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Fujifilm GFX100S

Fujifilm GFX100/GFX100S/100 II: Camera Profiles Renditions

Over the years, I keep getting comments along the lines of “the color of Camera X is Better than Camera Y”.

Since most of today’s cameras use nearly identical sensor technology, that makes little sense: even camera electronics are not altering color (for RAW) but just translating analog signals into digital bits, doing it a little clear/better or not. All (or nearly all) of the look-and-feel happens during raw conversion.

There are two key factors involved in how an image looks: (1) the RAW converter, and (2) the Profile applied to the raw image in that raw converter. These two cannot be separated; changing the raw converter also changes the available Profiles. Any evaluation needs to pick a raw converter and go from there, with no possible equivalence eg "Standard" in one is not the same as "Standard" in another; they are completely different takes.

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Diglloyd Medium Format covers medium format camera systems, including the Hasselblad X1D and Fujifilm GFX.

These systems are hugely expensive, so make the right choice for your own needs (full frame vs medium format).

  • In-depth lens evaluations covering behaviors not likely to be found anywhere else, based on real-world field shooting.
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Variants ASTIA,ETERNA,PROVIA,ProNegHi,ProNegStd,BleachBypass,ClassicChrome,NostalgicNeg,VELVIA,AdobeColor,AdobeLandscape,AdobePortrait,AdobeStandard,AdobeVivid available in full article

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