EXCERPT page containing first few paragraphs. 2021-02-28 22:49:19
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Making of “Tigger with an Itch to Scratch” (Olympus E-M1 Mark II)
This page explains how the image was captured and processed.
Placeholder page — to be completed.
Color to monochrome conversion — Olympus E-M1 Mark II
Color camera capture with conversion to monochrome using Photoshop Black & White layer.
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Diglloyd Making Sharp Images articulates years of best practices and how-to, painstakingly learned over a decade of camera and lens evaluation.
Save yourself those years of trial and error by jump-starting your photographic technical execution when making the image. The best lens or camera is handicapped if the photographer fails to master perfect shot discipline. High-resolution digital cameras are unforgiving of errors, at least if one wants the best possible results.
- Eases into photographic challenges with an introductory section.
- Covers aspects of digital sensor technology that relate to getting the best image quality.
- Technique section discusses every aspect of making a sharp image handheld or on a tripod.
- Depth of field and how to bypass depth of field limitations via focus stacking.
- Optical aberrations: what they are, what they look like, and what to do about them.
- MTF, field curvature, focus shift: insight into the limitations of lab tests and why imaging performance is far more complex than it appears.
- Optical aberrations: what they are, what they look like, and what to do about them.
- How to test a lens for a “bad sample”.
Intrigued? See Focusing Zeiss DSLR Lenses For Peak Performance, PART ONE: The Challenges, or (one topic of many) field curvature.
Olympus E-M1 Mark II + Olympus Zuiko SHG 35-100mm f/2 ED @ 207.6mm equiv (100mm)
RAW: pull 0.2 stops, +20 Whites, +60 Dehaze, +15 Clarity, USM {8,50,0}
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