EXCERPT page containing first few paragraphs. 2021-10-23 14:13:50
UA_SEARCH_BOT_null @ 18.104.22.168
Shot with the 24-megapixel Fujifilm X-Pro2 and XF 10-24mm f/4.
In field usage, I noticed a tendency for images to have a green tint on the LCD of the camera. Given the riskiness of assuming correct color on the rear LCD, I wondered only in passing at first. But as it turns out, the X-Pro2 consistently delivers in-camera JPEGs with a green tint, as will be shown here, along with what to do about it.
The findings with the DataColor SpyderCHECKR concur with the examples shown here. Those examples were with Adobe Camera Raw using raw files; these examples are with JPEGs generated in-camera from RAW. Thus with only the camera is involved, the green tint is observed. The behavior is consistent, suggesting some kind of color bug in the X-Pro2. Moreover it is occurs across the frame in its entirety; it is not a peripheral color cast issue. Whether the behavior is be peculiar to the particular camera cannot be determined here.
Article continues for subscribers...
Diglloyd Guide to Mirrorless is by yearly subscription. Subscribe now for about 25 cents a day ($90/year).
BEST DEAL: get full access to ALL 8 PUBLICATIONS for only 68 cents a day ($249.95)!
Diglloyd Guide to Mirrorless offers comprehensive integrated coverage of most APS-C and full frame mirrorless cameras and lenses.
Special emphasis is placed on Sony full-frame, including Sony lenses and the high performance Zeiss Batis and Zeiss Loxia lenses plus Rokinon/Samyang and others. Fujifilm X, Olympus and Panasonic M4/3, Sigma dp Merrill and dp/sd Quattro are also covered in depth. Years in the making, it offers a wealth of material for choosing and using a mirrorless camera.
- Make better images by learning how to get the best results right away. For example, the best way to set up your Sony camera.
- Save money by choosing the right lens for your needs the first time, particularly with the numerous lenses available for Sony.
- Make better images, a sort of “cheat sheet” saving yourself months or years of ad-hoc learning—best practices and how-to and processing parameters are discussed and shown.
- Jaw-dropping image quality found nowhere else utilizing Retina-grade images up to full camera resolution, plus large crops.
- Real world examples with insights found nowhere else. Make sharper images just by understanding lens behavior you won’t read about elsewhere.
- Aperture series from wide open through stopped down, showing the full range of lens performance and bokeh.
- Optical quality analysis of field curvature, focus shift, sharpness, flare, distortion, and performance in the field.
Want a preview? Click on any page below to see an excerpt as well as extensive blog coverage, for example on Sony.