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Voigtlander FE 35mm f/1.2 NOKTON Aperture Series: Bicycles

See my Voigtlander FE wishlist page.

This page evaluates the Voigtlander FE Nokton 35mm f/1.2 Aspherical at close range from f/1.2 through f/11, discussing sharpness, focus shift, and correction for secondary color.

Voigtlander FE 35mm f/1.2 NOKTON Aperture Series: Bicycles

Includes images up to full camera resolution from f/1.2 through f/11.

This series will give you a very good idea of how the Voigtlander FE 35mm f/1.2 NOKTON might apply to work where its pleasing rendering might apply, but also its potential for landscape photography.

f1.2 @ 1/125 sec electronic shutter pixel shift, ISO 100; 2020-09-15 18:40:30
Sony A7R IV + Voigtlander FE Nokton 35mm f/1.2 Aspherical
RAW: LACA corrected, push 0.9 stops, +20 Shadows, -80 Highlights, +30 Whites, USM {6,50,0}

[low-res image for bot]

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Voigtlander FE 35mm f/1.2 NOKTON: Examples at f/1.2

See my Voigtlander FE wishlist page.

This page shows examples at full aperture, and assesses sharpness, secondary color, and bokeh with the about $999 Voigtlander FE 35mm f/1.2 Nokton Aspherical SE.

If you want a 35m lens that offers a lot of 'character', this might be your lens.

Voigtlander FE 35mm f/1.2 NOKTON: Examples at f/1.2

Includes images up to full camera resolution.

f1.2 @ 1/125 sec handheld, ISO 100; 2020-09-15 19:01:40
Sony A7R IV + Voigtlander FE Nokton 35mm f/1.2 Aspherical RAW: LACA corrected

[low-res image for bot]
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Forest Fires: All California National Forests are Closed, BLM Lands Appear to Remain Open

Last night the air started to clear—what joy to have AQI back below 40, and now it is near zero (ultra clean) because it is actually raining today at my place, a light drizzle... hooray! But whether any of it makes it over to the Livermore CA area or the Creek Fire area in the Sierra foothills... unlikely.

Later in the day, it cleared up to sunny skies in icky humidity with normal season AQI of around 40, but I’ll take that over the godawful smoke. I enjoyed my first bike ride (2.5 hours) in about two weeks—a double joy since I had decent physical energy and clean air! Being holed-up for 2 weeks inside the house has been a real downer. But my legs let me know that I’ve lost a lot of conditioning.

...

So much for photographing in the mountains! I wasn’t aware of this until today, so I am sure glad I didn’t head out. Even the Inyo National Forest is closed (White Mountains and Eastern Sierra), and that is a mainstay for me. However, the order for Inyo NF expires in 9 days, on September 25.

As yet, I am unsure whether BLM (Bureau of Land Management) lands are closed other than a few localized areas (such as the Slink Fire near Coleville), but it appears that BLM lands near Bishop CA remain open, with certain restrictions. However, at this time of year, BLM lands are generally hotter than a pistol.

Accordingly, I may head to Utah for my autum work and shoot the Canyonlands National Park, Zion National Park, Bryce Canyon National Park, Capitol Reef National park, and other areas this year—if they’re open... gotta check on that. Would be a nice change of pace.

See also:

Forest Service Temporarily Closes All National Forests in California

Contact(s): Jonathan Groveman, (707) 562-8995

VALLEJO, Calif., September 9, 2020—Due to unprecedented and historic fire conditions throughout the state, the USDA Forest Service Pacific Southwest Region is announcing a temporary closure of an additional ten National Forests, meaning all eighteen National Forests in California are now closed. The closure of the additional ten forests will be effective at 5:00 pm today. These additional forests include the Eldorado National Forest, Klamath National Forest, Lassen National Forest, Mendocino National Forest, Modoc National Forest, Six Rivers National Forest, Plumas National Forest, Shasta-Trinity National Forest, Tahoe National Forest, and Lake Tahoe Basin Management Unit. This decision will be re-evaluated daily as conditions change.

