__RETINA_INFO_STATUS__         WindInMyFace.com MacPerformanceGuide.com          Amazon OWC Wishlists Wishlists & Deals

Blog Articles Medium Format Mirrorless L-Mount DSLR Zeiss Leica Making Sharp Images IR

white balance and tint

See also: raw file processing
Scroll down to see all publications and blog posts. Not all pages are curated—search.

Newest blog posts

View all 31 related blog posts...

2021-07-11 To Polarize or not to Polarize? Examples Showing Effect on Color Balance

2021-04-29 Fujifilm GFX100S: White Balance and Tint for Neutrality in Sunlight

2021-03-27 Sony A1: White Balance and Tint in Adobe Camera Raw using Datacolor SpyderCHECKER (Mid-Morning Sunlight)

2021-03-02 Every Photographer Should Have a Color Checker Card to Establish Neutral White Balance and Tint for Each Camera and Lens Brand Combo

2020-12-30 Leica M10R White Balance and Tint in Adobe Camera Raw, SpyderCHECKR Card

2020-05-24 Hasselblad X1D II 50C: White Balance and Tint in Adobe Camera Raw, Mid-Day High Altitude Sunlight, DataColor SpyderCHECKR

2019-07-11 Canon RF 85mm f/1.2L: Evaluating White Balance and Tint When Stopping Down

2019-05-06 White Balance and Tint for Zeiss Otus 100mm f/1.4 APO-Sonnar in Adobe Camera Raw — Differs for f/1.4

2019-04-04 Panasonic S1R: White Balance and Tint in Adobe Camera Raw

2019-03-07 Sigma 28mm f/1.4 DG HSM: Substantial Difference in White Balance / Tint for f/1.4 vs Stopped-Down (Nikon D850)

Image Contrast With a Polarizer

Pros and cons of using a polarizer..

1. Polarizer Impact on Color Balance

Panasonic S1R Image Quality

Aspects of image quality..

1. Panasonic S1R: White Balance and Tint with Adobe Camera Raw

Leica SL

24-Megapixel vs mirrorless..

1. Leica SL: White Balance in Adobe Camera Raw, Gray Overcast Lighting
2. Leica SL vs M240: White Balance and Tint with Adobe Camera Raw, Sunlight
3. Leica SL vs M240: Lens Corrections and Color Rendering with M Lenses

Nikon D850

The best becomes better..

1. Color Balance with Adobe Camera Raw: ISO 31 and ISO 64, Color Checker Card

Canon EOS 5DS / 5DS R

50 megapixel successor to the 22 megapixel Canon 5D Mark III..

1. White Balance and Tint for Raw Conversion in Adobe Camera Raw, Overcast Cloudy Lighting

Sigma 28mm f/1.4 DG HSM Art

Extraordinary optical efforts for outstanding performance..

1. White Balance and Tint — Huge Difference Wide Open vs Stopped Down

Sigma 105mm f/1.4 DG HSM Art

Extraordinary optical efforts for class-leading performance?.

1. Color Shift When Stopping Down, SpyderCHECKR Card

Nikon AF-S Nikkor 50mm f/1.8G

Nikon’s High Performance Moderately-Priced 50mm..

1. Color Balance Comparison

Fujifilm GFX100S

100 megapixels in a body the size of a 35mm DSLR!.

1. Fujifilm GFX100S: White Balance and Tint with Adobe Camera Raw, Sunlight

Optimal Images from Hasselblad X1D II 50C

Tips on Getting the Best Results..

1. Adobe Camera Raw White Balance and Tint: Mid-Day High Altitude Sunlight, SpyderCHECKR

21mm f/2.8 Distagon

Brilliant imaging, even wide open, but with a few quirks. (Review in progress) .

1. Field Illumination (Vignetting) and Off-Center Color Balance

Otus 100mm f/1.4 APO-Sonnar

Razor sharp with gorgeous bokeh..

1. White Balance and Tint at f/1.4 Versus Stopped Down, Datacolor SpyderCHECKR (Nikon D850)

Filters

Filter know-how and spectral transmission..

1. Color balance of UV filters.

Canon EOS R

Canon’s first full-frame mirrorless..

1. White Balance and Tint in Adobe Camera Raw

Canon RF 85mm f/1.2L USM

High speed portrait lens optimized for Canon mirrorless..

1. White Balance and Tint Across Apertures

Nikon Z7 Image Quality

Image quality..

1. White Balance and Tint in Adobe Camera Raw (Mid-Day Sunny, Mountains @ 6000 ft)
2. White Balance and Tint in Adobe Camera Raw (Early Morning Shade, Mountains @ 8800 ft)

Sony A1

Technological tour de force..

1. White Balance and Tint for Sony A1, Mid-Morning Sunlight, Adobe Camera Raw

Sony Alpha A7R II

Attention to details: a big upgrade over the A7R..

1. Raw Conversion: White Balance, Tint, Sharpening (ACR in Photoshop CC)

Sigma FE 70mm f/2.8 DG Macro Art

Macro lens also excellent for all-around shooting..

