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Converting Monochrome RAW-Files

Images shot on a monochrome sensor are relatively easy to convert from raw because fewer controls apply. Still, there are quite a few controls and getting the best results requires some effort. This page walks through things of most use.

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Diglloyd Infrared Photography covers cameras and lenses for infrared photography.

The coverage explains all the issues involved in shooting for monochrome and in infrared. It is not a review of any particular camera or lens, though many examples are included.

  • Monochrome vs color cameras.
  • Post processing for monochrome.
  • Guidance on workflow for infrared, including black and white and channel swapping for false-color images.
  • How infrared renders, and why certain spectral cutoffs matter: false color vs black and white.
  • Image quality issues to be on the lookout for in infrared.
  • Numerous lens evaluations in infrared.

View an overview of infrared as well as filter spectral transmission plus examples from an optimal lens.

Adobe Camera Raw dialog with settings

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