We had closed eight National Forests on Monday evening, Sept. 7, 2020. Explosive growth of fires throughout California during the day and late evening of Sept. 8th led to this updated decision.

“The number of large fires and extreme fire behavior we are seeing across the State is historic," said Regional Forester Randy Moore. "These temporary closures are necessary to protect the public and our firefighters, and we will keep them in place until conditions improve and we are confident that National Forest visitors can recreate safely. I ask all Californians and visitors to take these closures and evacuations seriously for their own safety and to allow our firefighters to focus on the mission of safely suppressing these fires."

The Forest Service thanks our partners and the public for their cooperation and understanding of this monumental fire threat. It is critical that all Californians and national forest visitors follow these important closures and restrictions for their own safety and the safety of our firefighters. Citizens with specific questions within their area may call their local forests for more information.

The Forest Service manages 18 National Forests in the Pacific Southwest Region, which encompasses over 20 million acres across California, and assists forest landowners in California, Hawaii and the U.S. Affiliated Pacific Islands. National forests supply 50 percent of the water in California and form the watershed of most major aqueducts and more than 2,400 reservoirs throughout the state. For more information, visit www.fs.usda.gov/R5.



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Reader Comment: Zeiss Milvus 15mm f/2.8 Distagon

Get Zeiss DSLR lenses for Nikon and Canon at B&H Photo.

See my in-depth reviews of Zeiss DSLR lenses.

John H writes:

I wanted to pass along another thank you note regarding your work with the 15mm Zeiss. I’ve owned this lens (pre-Milvus) for about a year now, and I spent quite a bit of time puzzling over the issues of sharpness that you’ve aptly mapped to field curvature. One of the first days I owned this lens I put it on my D810 and went for a walk through central Tokyo, just shooting handheld, getting a feel for the lens and its perspective, etc..

Zeiss Milvus 15mm f/2.8 Distagon

The attached cityscape image was shot at f/8 and ISO100, I’ve done some tweaking in Adobe Raw to bring up shadows and bring down highlights. Of course I instantly fell in love with the look and perspective that this lens can deliver. On the D810 it is a wonderful tool.

But I couldn’t help pixel peeping and seeing what the lens was doing. Like some others, I thought…f/8 + 15mm means huge depth of field and everything sharp. But as you say, it never turns out that way, more effort is required to get the best results.

In this photo I can see the field curvature that you’ve presented, the crosswalk offers a nice guide, but you can actually see focus creeping closer going away from the center, and then moving back again toward the edges. This is another confirmation of everything you’ve written on the lens…it is spot on. Of course, it works very nicely for this particular scene, but I wasn’t always that lucky.

Keep up the nice work, it is very helpful and valuable to get the most out of this gear…which is very much worth doing.

DIGLLOYD: the Nikon D810 still takes some of the best images available.

The Milvus 15/2.8 is interesting in always making its owners happy.

Ancient Bristlecone Pines, White Mountains
f8 @ 1/60 sec, ISO 64; 2014-09-22 17:16:09
NIKON D810 + Zeiss Distagon T* 2.8/15 ZF.2

[low-res image for bot]

Sigma FE 85mm f/1.4 DG DN Art Aperture Series: Dolls

This series is at close range at a reproduction ratio of 1:14.7 (measured it). It evaluates all aspect of lens performance including distortion correction vs without.

Sigma FE 85mm f/1.4 DG DN Art Aperture Series: Dolls

Includes images from f/1.4 through f/11 plus crops and with and without distortion correction so that readers can see the effects across the entire aperture range.

Reader James K suggests that my loaner sample of the Sigma FE 85mm f/1.4 DG DN Art could be underperforming. Though I have not detected any obvious issues that would indicate lens skew, I also have been homebound due to horrible smoke, so I have no distance shots which are the easiest way to see it.

