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Leica M11 Monochrom

Leica M 60-megapixel monochrome sensor..

  1. Examples: Neighborhood (M11 Monochrom)

Data Sheets.

Technical specifications from the manufacturer..

  1. DATA SHEETS for Leica M Lenses
  2. DATA SHEETS for Zeiss ZM Lenses

Lens Quality control

How good is Leica quality control?.

  1. QC: 18/3.8 Super-Elmar-M ASPH
  2. QC: 21/3.4 Super-Elmar-M ASPH
  3. QC: 28/2.8 Elmarit-M ASPH

Ray angle and Color Shading With M Lenses

Off-center color casts, off-center sharpness..

  1. Color uniformity and Lens Correction
  2. Ray Angle From Lens Exit Pupil (Table of Ray Angles for Zeiss ZM Lenses)
  3. Color Shading General Discussion
  4. Color Shading for M-Mount lenses on Sony NEX-7
  5. Color Shading for M-Mount lenses on Sony NEX-5N
  6. Color Shading for M-Mount lenses on Leica M9
  7. Color Shift When Stopping Down (Sony NEX-7)
  8. Lens Correction Examples (mostly for Zeiss)
  9. Leica M Lenses on Sony A7R: The Reality of Performance

Considerations in choosing a lens.

Focal lengths, color, weight and travel considerations. (relevant, but dated/old material).

  1. Which wide angle? 21mm or 24mm?

Leica 16-18-21mm f/4 Tri-Elmar-M ASPH

Leica’s ultra wide angle zoom lens..

  1. 16-18-21mm f/4 Tri-Elmar-M ASPH
  2. General Notes on the 16-18-21 Tri-Elmar
  3. MTF: 16-18-21/4 Tri-Elmar-M ASPH
  4. MTF vs 18/3.8
  5. MTF vs 21/3.4
  6. Distortion at 16mm, 18mm, 21mm
  7. Vignetting: 16-18-21/4 Tri-Elmar-M ASPH
  8. Flare and Sunstars
  9. Field of View: 16mm, 18mm, 21mm
  10. Aperture Series, 16mm: Cattle Chute at Sunset (M240)
  11. Aperture Series, 18mm: Big Tan Water Tank (M240)
  12. Aperture Series, 18mm: California Poppies and Pots (Sony A7R)
  13. 16 vs 18 vs 21: 16-18-21/4 Tri-Elmar-M ASPH (Alpine Canyon)
  14. 16 vs 18 vs 21: 16-18-21/4 Tri-Elmar-M ASPH (Tiled Rooftops)

Leica 18mm f/3.8 Super-Elmar-M ASPH

Leica’s widest prime lens..

  1. Notes: 18/3.8 Super-Elmar-M ASPH
  2. MTF: 18/3.8 Super-Elmar-M ASPH
  3. Distortion: 18/3.8 Super-Elmar-M ASPH
  4. Vignetting: 18/3.8 Super-Elmar-M ASPH
  5. Sunstars (M240)
  6. Examples: Eureka Dunes on the Winter Solstice, Alabama Hills
  7. Examples: Saddlebag Lake (Leica M10)
  8. Examples: Neighborhood (M11 Monochrom)
  9. Flare Behavior Across Apertures (Beaver Pond, M240)
  10. Examples: 18/3.8 Super-Elmar-M ASPH
  11. vs 16/18/21mm f/4 Tri-Elmar: Pescadero Creek (M240)
  12. Aperture Series: Lundy Pond, Pre-Dawn (M240)
  13. Aperture Series: Lundy Canyon Sunstar (M240)
  14. Aperture Series: Backlit Cottonwood at DeChambeau Ranch (M240)
  15. Aperture Series: Sidelit Barn at DeChambeau Ranch (M240)
  16. Aperture Series: Beaver Pond Meadow, Lundy Canyon (M240)
  17. Aperture Series: Aspen Sunstar (M240)
  18. Aperture Series: Juniper Tree Sky View At Dusk (M240)
  19. Aperture Series: Moots FrosTi (Sony A7)
  20. Aperture Series: Wyman Cabin Exterior (M240)
  21. Aperture Series: Mosaic (Panasonic S1R)
  22. Aperture Series: Setting Sunstar Over Snowy Beaver Pond (Leica M10-R)
  23. Aperture Series: Tenaya Canyon (Leica SL2)
  24. Aperture Series: Big Laurel by Alpine Creek (M11)
  25. Sensor Cover Glass: Stock vs Kolarivision Modified Sony A7R (Mosaic)

