EXCERPT page containing first few paragraphs. 2020-12-04 21:08:30
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Each camera and sensor has its own color quirks. Some have non-linearities. The most basic thing one can do for good color is to set white balance and tint, based on settings against a known target*.
Here the proper white balance and tint for Adobe Camera Raw in overcast daylight are established for the Canon 5DS R using the Zeiss 50mm f/2 Makro-Planar.
White balance and tint in ACR, heavy overcast
The Datacolor SpyderChecker target was angled straight up and placed well away from foliage in an open area (greenery can often throw green into the lighting and it can be tricky getting good “clean” lighting in some areas). The in-focus target was photographed at f/6.3 in the center of the frame, and using half the frame.
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Diglloyd DAP is DSLR-oriented, but also contains workflow and other topics. Much of the focus is on Canon and Nikon but also Pentax and Pentax medium format.
Special emphasis is placed on lens evaluation, focusing on Canon and Nikon and Sigma lenses, but with a few others like Rokinon/Samyang.
- Make better images by learning how to get the best results right away.
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- Workflow discusses image organization, raw conversion and post processing. Many examples show processing parameters for direct insight into how the image was converted.
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