It is perfectly possible that this sample is at issue—I had sample-quality issues (lens skew and underperformance in general) with the Sigma FE 35mm f/1.2 DG DN Art. I have requested a 2nd sample, but do not yet know if I will get one. Sigma’s claims of MTF testing prior to shipment for quality control are IMO totally unsatisfactory, but that’s true of all brands these days.

A superb optical design means nothing if it cannot be built to strict tolerances!

Update Sept 17: a 2nd sample is definitely better and focuses spot-on as well. The first sample simply never focuses quite right with AF.

Cropped image
f4 @ 1/4 sec pixel shift, ISO 100; 2020-09-11 17:48:34
Sony A7R IV + Sigma FE 85mm f/1.4 DG DN Art
RAW: LACA corrected, +40 Whites, +15 Clarity

[low-res image for bot]

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Sigma FE 85mm f/1.4 DG DN Art Aperture Series: Kitchen Countertop

This series is about evaluating secondary color including violet fringing and magenta/green color bokeh. It alsos evaluates focus shift and sharpness across the frame as well as which aperture for optimal performance.

Sigma FE 85mm f/1.4 DG DN Art Aperture Series: Kitchen Countertop

Includes images from f/1.4 through f/11 plus crops.

f1.4 @ 1/10 sec pixel shift, ISO 100; 2020-09-11 17:57:18
Sony A7R IV + Sigma FE 85mm f/1.4 DG DN Art
RAW: LACA corrected, +40 Whites, +15 Clarity, USM {6,50,0}

[low-res image for bot]

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Sigma FE 85mm f/1.4 DG DN Art Aperture Series: Glass Vase

This series is primarily about evaluating secondary color and bokeh, but also evaluates focus shift and sharpness across the frame at a distance of approximately 8 feet / 2.5 meters.

Sigma FE 85mm f/1.4 DG DN Art Aperture Series: Glass Vase

Includes images from f/1.4 through f/11 plus crops.

f4 @ 0.5 sec pixel shift, ISO 100; 2020-09-11 17:52:07
Sony A7R IV + Sigma FE 85mm f/1.4 DG DN Art
RAW: LACA corrected, +40 Whites, +15 Clarity, USM {8,50,0}

[low-res image for bot]
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Sigma FE 85mm f/1.4 DG DN Art Aperture Series: Frog On Table

This series evaluates sharpness across the frame along with focus shift at a distance of approximately six feet / two meters. The results are especially instructive and rather disappointing.

Sigma FE 85mm f/1.4 DG DN Art Aperture Series: Frog On Table

Includes images from f/1.4 through f/8 plus crops.

f1.4 @ 1/640 sec pixel shift, ISO 100; 2020-09-11 18:15:23
Sony A7R IV + Sigma FE 85mm f/1.4 DG DN Art
RAW: LACA corrected, pull 0.3 stops, +40 Whites, +15 Clarity

[low-res image for bot]
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Sigma FE 85mm f/1.4 DG DN Art: Micro Contrast, Moiré, Color Aliasing with/without Pixel Shift and Distortion Correction

The Sigma FE 85mm f/1.4 DG DN Art is an exceptionally sharp lens wide open at f/1.4, so it is a fine candidate for this study of how image quality can be degraded by a variety of factors.

How to get the best possible results?

Conclusive results are shown as to the effects on micro contrast, color aliasing and moiré from f/1.4 to f/11 from all of the following:

Sigma 85mm f/1.4 DG DN Art: Distortion and Distortion Correction

Includes images from f/1.4 through f/11 in 6 variations: {single shot, single shot enhanced, pixel shift} with uncorrected and corrected-for-distortion versions.

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Sigma FE 85mm f/1.4 DG DN Art: Hideous Pincushion Distortion and Its Effects on Micro Contrast

This page looks at the hideous pincushion distortion of the Sigma FE 85mm f/1.4 DG DN Art. The distortion is so strong that it really makes distortion correction all but mandatory.

Pincushion distortion is far more unnatural looking than barrel distortion, particularly for human faces, but it is also a Big Deal for horizons, architecture, etc. The world tends to bow-out or round-out, not pinch in as with pincushion distortion—it feels unnatural to me.

