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These examples represent some of the best results possible with the Sony RX100. All were processed from RAW (ARW) into 16-bit TIF using Adobe Camera RAW 7.2 RC.
Focal length quoted in equivalent 35mm terms, e.g., 10.4mm = 28mm.
Sharpening after downsampling is a little more aggressive than usual (0.02 instead of 0.01, using Topaz InFocus), due to the sharpness limitations with most of the images.
Push and pull
A “push” refers to film days— positive exposure compensation during RAW conversion. A “pull” is “overexposure” followed by negative exposure compensation during RAW conversion. A pull is desirable from a noise perspective (“expose to the right”).
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Diglloyd Guide to Mirrorless offers comprehensive integrated coverage of most APS-C and full frame mirrorless cameras and lenses.
Special emphasis is placed on Sony full-frame, including Sony lenses and the high performance Zeiss Batis and Zeiss Loxia lenses plus Rokinon/Samyang and others. Fujifilm X, Olympus and Panasonic M4/3, Sigma dp Merrill and dp/sd Quattro are also covered in depth. Years in the making, it offers a wealth of material for choosing and using a mirrorless camera.
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