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Blog Articles Medium Format Mirrorless L-Mount DSLR Zeiss Leica Making Sharp Images BW+IR

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2018-07-20 White Balance and Tint in Adobe Camera Raw for Sigma 70mm f/2.8 DG Macro Art on Sony A7R III in Mid-Day Sun

2018-07-12 Sigma 105mm f/1.4 DG HSM Art on Nikon D850: Substantial Color Shift Going from f/1.4 to Other Apertures

2018-07-11 Reader Question: Color Rendition of Lenses

2017-07-04 Leica M10 White Balance and Tint in Photoshop/ACR

2017-02-08 Hasselblad X1D: 3FR Raw-File Conversion in Adobe Camera Raw

2016-06-20 Leica SL vs M240: Lens Corrections and Color Rendering with M Lenses

2016-06-19 Evaluating White Balance and Tint for Leica SL and Leica M240 with DataColor SpyderCHECKR with 3 Lenses

2016-03-27 Fujifilm X-Pro2: Why Are Images Tinted Green?

2016-03-26 Fujifilm X-Pro2: How Good is White Balance?

2016-03-16 Fujifilm X-Pro2: Comparing 12 Camera Profiles in Adobe Camera Raw (for Photoshop or Lightroom)

2016-03-16 Fujifilm X-Pro2: Adobe Camera Raw Settings for Raw Conversion

2016-01-28 White Balance and Tint for Canon 5DS R in Adobe Camera Raw in Overcast Daylight

2016-01-09 LED Lighting Reviewed: Cineo Matchbox and Dracast LED 500

2016-01-03 Leica SL: White Balance and Tint in Adobe Camera Raw

2015-08-09 Sony A7R II: White Balance and Tint in Adobe Camera Raw

2013-09-04 NEC PA302W LED-Backlit 30-Inch Wide Gamut Display

2010-11-07 Leica M9 purple gray (infrared?)

2009-05-21 Spyder Cube for white balance and exposure

2009-05-09 Spyder Cube for white balance and exposure

Leica SL Typ 601

24-Megapixel vs mirrorless..

1. Leica SL: White Balance in Adobe Camera Raw, Gray Overcast Lighting
2. Leica SL vs M240: White Balance and Tint with Adobe Camera Raw, Sunlight

Nikon D850

The best becomes better..

1. Color Balance with Adobe Camera Raw: ISO 31 and ISO 64, Color Checker Card

Canon EOS 5DS / 5DS R

50 megapixel successor to the 22 megapixel Canon 5D Mark III..

1. White Balance and Tint for Raw Conversion in Adobe Camera Raw, Overcast Cloudy Lighting

Lighting

LED Lighting, and lighting-related topics..

1. Westcott IceLight 2 Handheld LED Wand

Sigma 105mm f/1.4 DG HSM Art

Extraordinary optical efforts for class-leading performance?.

1. Color Shift When Stopping Down, SpyderCHECKR Card
2. Color Shift When Stopping Down, Field Example, Warm Sunlight

Optimal Images from Hasselblad X1D

Tips on Getting the Best Results..

1. Adobe Camera Raw Conversion Settings, SpyderCHECKR: Overcast Rainy Day Lighting

Hasselblad XCD 90mm f/3.2

Medium format telephoto lens, 74mm equivalent..

1. Aperture Series: White Anthurium Closeup

Leica S2 37.5 Megapixel Medium Format DSLR

How does Leica’s medium format entry measure up in ergonomics, image quality, etc?.

1. Axial Color (Purple Fringing)

Otus 100mm f/1.4 APO-Sonnar

Razor sharp with gorgeous bokeh..

1. White Balance and Tint at f/1.4 Versus Stopped Down, Datacolor SpyderCHECKR (Nikon D850)

Photo Tips

Photography Hints and Tips..

1. White Balance Tools

Sony Alpha A7R II

Attention to details: a big upgrade over the A7R..

1. Raw Conversion: White Balance, Tint, Sharpening (ACR in Photoshop CC)
2. Long Exposure Noise Reduction On/Off at ISO 50/100/200 (Garage)

Sigma FE 70mm f/2.8 DG Macro Art

Macro lens also excellent for all-around shooting..

1. White Balance and Tint in Adobe Camera Raw, Mid-Day Sun

Fujifilm X-Pro2

Fujifilm's 24MP APS-C offering..

1. Adobe Camera Raw Settings (Sunlight)
2. White Balance Assessment in Sunlight
3. Color Balance: Why are X-Pro2 Images Tinted Green?

Leica M10

Leica M mount in slim body with SL-type sensor..

1. Leica M10 White Balance / Tint in Sunlight, Photoshop + Adobe Camera Raw

Leica M9: User’s Guide and Review

High resolution digital rangefinder.

1. Infrared sensitive? (M9 CCD)

Blog posts, reverse chronological

2018

2018-07-20 White Balance and Tint in Adobe Camera Raw for Sigma 70mm f/2.8 DG Macro Art on Sony A7R III in Mid-Day Sun

2018-07-12 Sigma 105mm f/1.4 DG HSM Art on Nikon D850: Substantial Color Shift Going from f/1.4 to Other Apertures

2018-07-11 Reader Question: Color Rendition of Lenses

2017

2017-07-04 Leica M10 White Balance and Tint in Photoshop/ACR

2017-02-08 Hasselblad X1D: 3FR Raw-File Conversion in Adobe Camera Raw

2016

2016-06-20 Leica SL vs M240: Lens Corrections and Color Rendering with M Lenses

2016-06-19 Evaluating White Balance and Tint for Leica SL and Leica M240 with DataColor SpyderCHECKR with 3 Lenses

2016-03-27 Fujifilm X-Pro2: Why Are Images Tinted Green?

2016-03-26 Fujifilm X-Pro2: How Good is White Balance?

2016-03-16 Fujifilm X-Pro2: Comparing 12 Camera Profiles in Adobe Camera Raw (for Photoshop or Lightroom)

2016-03-16 Fujifilm X-Pro2: Adobe Camera Raw Settings for Raw Conversion

2016-01-28 White Balance and Tint for Canon 5DS R in Adobe Camera Raw in Overcast Daylight

2016-01-09 LED Lighting Reviewed: Cineo Matchbox and Dracast LED 500

2016-01-03 Leica SL: White Balance and Tint in Adobe Camera Raw

2015

2015-08-09 Sony A7R II: White Balance and Tint in Adobe Camera Raw

2013

2013-09-04 NEC PA302W LED-Backlit 30-Inch Wide Gamut Display

2010

2010-11-07 Leica M9 purple gray (infrared?)

2009

2009-05-21 Spyder Cube for white balance and exposure

2009-05-09 Spyder Cube for white balance and exposure