The de-facto requirement to correct this level of distortion guarantees sub-optimal micro contrast and sharpness in a substantial portion of the central areas of the frame. That makes the sharpness and Sigma FE 85/1.4 MTF chart highly misleading.

Sigma 85mm f/1.4 DG DN Art: Distortion and Distortion Correction

Sigma 85mm f/1.4 DG DN Art: Distortion Correction Impact on Micro Contrast and Sharpness

Includes discussion and uncorrected vs corrected images.

As a measure of detail, JPEG output file size is a solid indicator: the uncorrected image compresses at very high quality to 60.2MB versus 52.3MB for the corrected image. In other words, JPEG is saying that there is more than a 10% loss in pixel detail. Simply put, the Sigma FE 85mm f/1.4 DG DN Art is a very fine lens, but it is not what is cracked up to be by Sigma in terms of sharpness.

Misleading advertising

Like Nikon, Sigma engages in misleading advertising, which I deem borderline fraudulent because the very same paragraph refers to pure optical characteristics with software correction for distortion:

The angle of view for 85mm focal length helps to focus on the essential elements. In landscape and snap photography, it vividly expresses the very impression of the scene by only showing the element that appeared impressive. The edge-to-edge resolution and beautiful bokeh bring the special atmosphere that a zoom lens cannot produce. Distortion is perfectly controlled as well.

...Improving image quality and compactization were made possible by optically correcting axial color aberration which can only be corrected optically, while utilizing in-camera correction to deal with vignetting and distortion...

Below, this is a picture of my framed tulips image hanging on my wall.

f1.4 @ 1/100 sec handheld, ISO 800; 2020-09-11 08:15:38
Sony A7R IV + Sigma FE 85mm f/1.4 DG DN Art
RAW: +40 Whites, +15 Clarity, USM {15,50,0}

[low-res image for bot]
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Shootout: Nikon NIKKOR Z 24mm f/1.8 S vs Nikon NIKKOR Z 14-30mm f/4S: Clearing Storm Over Mt Conness Eastern Ridge

The comparison pits the Nikon NIKKOR Z 24mm f/1.8 S against the Nikon NIKKOR Z 14-30mm f/4 S at near to far distances. The zoom looks better here than it does in Bonsai Above Beaver Pond, but the reasons it performs so “unpredictably” are explained in detail.

A must read if you want to understand how to get the best from either lens.

Shootout: Nikon NIKKOR Z 24mm f/1.8 S vs Nikon NIKKOR Z 14-30mm f/4S: Clearing Storm Over Mt Conness Eastern Ridge

Includes images up to full camera resolution from f/1.8 through f/11, plus crops and extensive commentary.

Clearing Storm Over Mt Conness Eastern Ridge
f9 @ 1/400 sec EFC shutter, ISO 100; 2020-08-11 13:43:50
NIKON Z7 + Nikon NIKKOR Z 24mm f/1.8 S + polarizer Zeiss
ENV: Conness Lakes, altitude 10600 ft / 3231 m, 60°F / 15°C
RAW: Enhance Details, LACA corrected, distortion corrected, +40 Whites, +10 Dehaze, +15 Clarity, diffraction mitigating sharpening

[low-res image for bot]

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California Forest Fires in San Francisco Bay Area: Eerie Orange Twilight at 10:10 AM —It’s Raining Ash

Ash is accumulating on everything and the air stinks like burning creosote or kerosene.

Although the US EPA PM2.5 AQI is nominally about 110, the real situation is more like 1000 because fine ash particles are everywhere, obvious on any surface.

PurpleAir.com US EPA PM2.5 AQI ~310 @ 2020-09-11 @ 10:45 AM

Update, 11:15 AM: it was dark before, but now it’s like early night: I just checked outside, and at ISO 100, the Sony A7R IV is metering 6 seconds at f/8 here at 11:20 AM! Hopefully our 'green' dumbf*ck electricity supply won’t give us a rolling blackout.

