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Hasselblad X1D II 50C: White Balance and Tint in Adobe Camera Raw, Mid-Day High Altitude Sunlight, DataColor SpyderCHECKR

This page assesses the white balance and tint required for raw processing in Adobe Camera Raw in mid-day sunlight with clear blue skies at an elevation of 8400 ft ~= 2560 meters in May. In such conditions, the sun is high overhead and the light is bluish (high color temperature).

Hasselblad X1D II 50C: White Balance and Tint in Adobe Camera Raw, Mid-Day High Altitude Sunlight, DataColor SpyderCHECKR

This page might save you time and effort in getting ideal color balance.

CLICK TO VIEW: Hasselblad X Medium Format

Setting the ACR color balance to “as shot” (camera was set to Daylight) results in color balance that is WAY off, being 4 points too green and 4 points too blue (in Lab mode) in this case. Clearly it is unwise to use “as shot” or “Daylight” with ACR. This is true of many cameras I have tested. Never assume that “as shot” or any fixed white balance setting is accurate for raw conversion; do your own evaluation as my instructions detail.

Spot-on neutral white balance and tint
f6.3 @ 1/640 sec lens shutter, ISO 100; 2020-05-20 13:04:21
Hasselblad X1D II 50C + Hasselblad XCD 80mm f/1.9 @ 65.5mm equiv (80mm)
ENV: Horseshoe Meadows Rd, altitude 8400 ft / 2560 m, 55°F / 12°C
RAW: vignetting corrected, +40 Whites, +10 Clarity
clear blue skies no clouds

[low-res image for bot]
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