EXCERPT page containing first few paragraphs. 2019-08-26 01:54:29
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Can the Nikon 50mm f/1.2 serve as an entry level superspeed lens for the M240?
And/or does the Nikon 50/1.2 offer a rendering style that might appeal in its own right for a stylistic difference?
What about stopped down?
The Nikon 50mm f/1.2 is a classic spherical design, subject to pronounced spherical aberration wide open with the attendant veiling haze: sharpness smeared over a deep zone, heavily veiled. Stopping down one stop cuts the aberration in half, stopping down two stops cuts it by 75%. By comparison, the Leica designs use aspherical elements that minimize the spherical aberration (and other aberrations) to relatively low levels wide open.
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Diglloyd Guide to LEICA contains in-depth coverage of Leica M system cameras and lenses, with additional coverage of Leica M Monochrom, Leica Q, Leica SL.
Special emphasis is placed on Leica M lenses and certain Zeiss ZM lenses.
- Make better images by learning how to get the best results right away.
- Save money by choosing the right lens for your needs the first time, particularly the Summilux/Summicron/Elmarit choice and/or Zeiss ZM.
- Make better images, a sort of “cheat sheet” saving yourself months or years of ad-hoc learning. Processing parameters are discussed and shown.
- Jaw-dropping image quality found nowhere else utilizing Retina-grade images up to full camera resolution, plus large crops [past 2 years or so].
- Real world examples with insights found nowhere else. Make sharper images just by understanding lens behavior you won’t read about elsewhere.
- Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
- Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.
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