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Faux HDR: Converting High Dynamic Range Images with Adobe Camera Raw (Nikon D810)
There are many techniques for faux HDR, such as Shadows / Highlights and tonal curves (after raw conversion). Specialty tools can also be used.
But this page shows one appealing option for its simplicity: using Adobe Camera Raw to convert a well exposed high dynamic range raw file into a good quality RGB image, in a single operation.
The Nikon D810 was used at ISO 64 recorded as 14-bit lossless-compressed NEF, shot with the Zeiss 15mm f/2.8 Distagon. On the D810, ISO 64 retains shadow detail with very low noise; as of mid 2014 it represents an outstanding dynamic range performance.
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Diglloyd Making Sharp Images articulates years of best practices and how-to, painstakingly learned over a decade of camera and lens evaluation.
Save yourself those years of trial and error by jump-starting your photographic technical execution when making the image. The best lens or camera is handicapped if the photographer fails to master perfect shot discipline. High-resolution digital cameras are unforgiving of errors, at least if one wants the best possible results.
- Eases into photographic challenges with an introductory section.
- Covers aspects of digital sensor technology that relate to getting the best image quality.
- Technique section discusses every aspect of making a sharp image handheld or on a tripod.
- Depth of field and how to bypass depth of field limitations via focus stacking.
- Optical aberrations: what they are, what they look like, and what to do about them.
- MTF, field curvature, focus shift: insight into the limitations of lab tests and why imaging performance is far more complex than it appears.
- Optical aberrations: what they are, what they look like, and what to do about them.
- How to test a lens for a “bad sample”.
Intrigued? See Focusing Zeiss DSLR Lenses For Peak Performance, PART ONE: The Challenges, or (one topic of many) field curvature.