Update 14:50: it is now so dark that the construction workers next door are using flashlights!

Update Sept 10: less orange and a bit less dark today, but raining fine white ash all day long. AQI approaching 200.

Update Sept 11: lAQI (air quality) is absolutely horrible to the nose and eyes, and at hazardous levels—toxins go directly into the bloodstream.

We are running all our IQAir HEPA air purifiers on high and sheltering in place with conviction, in contrast to doing so for the COVID-19 hysteria, which might have made sense for a month or so back in March, but now has become an economic cluster-bomb having no rational basis that will kill millions by policy.

Orange Twilight at 10 AM from forest fire ash
f1.8 @ 1/25 sec, ISO 25; 2020-09-09 10:08:27
iPhone 7 Plus + iPhone 7 Plus 4.0 mm f/2.8 @ 28mm equiv (4mm) ENV: altitude 482 ft / 147 m

[low-res image for bot]
PurpleAir.com US EPA PM2.5 AQI air quality does not capture the ash falling aspect

Yesterday:

Heavy Forest Fire Smoke
f2.8 @ 1/1150 sec, ISO 20; 2020-09-08 14:22:20
iPhone 7 Plus + iPhone 7 Plus 6.6 mm f/2.8 @ 57mm equiv (6.6mm) ENV: altitude 613 ft / 187 m

[low-res image for bot]

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Hanging Out in the Clouds

I am really hoping to get back here in a smoke-free situation—my home in the San Francisco Bay Area as well as the entire Eastern Sierra are one huge pall of smoke hazardous to health.

Below, great place to mellow out, and way better than Portland.

Hanging Out in the Clouds
f6.3 @ 1/160 sec EFC shutter, ISO 64; 2020-08-14 17:44:21
NIKON Z7 + Nikon NIKKOR Z 24mm f/1.8 S + polarizer Zeiss
ENV: White Mountains, altitude 11600 ft / 3536 m, 60°F / 15°C
RAW: LACA corrected, distortion corrected

[low-res image for bot]
Hanging Out in the Valley
f1.8 @ 1/1000 sec panorama, ISO 20; 2020-08-15 12:29:00
iPhone 7 Plus + iPhone 7 Plus 4.0mm f/1.8
ENV: White Mountains, altitude 9600 ft / 2926 m, 60°F / 15°C

[low-res image for bot]
Rain-Freshened Air and Fresh Green Grass
f1.8 @ 1/290 sec panorama, ISO 80; 2020-08-15 17:13:00
iPhone 7 Plus + iPhone 7 Plus 4.0mm f/1.8
ENV: White Mountains, altitude 10083 ft / 3073 m, 55°F / 12°C

[low-res image for bot]
Hanging Out on the Ridgeline
f1.8 @ 1/4800 sec panorama, ISO 20; 2020-08-14 17:46:00
iPhone 7 Plus + iPhone 7 Plus 4.0mm f/1.8
ENV: White Mountains, altitude 11600 ft / 3536 m, 58°F / 14°C

[low-res image for bot]
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Nikon NIKKOR Z 14-30mm f/4 S Aperture Series @ 30mm: Bleached Trees in Old Beaver Pond

The series assesses the Nikon NIKKOR Z 14-30mm f/4 S at 30mm on a near-to-far scene. The 30mm end is much stronger than the 14mm end except that this lens sample looks to have a bad lens skew issue, showing that quality control at Nikon needs work.

Nikon NIKKOR Z 14-30mm f/4 S Aperture Series @ 30mm: Bleached Trees in Old Beaver Pond

Includes images up to full camera resolution from f/4 through f/11, plus crops.

