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Panasonic Lumix G Fisheye 8mm f/3.5

Panasonic Lumix G 8mm f/3.5 Fisheye

A fisheye lens, the Panasonic 8mm f/3.5 is equivalent to a 15/16mm fisheye in its field of view and f/7.1 in terms of its depth of field (as compared to a 35mm DSLR).

At about $629, it’s a lens that one has to have steady use for to justify the price. But a fisheye can be very interesting on clear starry nights, or in very tight spaces.

Panasonic description

The LUMIX G FISHEYE 8mm / F3.5 offers a diagonal angle of view of 180-degree, bringing an distinctive perspective and unique deformation effect. It gives not only photos but also movies an extraordinary view to add an impressive scene to the story even for TV contents, films and web movies.

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Diglloyd Guide to Mirrorless is by yearly subscription. Subscribe now for about 25 cents a day ($90/year).
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Diglloyd Guide to Mirrorless offers comprehensive integrated coverage of most APS-C and full frame mirrorless cameras and lenses.

Special emphasis is placed on Sony full-frame, including Sony lenses and the high performance Zeiss Batis and Zeiss Loxia lenses plus Rokinon/Samyang and others. Fujifilm X, Olympus and Panasonic M4/3, Sigma dp Merrill and dp/sd Quattro are also covered in depth. Years in the making, it offers a wealth of material for choosing and using a mirrorless camera.

  • Make better images by learning how to get the best results right away. For example, the best way to set up your Sony camera.
  • Save money by choosing the right lens for your needs the first time, particularly with the numerous lenses available for Sony.
  • Make better images, a sort of “cheat sheet” saving yourself months or years of ad-hoc learning—best practices and how-to and processing parameters are discussed and shown.
  • Jaw-dropping image quality found nowhere else utilizing Retina-grade images up to full camera resolution, plus large crops.
  • Real world examples with insights found nowhere else. Make sharper images just by understanding lens behavior you won’t read about elsewhere.
  • Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
  • Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.

Want a preview? Click on any page below to see an excerpt as well as extensive blog coverage, for example on Sony.

Correction for color errors

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