Leica 21mm f/1.4 Summilux-M ASPH

Leica’s fastest and widest lens..

  1. Notes: 21/1.4 Summilux-M ASPH
  2. MTF: 21/1.4 Summilux-M ASPH
  3. Distortion: 21/1.4 Summilux-M ASPH
  4. Vignetting: 21/1.4 Summilux-M ASPH
  5. Comparison: Leica 21/1.4 Summilux-M vs Zeiss 21/2.8 Distagon on D3x
  6. Examples: Leica 21/1.4 Summilux-M ASPH
  7. Examples: Leica 21/1.4 Summilux-M ASPH (Bristlecones)
  8. Comparison: Leica 21/1.4 vs Leica 21/3.4 (Interior)
  9. Comparison: Leica 21/1.4 vs Leica 21/3.4 (Rockfall)
  10. Comparison: Leica 21/1.4 vs Leica 21/3.4 (Water Tank)
  11. Comparison: Leica 21/1.4 vs Leica 21/3.4 (Ashford Mill)

Leica 21mm f/3.4 Super-Elmar-M ASPH

Leica’s best-performing 21mm..

  1. Notes: 21mm f/3.4 Super-Elmar-M ASPH
  2. MTF: 21mm f/3.4 Super-Elmar-M ASPH
  3. Distortion: 21mm f/3.4 Super-Elmar-M ASPH
  4. Vignetting: 21mm f/3.4 Super-Elmar-M ASPH
  5. Examples: Color Uniformity on M9P
  6. Flare: Leica 21/3.4
  7. Veiling Flare 21/3.4: Shaded and Unshaded
  8. Aperture Series: Cottonwood (M9)
  9. Aperture Series: 21/3.4 — Tile Rooftops Aerial (M9)
  10. Aperture Series: Miner’s Cabin Interior (M9)
  11. Aperture Series: Rancher’s Cabin Exterior (M9)
  12. Aperture Series: Barcroft Green Machine (M240)
  13. Aperture Series: Barcroft Building Rear (M240)
  14. Aperture Series: White Mountain Aspens in Deep Shade (M9)
  15. Aperture Series: Glacial Erratics (M240, M9)
  16. Aperture Series: Pescadero Creek (Sony A7R)
  17. Leica 21/3.4 vs Zeiss ZM 21/2.8 (M240, Picnic Table)
  18. Compared: vs Voigtlander Ultron 21mm f/1.8 (M240, Wyman Cabin Interior)
  19. Examples: Silver Canyon Contrasts (M9)
  20. Examples: Snow Biking in Cottonwood Canyon (M9)
  21. Examples: White Mountains Snow Day (M9)
  22. Sensor Cover Glass: Stock vs Kolarivision Modified Sony A7R (Mosaic)

Leica 24mm f/1.4 Summilux-M ASPH

Leica’s fast wide angle..