Bleached Trees in Old Beaver Pond
f6.3 @ 1/13 sec EFC shutter, ISO 64; 2020-08-12 18:26:06
NIKON Z7 + Nikon NIKKOR Z 14-30mm f/4 S @ 30mm + polarizer Breakthrough Photography
ENV: Lundy Canyon, altitude 8600 ft / 2621 m, 60°F / 15°C
RAW: Enhance Details, LACA corrected, distortion corrected, +40 Whites, +15 Clarity

[low-res image for bot]

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Testing Soon: Voigtlander FE 35mm f/1.2 Aspheric

The San Francisco Bay Area is choked with smoke (AQI of 150 or so), and entire Eastern Sierra Nevada and Owens Valley is choked with smoke and the central valley is choked with smoke. Local parks and beaches are closed due to fire. In short, there is nowhere to go that is both open and a health hazard, short of perhaps Utah or eastern Nevada. So my testing will be delayed until I can get clean air somewhere reasonable.

Along with the new Sigma FE 85mm f/1.4 DG DN Art and Sony 12-24mm f/2.8 GM, I will be testing the new Voigtlander FE 35mm f/1.2 Aspheric for Sony mirrorless soon—on the way.

See my reviews of Voigtlander lenses for Sony mirrorless.

Voigtlander FE 35mm f/1.2 Aspheric

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Nikon NIKKOR Z 85mm f/1.8 S Aperture Series: Rainstorm at Conness Lakes

See Nikon mirrorless wishlist.

This series evaluates the Nikon Nikkor Z 85mm f/1.8 S at medium to far distance from f/1.8 through f/11. It confirms how the 85/1.8S struggles to create a fully sharp image across the frame as also seen in Pre-Sunrise View South over Patriarch Grove.

Nikon NIKKOR Z 85mm f/1.8 S Aperture Series: Rainstorm at Conness Lakes

Includes images up to full camera resolution from f/1.8 through f/11, plus crops.

Rainstorm at Conness Lakes
f8 @ 1/30 sec EFC shutter, ISO 100; 2020-08-11 14:45:23
NIKON Z7 + Nikon NIKKOR Z 85mm f/1.8 S + polarizer Breakthrough Photography
ENV: Conness Lakes, altitude 11300 ft / 3444 m, 60°F / 15°C
RAW: Enhance Details, LACA corrected, distortion corrected, push 0.33 stops, -30 Highlights, +40 Whites, +15 Clarity, diffraction mitigating sharpening

[low-res image for bot]

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Nikon NIKKOR Z 14-30mm f/4 S Aperture Series @ 14mm: View Towards Rock Creek Peaks from Pine Creek

The series assesses the Nikon NIKKOR Z 14-30mm f/4 S at 14mm, confirming the assertions in Huge Ancient Bristlecone Pine.

Nikon NIKKOR Z 14-30mm f/4 S Aperture Series @ 14mm: View Towards Rock Creek Peaks from Pine Creek

Includes images up to full camera resolution from f/4 through f/8.

View Towards Rock Creek Peaks from Pine Creek
f6.3 @ 1/8 sec EFC shutter, ISO 64; 2020-08-17 19:37:24
NIKON Z7 + Nikon NIKKOR Z 14-30mm f/4 S @ 14mm + polarizer Breakthrough Photography
ENV: Pine Creek, altitude 8600 ft / 2621 m, 70°F / 21°C
RAW: Enhance Details, LACA corrected, distortion corrected, vignetting corrected, push 1.85 stops, -80 Highlights, +50 Whites, +15 Clarity

[low-res image for bot]

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OWC Thunderbay FLEX 8: Discussing Various Configuration Possibilities for Photographers and Videographers

MPG tested the OWC Thunderbay Flex 8 with four 2TB SSDs and four Toshiba 4TB MG04ACA hard drives. Configurations up to 128TB (8 X 16TB) possible.

Looking for an all-in-one Thunderbolt 3 peripheral that covers just about all the bases? Look no further than the OWC Thunderbay FLEX 8!

Added to my review is a page discussing configuration as-shipped, and additional possibilities:

OWC Thunderbay FLEX 8: Configurations

OWC Thunderbay FLEX 8: Designing an OWC Thunderbay FLEX 8 Configuration for Still Photography or Videography

CLICK TO VIEW: Example OWC Thundebay FLEX 8 Configurations

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