon/Samyang and others. Fujifilm X, Olympus and Panasonic M4/3, Sigma dp Merrill and dp/sd Quattro are also covered in depth. Years in the making, it offers a wealth of material for choosing and using a mirrorless camera.
- Make better images by learning how to get the best results right away. For example, the best way to set up your Sony camera.
- Save money by choosing the right lens for your needs the first time, particularly with the numerous lenses available for Sony.
- Make better images, a sort of “cheat sheet” saving yourself months or years of ad-hoc learning—best practices and how-to and processing parameters are discussed and shown.
- Jaw-dropping image quality found nowhere else utilizing Retina-grade images up to full camera resolution, plus large crops.
- Real world examples with insights found nowhere else. Make sharper images just by understanding lens behavior you won’t read about elsewhere.
- Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
- Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.
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