  1. Notes: 24mm f/1.4 Summilux-M ASPH
  2. MTF: 24mm f/1.4 Summilux-M ASPH
  3. Distortion: 24mm f/1.4 Summilux-M ASPH
  4. Vignetting: 24mm f/1.4 Summilux-M ASPH
  5. Examples: Yosemite and White Mountains (M9)
  6. Lens Rendering: Rancher Cabin Interior (M240)
  7. Lens Rendering: Granite Boulders Amid the Brush (M240)
  8. Lens Rendering: Two Trees with Orange Trunks (M240)
  9. Lens Rendering: Bristlecone Detail With Storm (M240)
  10. Lens Rendering: Conglomerate Boulder (M240)
  11. Lens Rendering: Cabin Windows (M240)
  12. Lens Rendering: Bristlecone Down to White Mountain Peak (M240)
  13. Lens Rendering: Cobwebbed Window (M240)
  14. Lens Rendering: Gnarled Bristlecone View Towards Bishop (M240)
  15. 24/1.4 vs 24/3.8 (M240, Frontlit Bristlecones)
  16. 24/1.4 vs 24/3.8 and Zeiss 25/2 Distagon (M240, Barcroft Green Machine)

Leica 24mm f/2.8 Elmarit-M ASPH

A discontinued but excellent 24mm..

  1. Notes: 24mm f/2.8 Elmarit-M ASPH
  2. MTF: 24mm f/2.8 Elmarit-M ASPH
  3. Field Curvature: Leica 24mm f/2.8 Elmarit-M ASPH
  4. Examples: Leica 24mm f/2.8 Elmarit-M ASPH
  5. Field Curvature: 24/2.8 Elmarit-M ASPH vs 24/3.8 Elmar-M ASPH

Leica 24mm f/3.8 Elmar-M ASPH

Leica’s best-performing 24mm, and with a flat field..

  1. Notes: 24mm f/3.8 Elmar-M ASPH
  2. MTF: 24mm f/3.8 Elmar-M ASPH
  3. Distortion: 24mm f/3.8 Elmar-M ASPH
  4. Vignetting: 24mm f/3.8 Elmar-M ASPH
  5. Veiling Flare 24/3.8: Shaded and Unshaded
  6. Examples: Leica 24mm f/3.8 Elmar-M ASPH (Yosemite)
  7. Field Curvature: Leica 24/3.8 Elmar-M ASPH vs 24/2.8 Elmarit-M ASPH
  8. Examples: Eureka Dunes on the Winter Solstice
  9. Examples: Alabama Hills (Leica M10M)
  10. Examples: Mt Whitney Trail (Leica M10M)
  11. Aperture Series: Lone Pine Peak and Mt Whitney Sunrise from Alabama Hills
  12. Aperture Series: Ancient Tree Trunk at Lone Pine Lake
  13. Aperture Series: Leica 24mm f/3.8 Elmar-M ASPH — Cottonwood
  14. Aperture Series: Glacial Erratics (M240, M9)
  15. Aperture Series: Propane Tank (M240, M9)
  16. Aperture Series: Cabin #9 Exterior
  17. 24/3.8 Elmar vs 24/1.4 Summilux (M240, Frontlit Bristlecones)
  18. 24/3.8 vs 24/1.4 and Zeiss 25/2 Distagon (M240, Barcroft Green Machine)
  19. 24/3.8 vs 24/1.4 and Zeiss 25/2 Distagon (M240, Barcroft Green Machine)
  20. Aperture Series: Glistening Rocks Waterfall (M240)
  21. Aperture Series: Yellow Wagon at DeChambeau Ranch (M240)
  22. Aperture Series: DeChambeau Ranch House (M240)
  23. Aperture Series: Colorful Leaves on Still Pool (M240)
  24. Aperture Series: Wyman Cabin Exterior (M240)
  25. Aperture Series: Pescadero Creek (Sony A7R)
  26. Sensor Cover Glass: Stock vs Kolarivision Modified Sony A7R (Mosaic)
  27. Aperture Series: Black Pumice on Sand Moonscape (Leica M10 Monochrom)
  28. Aperture Series: View Over Alabama Hills Boulders to Mt Whitney Range (Leica M10 Monochrom)
  29. Aperture Series: Sunstar Over as yet Unfrozen Beaver Pond (Leica M10 Monochrom)
  30. Aperture Series: Tenaya Canyon Creekbed (Leica SL2)
  31. Aperture Series: Big Laurel by Alpine Creek (M11)
  32. Aperture Series: Deck and Roof (M11 Monochrom)

Leica 28mm f/1.4 Summilux-M ASPH

Leica’s fast 28mm..

