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Color profiles for Fujifilm X in ACR
Fujifilm X-Pro2

Comparing 7 Color and 5 Monochrome ACR Camera Profiles (Dolls)

This page should be instructive for anyone convertiung Fujifilm X raw files in Photoshop or Lightroom.

Color rendition is often a discussion that comes up, sometimes with strongly-felt assertions avowing a like or dislike for the color rendition that a camera offers, or perhaps an expression of dislike for “Adobe color”.

But as this page shows by comparison using the same raw file, there is a huge variance in the look of an image simply by choosing a different color profile. So one has to consider comments on camera color with extreme skepticism. Certainly there are differences in the way cameras render color, but the camera profile exerts such an influence that failing to address that variable head-on puts the rest of the discussion on shaky footing.

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Diglloyd Guide to Mirrorless offers comprehensive integrated coverage of most APS-C and full frame mirrorless cameras and lenses.

Special emphasis is placed on Sony full-frame, including Sony lenses and the high performance Zeiss Batis and Zeiss Loxia lenses plus Rokinon/Samyang and others. Fujifilm X, Olympus and Panasonic M4/3, Sigma dp Merrill and dp/sd Quattro are also covered in depth. Years in the making, it offers a wealth of material for choosing and using a mirrorless camera.

  • Make better images by learning how to get the best results right away. For example, the best way to set up your Sony camera.
  • Save money by choosing the right lens for your needs the first time, particularly with the numerous lenses available for Sony.
  • Make better images, a sort of “cheat sheet” saving yourself months or years of ad-hoc learning—best practices and how-to and processing parameters are discussed and shown.
  • Jaw-dropping image quality found nowhere else utilizing Retina-grade images up to full camera resolution, plus large crops.
  • Real world examples with insights found nowhere else. Make sharper images just by understanding lens behavior you won’t read about elsewhere.
  • Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
  • Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.

Want a preview? Click on any page below to see an excerpt as well as extensive blog coverage, for example on Sony.

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