1. White Balance and Tint in Adobe Camera Raw, Mid-Day Sun

Ricoh GR

Razor sharp 28mm lens on APS-C sensor and outstanding usability and features..

1. White Balance and Tint in Adobe Camera Raw (Outdoor Scene)
2. White Balance and Tint in Adobe Camera Raw (Outdoor Portrait)

Fujifilm X-Pro2

Fujifilm's 24MP APS-C offering..

1. Color Balance: Why are X-Pro2 Images Tinted Green?

Sony NEX-7 and NEX-5N

24 or 16 megapixels in a compact body with APS-C sensor..

1. Color Balance Varies By Aperture

Leica M10-R

Leica M 40 Megapixels..

1. Leica M10-R White Balance and Tint in Adobe Camera Raw, SpyderCHECKR Card

Leica M10

Leica M mount in slim body with SL-type sensor..

1. Leica M10 White Balance / Tint in Sunlight, Photoshop + Adobe Camera Raw

Leica M Typ 240 In Use

Overall design and behavior..

1. M240 White Balance and Tint in Sunlight

Blog posts, reverse chronological

2021

2021-07-11 To Polarize or not to Polarize? Examples Showing Effect on Color Balance

2021-04-29 Fujifilm GFX100S: White Balance and Tint for Neutrality in Sunlight

2021-03-27 Sony A1: White Balance and Tint in Adobe Camera Raw using Datacolor SpyderCHECKER (Mid-Morning Sunlight)

2021-03-02 Every Photographer Should Have a Color Checker Card to Establish Neutral White Balance and Tint for Each Camera and Lens Brand Combo

2020

2020-12-30 Leica M10R White Balance and Tint in Adobe Camera Raw, SpyderCHECKR Card

2020-05-24 Hasselblad X1D II 50C: White Balance and Tint in Adobe Camera Raw, Mid-Day High Altitude Sunlight, DataColor SpyderCHECKR

2019

2019-07-11 Canon RF 85mm f/1.2L: Evaluating White Balance and Tint When Stopping Down

2019-05-06 White Balance and Tint for Zeiss Otus 100mm f/1.4 APO-Sonnar in Adobe Camera Raw — Differs for f/1.4

2019-04-04 Panasonic S1R: White Balance and Tint in Adobe Camera Raw

2019-03-07 Sigma 28mm f/1.4 DG HSM: Substantial Difference in White Balance / Tint for f/1.4 vs Stopped-Down (Nikon D850)

2018

2018-11-03 Reader Question: Canon RF 50/1.2L USM vs Zeiss Otus 55mm f/1.4 APO-Distagon Plus White Balance and Tint

2018-10-21 Nikon Z7: White Balance and Tint in Adobe Camera Raw using Datacolor SpyderCHECKER (Mountain Morning Shade)

2018-10-16 Nikon Z7: White Balance and Tint in Adobe Camera Raw using Datacolor SpyderCHECKER (Mountain Mid-Day Autumn Sun)

2018-10-16 Canon EOS R: White Balance and Tint in Adobe Camera Raw using Datacolor SpyderCHECKER

2018-08-29 Hasselblad X1D + Hasselblad XCD 21mm f/4 White Balance and Tint in Mid-Morning Sunlight with Adobe Camera Raw

2018-07-20 White Balance and Tint in Adobe Camera Raw for Sigma 70mm f/2.8 DG Macro Art on Sony A7R III in Mid-Day Sun

2017

2017-10-12 Nikon D850: White Balance and Tint with Color Checker Card, ISO 31 and ISO 64 Compared

2017-07-04 Leica M10 White Balance and Tint in Photoshop/ACR

2016

2016-06-19 Evaluating White Balance and Tint for Leica SL and Leica M240 with DataColor SpyderCHECKR with 3 Lenses

2016-01-28 White Balance and Tint for Canon 5DS R in Adobe Camera Raw in Overcast Daylight

2016-01-09 LED Lighting Reviewed: Cineo Matchbox and Dracast LED 500

2016-01-03 Leica SL: White Balance and Tint in Adobe Camera Raw

2015

2015-08-09 Sony A7R II: White Balance and Tint in Adobe Camera Raw

2013

2013-09-25 Lupine Betty TL2 4500-Lumen Flashlight + Betty R for Cycling and Night-Time Photography

2013-07-17 Leica M Typ 240: White Balance and Tint in Sunlight, and Which Profile in ACR?

2013-07-02 Ricoh GR Digital: White Balance and Tint (Portrait)

2013-07-02 Adobe Camera Raw White Balance and Tint with Ricoh GR (and maybe other brands?)

2013-06-27 Leica M Typ 240: White Balance and Tint in Sunlight

2013-01-22 UPDATE: Filtration for Lupine Betty R LED Lamphead: Double Duty as Photography Light

2013-01-14 Lupine Betty R LED Lamphead: Double Duty as Photography Light

2012

2012-01-05 Sony NEX-7: Color Shift Across Apertures