  1. Introduction to Leica 28mm f/1.4 Summilux-M ASPH
  2. MTF for Leica 28mm f/1.4 Summilux-M ASPH
  3. Distortion for Leica 28mm f/1.4 Summilux-M ASPH
  4. Vignetting for Leica 28mm f/1.4 Summilux-M ASPH
  5. Leica 28/1.4 Flare (Leica M10-R, Dec 2020)
  6. Secondary Longitudinal Chromatic Aberration (M240)
  7. Aperture Series: Red Aspen at Dusk (M240)
  8. Aperture Series: Pescadero Creek, Late Dusk (M240)
  9. Aperture Series: Green Leaves in Creek Bottom (M240)
  10. Aperture Series: Church At Night (M240)
  11. Aperture Series: Post Office Boxes (M240)
  12. Aperture Series: Green Tree in Construction Floodlight Glare (M240)
  13. Aperture Series: Confluence of Two Shadows (M240)
  14. Aperture Series: Tables, Empty Chairs, Balloons (M240)
  15. Aperture Series: Bench at Night (M240)
  16. Aperture Series: Inner Quad, From Under the Oaks (M240)
  17. Aperture Series: Backlit Snowy Meadow (Leica M10 Monochrome)
  18. Aperture Series: Waning Sun on Aspen Winter Wonderland, Lundy Canyon (Leica M10M)
  19. Aperture Series: View Over Alabama Hills to Lone Pine Peak and Mt Whitney (Leica M10-R)
  20. Aperture Series: Big Laurel by Alpine Creek (M11)

Leica 28mm f/2 Summicron-M ASPH (pre-2016)

Leica’s widest lens utilizing built-in frame lines..

  1. Notes: 28mm f/2 Summicron-M ASPH
  2. MTF: 28mm f/2 Summicron-M ASPH
  3. Distortion: 28mm f/2 Summicron-M ASPH
  4. Vignetting: 28mm f/2 Summicron-M ASPH
  5. Veiling Flare 28/2: Shaded and Unshaded
  6. Examples: Portraits (Panasonic S1R)
  7. Aperture Series: Mosaic (Leica M9)
  8. Aperture Series: Mosaic (Panasonic S1R)
  9. Aperture Series: Bare Branches Riparian Tree (M11)
  10. Examples: Backyard (M11 Monochrom)
  11. Examples: Death Valley (Leica M9)
  12. Examples: Leica 28mm f/2 Summicron-M ASPH
  13. Examples: Leica 28/2 (Beach, NEX-7)
  14. Compared: 28/2 Summicron vs 28/2.8 Elmarit (M9P, Cabin Exterior)
  15. Compared: 28/2 Summicron vs 28/2.8 Elmarit (M9, Death Valley, Leadville)
  16. 28/2.8 vs 28/2 Death Valley Water Tank (M9P)
  17. Aperture Series: vs 28/2.8 Pescadero Creek (Sony A7R)

Leica 28mm f/2 Summicron-M ASPH (2016)

Tweaked 2016 redesign..

  1. Overview of 28mm f/2 Summicron-M ASPH (2016)
  2. MTF
  3. Distortion
  4. Vignetting
  5. Focus Shift Evaluation at MOD (Dolls, M240)
  6. Focusing Behavior in Live View vs Predecessor

Leica 28mm f/2.8 Elmarit-M ASPH (2016)

Tweaked 2016 redesign of Leica’s petite performer..

