EXCERPT page containing first few paragraphs. 2017-12-16 14:25:52
UA_SEARCH_BOT_null @ 188.8.131.52
This scene presents a dynamic range challenge for any camera, with a dark foreground to the brilliant backlit clouds. A scene like this is difficult to capture with good quality using nearly all cameras, because the foreground will be unduly dark (underexposed) in order to preserve the bright white clouds, leading to noise and ugliness.
Two frames are shown here, both at f/8. One frame was shot two stops underexposed accidentally (1/1000). A moment later, the frame was shot again with two stops more exposure (1/250). I wondered how well the image quality would hold with the underexposed frame versus the optimal exposure frame, particularly given the shadow boost and push and fairly aggressive sharpening of Amount = 25.
Article continues for subscribers...
Diglloyd Medium Format is by yearly subscription. Subscribe now for about 27 cents a day ($100/year).
BEST DEAL: get full access to ALL 7 PUBLICATIONS for only 68 cents a day ($249.95)!
These systems are hugely expensive, so make the right choice for your own needs (full frame vs medium format).
- In-depth lens evaluations covering behaviors not likely to be found anywhere else, based on real-world field shooting.
- How to configure menus and buttons and best operating practices, gotchas and how-to.
- Real world examples with insights found nowhere else. Make sharper images just by understanding lens and camera behaviors.
- Jaw-dropping image quality found nowhere else utilizing Retina-grade images up to 28 megapixels filling up to 5K display, plus large crops.
- Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
- Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.