Getting pro results in Photoshop..
Assembling and shooting panoramas..
Focus stacking, start to finish..
An introduction to digital workflow and best practices. .
Extend the limits of resolution and field of view..
Best practices for shooting stacking frames..
Pros and cons of using a polarizer..
Aspects of image quality..
24-Megapixel vs mirrorless..
The best becomes better..
50 megapixel successor to the 22 megapixel Canon 5D Mark III..
Extraordinary optical efforts for outstanding performance..
Extraordinary optical efforts for class-leading performance?.
Nikon’s High Performance Moderately-Priced 50mm..
100 megapixels in a body the size of a 35mm DSLR!.
Tips on Getting the Best Results..
Brilliant imaging, even wide open, but with a few quirks. (Review in progress) .
Razor sharp with gorgeous bokeh..
Filter know-how and spectral transmission..
Canon’s first full-frame mirrorless..
High speed portrait lens optimized for Canon mirrorless..
Setup, IBIS performance, focusing..
5th Generation standard-setting camera..
Technological tour de force..
Attention to details: a big upgrade over the A7R..
Macro lens also excellent for all-around shooting..
Razor sharp 28mm lens on APS-C sensor and outstanding usability and features..
Fujifilm's 24MP APS-C offering..
24 or 16 megapixels in a compact body with APS-C sensor..
Leica M mount in slim body with SL-type sensor..
Overall design and behavior..
Blog posts, reverse chronological
2024-01-24 White Balance and Tint using Color Checker Card, Screencast + Step-by-Step 📹
2024-01-05 Screencast: Perfect White Balance and Tint using Color Checker Card 📹
2023-08-01 Nikon Z8: White Balance and Tint in ACR, Mid-Day Sunlight
2022-01-31 Leica M11: Color Balance and Tint with Adobe Camera Raw, PROFILE M11 vs Adobe Color
2021-07-11 To Polarize or not to Polarize? Examples Showing Effect on Color Balance
2021-04-29 Fujifilm GFX100S: White Balance and Tint for Neutrality in Sunlight
2021-03-27 Sony A1: White Balance and Tint in Adobe Camera Raw using Datacolor SpyderCHECKER (Mid-Morning Sunlight)
2021-03-02 Every Photographer Should Have a Color Checker Card to Establish Neutral White Balance and Tint for Each Camera and Lens Brand Combo
2020-12-30 Leica M10R White Balance and Tint in Adobe Camera Raw, SpyderCHECKR Card
2020-05-24 Hasselblad X1D II 50C: White Balance and Tint in Adobe Camera Raw, Mid-Day High Altitude Sunlight, DataColor SpyderCHECKR
2019-07-11 Canon RF 85mm f/1.2L: Evaluating White Balance and Tint When Stopping Down
2019-05-06 White Balance and Tint for Zeiss Otus 100mm f/1.4 APO-Sonnar in Adobe Camera Raw — Differs for f/1.4
2019-04-04 Panasonic S1R: White Balance and Tint in Adobe Camera Raw
2019-03-07 Sigma 28mm f/1.4 DG HSM: Substantial Difference in White Balance / Tint for f/1.4 vs Stopped-Down (Nikon D850)
2018-11-03 Reader Question: Canon RF 50/1.2L USM vs Zeiss Otus 55mm f/1.4 APO-Distagon Plus White Balance and Tint
2018-10-21 Nikon Z7: White Balance and Tint in Adobe Camera Raw using Datacolor SpyderCHECKER (Mountain Morning Shade)
2018-10-16 Nikon Z7: White Balance and Tint in Adobe Camera Raw using Datacolor SpyderCHECKER (Mountain Mid-Day Autumn Sun)
2018-10-16 Canon EOS R: White Balance and Tint in Adobe Camera Raw using Datacolor SpyderCHECKER
2018-08-29 Hasselblad X1D + Hasselblad XCD 21mm f/4 White Balance and Tint in Mid-Morning Sunlight with Adobe Camera Raw
2018-07-20 White Balance and Tint in Adobe Camera Raw for Sigma 70mm f/2.8 DG Macro Art on Sony A7R III in Mid-Day Sun
2017-10-12 Nikon D850: White Balance and Tint with Color Checker Card, ISO 31 and ISO 64 Compared
2017-07-04 Leica M10 White Balance and Tint in Photoshop/ACR
2016-06-19 Evaluating White Balance and Tint for Leica SL and Leica M240 with DataColor SpyderCHECKR with 3 Lenses
2016-01-28 White Balance and Tint for Canon 5DS R in Adobe Camera Raw in Overcast Daylight
2016-01-09 LED Lighting Reviewed: Cineo Matchbox and Dracast LED 500
2016-01-03 Leica SL: White Balance and Tint in Adobe Camera Raw
2015-08-09 Sony A7R II: White Balance and Tint in Adobe Camera Raw
2013-09-25 Lupine Betty TL2 4500-Lumen Flashlight + Betty R for Cycling and Night-Time Photography
2013-07-17 Leica M Typ 240: White Balance and Tint in Sunlight, and Which Profile in ACR?
2013-07-02 Ricoh GR Digital: White Balance and Tint (Portrait)
2013-07-02 Adobe Camera Raw White Balance and Tint with Ricoh GR (and maybe other brands?)
2013-06-27 Leica M Typ 240: White Balance and Tint in Sunlight
2013-01-22 UPDATE: Filtration for Lupine Betty R LED Lamphead: Double Duty as Photography Light
2013-01-14 Lupine Betty R LED Lamphead: Double Duty as Photography Light
2012-01-05 Sony NEX-7: Color Shift Across Apertures