  1. Overview of 28mm f/2.8 Elmarit-M ASPH (2016)
  2. MTF
  3. Distortion
  4. Vignetting
  5. Focus Shift Evaluation at MOD (Dolls, M240)

Leica 28mm f/2.8 Elmarit-M ASPH (pre-2016)

Leica’s smallest and lightest M lens with superlative performance..

  1. Notes: 28mm f/2.8 Elmarit-M ASPH
  2. MTF: 28mm f/2.8 Elmarit-M ASPH
  3. Distortion: 28mm f/2.8 Elmarit-M ASPH
  4. Vignetting: 28mm f/2.8 Elmarit-M ASPH
  5. Veiling Flare 28/2.8: Shaded and Unshaded
  6. Examples: Death Valley (M9)
  7. Examples: Environmental and Outdoors
  8. Aperture Series: Tile Rooftops Aerial (M9)
  9. Examples: Focusing Error Case Study
  10. 28/2.8 vs 28/2: Cabin Exterior (M9P)
  11. 28/2.8 vs 28/2: Death Valley Leadville (M9P)
  12. 28/2.8 vs 28/2: Death Valley Water Tank (M9P)
  13. Aperture Series: Cell Towers at 10,600' (M240)
  14. Aperture Series: vs 28/2 Pescadero Creek (Sony A7R)
  15. Leica MM vs Nikon D800E (Pine Creek)
  16. Sensor Cover Glass: Stock vs Kolarivision Modified Sony A7R (Mosaic)

Leica 35mm f/1.4 Summilux-M ASPH (2010 FLE)

Leica’s superlative and most natural lens for the M..

  1. Notes: Leica 2010 35mm f/1.4 Summilux-M ASPH
  2. MTF: Summilux-M 35mm /1.4 ASPH (2010 FLE)
  3. Distortion: 35mm f/1.4 Summilux-M ASPH
  4. Vignetting: 35mm f/1.4 Summilux-M ASPH
  5. Veiling Flare 35/1.4: Shaded and Unshaded
  6. MTF: Prior version vs 2010 Summilux-M 35mm /1.4 ASPH
  7. Aperture Series: 35/1.4 — Tile Rooftops Aerial
  8. Aperture Series: 35/1.4 — Tile Rooftops Aerial (NEX7)
  9. Aperture Series: 35/1.4 — Glacial Erratics (M240)
  10. Assessing Field Curvature— Green Paint (M240)
  11. Examples: Leica 35mm f/1.4 Summilux-M ASPH (Yosemite)
  12. Aperture Series: Leica 35mm f/1.4 Summilux-M ASPH — Bristlecone
  13. Aperture Series: Leica 35mm f/1.4 Summilux-M ASPH — Mining Cabin
  14. Compared: 35mm f/1.4 Summilux vs 35/2 Summicron vs Zeiss 35/2 Biogon (M9P, Cabin Sink)
  15. Compared: 35mm f/1.4 Summilux vs 35/2 Summicron vs Zeiss 35/2 Biogon (M9P, Cabin Exterior)
  16. 35/1.4 Summilux vs Zeiss 35/2 Biogon (M240, MTB)
  17. 35/1.4 Summilux vs Sony RX1R (M240)
  18. Compared: vs Zeiss ZM 35/2 and Sony 35/2.8 (Sony A7R, Red Barn)
  19. vs Leica 35/2, ZM 35/1.4, 35/2, 35/2.8, Voigtlander 35/1.2 (Wyman Cabin, M240)
  20. vs Leica 35/2, ZM 35/1.4, 35/2, 35/2.8, Voigtlander 35/1.2 (Aspen Trunk, M240)

Leica 35mm f/2 Summicron-M ASPH

Leica’s f/2 35mm for the M..

  1. Notes: 35mm f/2 Leica Summicron-M ASPH
  2. MTF: 35mm f/2 Summicron-M ASPH
  3. Distortion: 35mm f/2 Summicron-M ASPH
  4. Vignetting: 35mm f/2 Summicron-M ASPH
  5. Examples: 35mm f/2 Leica Summicron-M ASPH
  6. Comparison: Leica 35/2 Summicron-M vs Zeiss ZM 35/2 Biogon
  7. Comparison 2: Leica 35/2 Summicron-M vs Zeiss ZM 35/2 Biogon
  8. Comparison 3: Bitingly-sharp Zeiss 35/2 Biogon vs Leica 35/2 Summicron
  9. Leica 35/f2 vs Zeiss ZM 35/2 Biogon vs Leica 35/1.4 Summilux and 35/2 Summicron (M9P, Cabin Exterior)
  10. vs Leica 35/1.4, ZM 35/1.4, 35/2, 35/2.8, Voigtlander 35/1.2 (Wyman Cabin, M240)
  11. vs Leica 35/2, ZM 35/1.4, 35/2, 35/2.8, Voigtlander 35/1.2 (Aspen Trunk, M240)

Leica 35mm f/2.5 Summarit-M

Leica’s Budget 35mm lens..

  1. MTF: 35mm f/2.5 Summarit-M
  2. Distortion: 35mm f/2.5 Summarit-M
  3. Vignetting: 35mm f/2.5 Summarit-M

Shooting Leica R Lenses on Leica M

General discussion of R lenses on M..

  1. Adapting Leica R Lenses to M
  2. Leica R-Adapter M Overview
  3. Shooting Procedure with R-Adapter M
  4. Mitigating Vibration Caused by the M240 Shutter

Zeiss ZM 15mm f/2.8 Distagon

Notes and examples..

  1. Notes: 15mm f/2.8 Distagon
  2. MTF: 15mm f/2.8 Distagon
  3. Vignetting: 15mm f/2.8 Distagon
  4. Distortion: 15mm f/2.8 Distagon
  5. Examples: Night, Creek, Buildings

Zeiss ZM 18mm f/4 Distagon

Compact high performance, ultra low distortion..

  1. Notes: Zeiss ZM 18/4 Distagon
  2. MTF: Zeiss ZM 18/4 Distagon
  3. Distortion: Zeiss ZM 18/4 Distagon
  4. Vignetting: Zeiss ZM 18/4 Distagon
  5. Examples: Zeiss ZM 18/4 Distagon (Misc)

Zeiss ZM 21mm f/2.8 Biogon

Moderate speed high contrast ultra-wide..

  1. Notes: Zeiss ZM 21/2.8 Biogon
  2. MTF: Zeiss ZM 21/2.8 Biogon
  3. Distortion: Zeiss ZM 21/2.8 Biogon
  4. Vignetting: Zeiss ZM 21/2.8 Biogon
  5. Examples: Zeiss ZM 21/2.8 Biogon (Miscellaneous)
  6. vs Leica 21/3.4 (M240, Picnic Table)

Zeiss ZM 21mm f/4.5 C-Biogon

Zero distortion ultra-wide..

  1. Notes, Examples: Zeiss ZM 21mm f/4.5 C-Biogon
  2. MTF: Zeiss ZM 21mm f/4.5 C-Biogon
  3. Distortion: Zeiss ZM 21mm f/4.5 C-Biogon
  4. Vignetting: Zeiss ZM 21mm f/4.5 C-Biogon
  5. Examples: Mining and Various (M9)
  6. Examples: Death Valley Abandoned Mining Site (M9)
  7. Sensor Cover Glass: Stock vs Kolarivision Modified Sony A7R (Mosaic)

Zeiss ZM 25mm f/2.8 Biogon

Compact wide angle with brilliant contrast..

  1. Zeiss ZM 25mm f/2.8 Biogon
  2. MTF: Zeiss ZM 25mm f/2.8 Biogon
  3. Distortion: Zeiss ZM 25mm f/2.8 Biogon
  4. Vignetting: Zeiss ZM 25mm f/2.8 Biogon
  5. Examples: Zeiss 25/2.8 Biogon (Alpine Creek)
  6. Examples: Zeiss 25/2.8 Biogon (Forest, NEX-7)

Zeiss ZM 28mm f/2.8 C-Biogon

Compact wide angle..

  1. Zeiss ZM 28mm f/2.8 C-Biogon
  2. MTF: Zeiss ZM 28mm f/2.8 C-Biogon
  3. Distortion: Zeiss ZM 28mm f/2.8 C-Biogon
  4. Vignetting: Zeiss ZM 28mm f/2.8 C-Biogon
  5. Examples: Zeiss 28mm f/2.8 C-Biogon (Beach, NEX-7)

Voigtlander M Nokton 21mm f/1.4

Fast high performance wide angle..

  1. Voigtlander M Nokton 21mm f/1.4 Aspherical Overview
  2. Vignetting for Voigtlander M Nokton 21mm f/1.4
  3. Distortion for Voigtlander M Nokton 21mm f/1.4
  4. Examples: Neighborhood (M11 Monochrom)
  5. Aperture Series: Alpine Creek, Downstream (M11 Monochrom)
  6. Aperture Series: Garage Weightroom (M11 Monochrom)

Voigtlander Ultron 21mm f/1.8

Fast high performance wide angle..

  1. Voigtlander Ultron 21mm f/1.8 Overview
  2. Aperture Series: Wyman Canyon Lower Cabin Exterior (M240)
  3. Compared: vs Leica 21/3.4 SEM and Voigtlander 21/4 (M240, Wyman Cabin Interior)

Focusing Accuracy (Case Studies)

Focusing accuracy and errors..

  1. Case Study: Rangefinder Focus Error With Brand-new Lens

Field Curvature (Case Studies)

Actual example of field curvature..

  1. Field Curvature with Two Leica 24mm Lenses

Lens adapters, tripod mounting, alternative lenses via lens adapter.

Shutter vibration (or not)..

  1. Usage on a Tripod
  2. Lens Adapters, Lens Mount, ASTAT Lens Tripod Foot
  3. Image Quality: Coastal 60mm f/4 UV-VIS-IR APO Macro (A7R, Poppies and Pots)
  4. Modifying the Sony A7R for Superior Rangefinder Lens Performance

Ricoh GXR with A12 Mount for Leica M Lenses.

Use Leica M lenses on a digital back designed for them..

  1. Ricoh GXR with A12 Mount for Leica M Lenses

Leica M Lenses on Olympus OM-D E-M5

Does pricey M glass deliver on mirrorless?.

  1. 21mm: Olympus SHG 14-35/2 vs Leica 21/3.4 Super-Elmar-M APSH
  2. 24mm: Olympus SHG 14-35/2 vs Leica 24/3.5 Elmar-M ASPH, Panasonic 25/1.4
  3. 28mm: Olympus SHG 14-35/2 vs Leica 28/2 ASPH and 28/2.8 ASPH
  4. 35mm: Olympus SHG 14-35/2 vs Leica 35/1.4 ASPH FLE — 35/2 ASPH — Zeiss 35/2 Biogon

Olympus Zuiko SHG 14-35mm f/2 ED

Ultra high performance zoom lens..

  1. 25mm: Olympus 14-35/2, Panasonic 25/1.4, Leica 24/3.8 Elmar-M (Wyman Cabin)

Olympus E-P1 micro-4/3 camera

Great image quality, but....

  1. Lens adapters: MMF-1, Leica M

Sony NEX-7 and NEX-5N

24 or 16 megapixels in a compact body with APS-C sensor..

  1. Examples (Zeiss ZM 25/2.8 Biogon)
  2. Examples (Zeiss ZM 35/2 Biogon)
  3. Table of Ray Angles for Zeiss ZM Lenses
  4. Lens Adapter Skew


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